Название: The Kādambarī of Bāṇa
Автор: Bhūṣaṇabhaṭṭa
Издательство: Public Domain
Жанр: Зарубежная классика
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‘In that forest there is a hermitage, famed throughout the world – a very birthplace of Dharma. It is adorned with trees tended by Lopāmudrā as her own children, fed with water sprinkled by her own hands, and trenched round by herself. She was the wife of the great ascetic Agastya; he it was who at the prayer of Indra drank up the waters of ocean, and who, when the Vindhya mountains, by a thousand wide peaks stretching to the sky in rivalry of Meru, were striving to stop the course of the sun’s chariot, and were despising the prayers of all the gods, yet had his commands obeyed by them; who digested the demon Vātāpi by his inward fire; who had the dust of his feet kissed by the tips of the gold ornaments on the crests of gods and demons; who adorned the brow of the Southern Region; and who manifested his majesty by casting Nahusha down from heaven by the mere force of his murmur.
(44) ‘The hermitage is also hallowed by Lopāmudrā’s son Dṛiḍhadasyu, an ascetic, bearing his staff of palāça,95 wearing a sectarial mark made of purifying ashes, clothed in strips of kuça grass, girt with muñja, holding a cup of green leaves in his roaming from hut to hut to ask alms. From the large supply of fuel he brought, he was surnamed by his father Fuelbearer.
‘The place is also darkened in many a spot by green parrots and by plantain groves, and is girt by the river Godāverī, which, like a dutiful wife, followed the path of the ocean when drunk by Agastya.
‘There, too, Rāma, when he gave up his kingdom to keep his father’s promise, dwelt happily for some time at Pañcavaṭī with Sītā, following the great ascetic Agastya, living in a pleasant hut made by Lakshmaṇa, even Rāma, the vexer of the triumphs of Rāvaṇa’s glory.96
‘There, even now, the trees, though the hermitage has long been empty, show, as it were, in the lines of white doves softly nestling in the boughs, the hermits’ pure lines of sacrificial smoke clinging to them; and there a glow bursts forth on the shoots of creepers, as if it had passed to them from Sītā’s hand as she offered flowers of oblation; (45) there the water of ocean drunk and sent forth by the ascetic seems to have been wholly distributed among the great lakes round the hermitage; there the wood, with its fresh foliage, shines as if its roots had been watered with the blood of countless hosts of demons struck down by Rāma’s many keen shafts, and as if now its palaāças were stained with their crimson hue; there, even yet, the old deer nurtured by Sītā, when they hear the deep roar of fresh clouds in the rainy season, think on the twang of Rāma’s bow penetrating all the hollows of the universe, and refuse their mouthfuls of fresh grass, while their eyes are dimmed by ceaseless tears, as they see a deserted world, and their own horns crumbling from age; there, too, the golden deer, as if it had been incited by the rest of the forest deer slain in the ceaseless chase, deceived Sītā, and led the son of Raghu far astray; there, too, in their grief for the bitter loss of Sītā, Rāma and Lakshmaṇa seized by Kabandha, like an eclipse of sun and moon heralding the death of Rāvaṇa, filled the universe with a mighty dread; (46) there, too, the arm of Yojanabāhu, struck off by Rāma’s arrow, caused fear in the saints as it lay on the ground, lest it should be the serpent form of Nahusha, brought back by Agastya’s curse; there, even now, foresters behold Sītā painted inside the hut by her husband to solace his bereavement, as if she were again rising from the ground in her longing to see her husband’s home.
‘Not far from that hermitage of Agastya, of which the ancient history is yet clearly to be seen, is a lotus lake called Pampā. It stands near that hermitage, as if it were a second ocean made by the Creator in rivalry with Agastya, at the prompting of Varuṇa, wrathful at the drinking of ocean; it is like the sky fallen on earth to bind together the fragments of the eight quarters when severed in the day of doom.97 (48) It is, indeed, a peerless home of waters, and its depth and extent none can tell. There, even now, the wanderer may see pairs of cakravākas, with their wings turned to blue by the gleam of the blossoming lotuses, as if they were swallowed up by the impersonate curse of Rāma.
