Название: A History of Inventions, Discoveries, and Origins, Volume II (of 2)
Автор: Johann Beckmann
Издательство: Public Domain
Жанр: Зарубежная классика
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I might be accused of omission did I not here mention also a passage of Pliny161, where he seems to speak of a mirror made of an emerald, which Nero used to assist him to see the combats of the gladiators. Cary asserts that Nero was short-sighted, and that his emerald was formed like a concave lens. The former is expressly said by Pliny162, but the latter, though by Abat considered not improbable163, I can scarcely allow myself to believe, because such an interpretation of Pliny’s words is too forced, and because they can be explained much better in another manner. As no mention of such an excellent help to short-sighted people is to be found in any other ancient author, we must allow, if Cary’s opinion be adopted, that this property of the concave emerald was casually remarked, and that no experiments were made to cut any other natural or artificial glass in the same form for the like use, because people imagined that this property was peculiar to the emerald alone, which was then commonly supposed to be endowed with the power of greatly strengthening the eye-sight. Much more probable to me is the explanation of an Italian, which Abat also does not entirely reject, that the emerald had a smooth polished surface, and served Nero as a mirror164; and the passage of Pliny alluded to seems to have been thus understood by Isidore165 and Marbodæus. It may here be objected, that real emeralds are too small to admit of being used as mirrors; but the ancients speak of some sufficiently large for that purpose, and also of artificial ones166; so that we may with certainty conclude, that they classed among the emeralds fluor-spar green vitrified lava, or the green Icelandic agate as it is called, green jasper, and also green glass. The piece of green glass in the monastery of Reichenau, which is seven inches in length, three inches in thickness, and weighs twenty-eight pounds three-quarters; and the large cup at Genoa, which is however full of flaws167, have been given out to be emeralds even to the present time.
Mirrors were made also of rubies, as we are assured by Pliny168, who refers to Theophrastus for his authority; but this precious stone is never found now of such a size as to render this use possible; and Gary and the anonymous Italian before-mentioned have proved very properly that Pliny has committed a gross mistake, which has not been observed by Hardouin. Theophrastus, in the passage alluded to169, does not speak of a ruby, but of the well-known black marble of Chio, though he calls both carbunculus, a name given to the ruby on account of its likeness to a burning coal, and to the black marble on account of its likeness to a quenched coal or cinder; and the latter, as well as the obsidian stone, was used sometimes for mirrors.
The account how mirrors were formed by the native Americans, before they had the misfortune to become acquainted with the Europeans, is of considerable importance in the history of this art. These people had indeed mirrors which the Europeans could not help admiring. Some of them were made of black, somewhat transparent, vitrified lava, called by the Spaniards gallinazo, and which is of the same kind as the obsidian stone employed by the Romans for the like purpose. Of this substance the Americans had plane, concave, and convex mirrors. They had others also made of a mineral called the Inca’s stone170, which, as has been already said by Bomare, Sage, Wallerius, and other mineralogists, was a compact pyrites or marcasite, susceptible of a fine polish; and on that account often brought to Europe, and worn formerly in rings under the name of the stone of health. Ulloa says the Inca’s stone is brittle, opake, and of a somewhat bluish colour; it has often veins which cannot be polished, and where these veins are it frequently breaks. The mirrors formed of it, which he saw, were from two to three inches in diameter; but he saw one which was a foot and a half. The opinion which some have entertained, that these mirrors were cast, has no other foundation than the likeness of polished marcasite to cast brass. This mineral is very proper for reflecting images; and I am inclined to think that the Peruvians had better mirrors than the Greeks or the Romans, among whom we find no traces of marcasite being employed in that manner. It appears, however, that the Indians had mirrors also of silver, copper, and brass171.
I come now to the question in what century were invented our glass mirrors, which consist of a glass plate covered at the back with a thin leaf of metal. This question has been answered by some with so much confidence, that one might almost consider the point to be determined; but instead of real proofs, we find only conjectures or probabilities; and I must here remark, that I cannot help thinking that they are older than has hitherto been supposed, however desirous I may be to separate historical truth from conjecture. When I have brought together everything which I know on the subject, I would say, that attempts were even made at Sidon to form mirrors of glass; but that they must have been inferior to those of metal, because they did not banish the use of the latter. The first glass mirrors appear to me to have been of black-coloured glass, or an imitation of the obsidian stone; and to have been formed afterwards of a glass plate with some black foil placed behind it172. At a much later period, blown glass, while hot, was covered in the inside with lead or some metallic mixture; and still later, and, as appears, first at Murano, artists began to cover plates of glass with an amalgam of tin and quicksilver. The newest improvements are, the casting of glass-plates, and the art of making plates equally large by blowing and stretching, without the expensive and uncertain process which is required for casting.
That glass mirrors were made at the celebrated glass-houses of Sidon, is mentioned so clearly by Pliny that it cannot be doubted173. When I read the passage, however, without prejudice, without taking into consideration what others have said on it, and compare it with what certain information the ancients, in my opinion, give on the same subject, I can understand it no otherwise than as if the author said, that the art of manufacturing glass various ways was invented, principally, at Sidon, where attempts had been made to form mirrors of it. He appears therefore to allude to experiments which had not completely succeeded; and to say that such attempts, at the time when he wrote, had been entirely abandoned and were almost forgotten. Had this circumstance formed an epoch in the art, Pliny, in another place, where he describes the various improvements of it so fully, would not have omitted it; but of those experiments he makes no further mention174. All the inventions which he speaks of, evidently relate to metal mirrors only, of which the silver, at that time, were the newest. Had the Sidonian mirrors consisted of glass plates covered at the back, those of metal, the making of which was, at any rate, attended with no less trouble, which were more inconvenient for use on account of their aptness to break, their requiring to be frequently cleaned and preserved in a case, and which were more unpleasant on account of the faint, dull image which they reflected, could not possibly have continued so long in use as they really did; and circumstances and expressions relative to glass mirrors must certainly have occurred. Though glass continued long to be held in high estimation, particularly at Rome; and though many kinds of glass-ware are mentioned in ancient authors, СКАЧАТЬ
160
Lib. xxxvi. 22, p. 752. – “Cappadociæ lapis, duritia marmoris, candidus atque translucidus, ex quo quondam templum constructum est a quodam rege, foribus aureis, quibus clausis claritas diurna erat.” – Isidor. Origin. 16, 4. Our spar is transparent, though clouds and veins occur in it, like the violet and isabella-coloured, for example, of that found at Andreasberg. Compare this explanation with what Salmasius says in Exercitat. Plin. p. 184.
161
Lib. xxxvii. cap. 5, p. 774.
162
Lib. xi. cap. 37, p. 617.
163
This dissertation of Abat may be found translated in Neuen Hamburg. Magazin. i. p. 568.
164
Academia di Cortona, vii. p. 34.
165
Origin. xvi. 7.
166
Goguet, ii. p. 111. Fabricii Biblioth. Græca. vol. i. p. 70.
167
Keyssler, i. pp. 17 and 441.
168
Lib. xxxvii. cap. 7.
169
De Lapid. § 61.
170
[This stone acquired its name from its being much used in ornaments by the Incas or Princes of Peru.]
171
De la Vega, ii. 28.
172
Montamy in Abhandlung von den Farben zum Porzellan, Leipzig, 1767, 8vo, p. 222, asserts that he saw, in a collection of antiquities, glass mirrors which were covered behind only with a black foil.
173
Lib. xxxvi. cap. 26, p. 758.
174
Lib. xxxiii. cap. 9, p. 627.