‘On the left bank of that lake, and near a clump of palms broken by Rāma’s arrows, was a large old çālmalī tree.98 It shows as though it were enclosed in a large trench, because its roots are always encircled by an old snake, like the trunk of the elephants of the quarters; (49) it seems to be mantled with the slough of serpents, which hangs on its lofty trunk and waves in the wind; it strives to compass the measurement of the circle of space by its many boughs spreading through the firmament, and so to imitate Çiva, whose thousand arms are outstretched in his wild dance at the day of doom, and who wears the moon on his crest. Through its weight of years, it clings for support even to the shoulder of the wind; it is girt with creepers that cover its whole trunk, and stand out like the thick veins of old age. Thorns have gathered on its surface like the moles of old age; not even the thick clouds by which its foliage is bedewed can behold its top, when, after drinking the waters of ocean, they return from all sides to the sky, and pause for a moment, weary with their load of water, like birds amongst its boughs. From its great height, it seems to be on tiptoe to look99 at the glory of the Nandana100 Wood; its topmost branches are whitened by cotton, which men might mistake for foam dropped from the corners of their mouths by the sun’s steeds as, beset with weariness of their path through the sky, they come near it in their course overhead; (50) it has a root that will last for an aeon, for, with the garland of drunken bees sticking to the ichor which clings to it where the cheeks of woodland elephants are rubbed against it, it seems to be held motionless by iron chains; it seems alive with swarms of bees, flashing in and out of its hollow trunk. It beholds the alighting of the wings of birds, as Duryodhana receives proofs of Çakuni’s101 partizanship; like Kṛishṇa, it is encircled by a woodland chaplet;102 like a mass of fresh clouds its rising is seen in the sky. It is a temple whence woodland goddesses can look out upon the whole world. It is the king of the Daṇḍaka Wood, the leader of the lordly trees, the friend of the Vindhya Mountains, and it seems to embrace with the arms of its boughs the whole Vindhya Forest. There, on the edge of the boughs, in the centre of the crevices, amongst the twigs, in the joints of the trunks, in the holes of the rotten bark, flocks of parrots have taken their abode. From its spaciousness, they have confidently built in it their thousand nests; from its steepness, they have come to it fearlessly from every quarter. Though its leaves are thin with age, this lord of the forest still looks green with dense foliage, as they rest upon it day and night. (51) In it they spend the nights in their own nests, and daily, as they rise, they form lines in the sky; they show in heaven like Yamunā with her wide streams scattered by the tossing of Bala’s ploughshare in his passion; they suggest a lotus-bed of the heavenly Ganges flowing away, uprooted by the elephant of heaven; they show forth a sky streaked, as it were, with the brightness of the steeds of the sun’s chariot; they wear the semblance of a moving floor of emerald; they stretch out in the lake of heaven like long twines of Vallisneria; they fan the faces of the quarters wearied with the mass of the sun’s keen rays, with their wings spread against the sky like plantain leaves; they form a grassy path stretching through the heaven, and as they roam they grace the firmament with a rainbow. After their meal they return to the young birds which stay in the nest, and give them, from beaks pink as tiger’s claws reddened with the blood of slain deer, the juice of fruits and many a dainty morsel of rice-clusters, for by their deep love to their children all their other likings are subdued; (52) then they spend the night in this same tree with their young under their wings.
‘Now my father, who by reason of his great age barely dragged on his life, dwelt with my mother in a certain old hollow, and to him СКАЧАТЬ
92
Bark garments, matted locks, and rags of grass.
93
(
94
(
95
The sign of a vow.
96
Or perhaps, ‘not caring for the fascination of the
97
Does this refer to the reflection of the sky in its clear water?
98
99
Lit., ‘striving upwards to see.’
100
Indra’s wood.
101
102
Or, ‘by