Captain Fracasse. Theophile Gautier

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СКАЧАТЬ it all with an irresistibly saucy, comical by-play, that wins her round after round of enthusiastic applause—whilst the Marquis de Bruyeres, enchanted with her spirited acting, congratulates himself anew upon the happy chance that threw this charming creature in his way.

      Another character now enters upon the scene, looking cautiously about him at every step, as if he feared an unpleasant surprise. This is Leander, the horror of fathers, husbands, and guardians, the delight of wives, daughters, and wards—in one word, the lover—the very beau-ideal of a lover; young, handsome, ardent, ready for anything, winning over strict old duennas, bribing pert waiting-maids, climbing up rope-ladders, overcoming every obstacle to reach the fair mistress of his affections, and kneeling at her feet to pour out burning protestations of love and devotion, that no mortal woman could ever resist. Suddenly perceiving that Pandolphe is here, where he only expected to find Isabelle, Leander stops and throws himself into an attitude, which he has frequently practised before the mirror, and which, he flatters himself, shows his handsome person to great advantage; standing with his weight thrown upon the left leg, the right one advanced and slightly bent at the knee; one hand on the hilt of his sword, the other stroking his chin, so as to make the big diamond on his finger flash in the light, and a slight smile playing about his lips. He really did look very handsome as he stood there, and was greatly admired by all the ladies—even the haughty Yolande herself not disdaining to smile upon him approvingly. Profiting by the opportunity that this pause gave him, Leander fixed his eyes upon the Marquise de Bruyeres, with such a look of passionate entreaty and admiration that she blushed crimson in spite of herself under his ardent gaze; then he turned reluctantly towards Isabelle, with an absent, indifferent air, which he intended should indicate to the fair object of his aspirations the difference between real and simulated passion.

      When Pandolphe becomes aware of the presence of Leander he is more furious than ever, and hustles his daughter and her maid into the house as quickly as possible, not, however, without Zerbine’s finding means to take from Leander a note for Isabelle, which she slips into the pocket of her coquettish little apron. The young man, left alone with the irate father, assures him in the most respectful manner that his intentions are honourable; that he asks the hand of his fair daughter in marriage; that he is of gentle birth, has an ample fortune, and is in high favour at court; that nothing could ever induce him to give up Isabelle; he is ready to risk everything to win her, for he loves her better than his life—delicious words, which the young girl listens to with rapture from her balcony, whence she makes little signs of approval and encouragement to her lover, quite unknown to the stern father, whose back is turned to her, and who believes her safely locked up in the house. Despite the mellifluous eloquence of the ardent young suitor Pandolphe remains obstinate and unmoved, and swears, by all the gods that either he will have Captain Matamore for his son-in-law, or his refractory daughter shall be shut up in a convent and forced to become a nun. Off he bustles in hot haste to find a notary and have the contract of marriage drawn without further delay.

      As soon as he is out of sight Leander tries to persuade Isabelle—who is still in her balcony, her father having carried off the key of the street door in his pocket—to consent to fly from such persecution, and accompany him to the cell of a certain holy hermit whom he knows, and who is always willing and ready to marry runaway couples like themselves, whose loves are thwarted by tyrannical parents. But the young girl answers modestly, yet firmly, that, although she wishes nothing so earnestly as to be permitted to bestow her hand upon her faithful Leander, who already has her heart, she cannot disobey her father, for that she, like all dutiful daughters, is in duty bound to respect and submit to the commands of the author of her being; but she promises never to marry the detested Captain Matamore—she will go into the convent rather than listen to him for a moment. Unable to shake her decision Leander then retires to devise plans, with the aid of his clever valet, to overcome the formidable obstacles in his way—more than ever determined not to give up the fair Isabelle, and promising her to return in the evening and report progress.

      Isabelle retires from her balcony and closes her window, and a moment after Captain Matamore strides fiercely upon the stage—his appearance is greeted with peals of laughter—his tall, attenuated figure is encased in an absurd costume, in which the bright red and yellow stripes of his tunic meet in points in front and behind, whilst they run spirally round his long, thin arms and legs, producing the most preposterously comical effect imaginable; a stiffly-starched ruff, immensely broad, encircles his neck, upon which his head seems to be set, like that of John the Baptist on the charger; a large felt hat, turned up at one side, and ornamented with a huge tuft of red and yellow feathers, is stuck jauntily on his head, and a short cloak of the same colour, fastened round his neck and thrown back from his shoulders, floats behind him. He wears an enormous sword, whose heavily weighted hilt keeps the point always raised and standing out prominently behind him, whilst from it dangles a clever imitation of a spider’s web—a convincing proof of how much he is in the habit of making use of this formidable weapon. Closely followed by his valet, Scapin, who is in imminent danger of having an eye put out by the end of his master’s big sword, he marches several times around the stage, taking preternaturally long strides, rolling his eyes about fiercely, twisting the long ends of his huge mustache, and indulging in a variety of ridiculous gestures indicative of exaggerated rage and fury, which are irresistibly funny—all the more so because there is nothing whatever to provoke this display of ferocity. Finally he stops in front of the footlights, strikes an attitude, and delivers himself thus: “For to-day, Scapin, I am willing to let my man-killer here have a little rest, so that there may be an opportunity to get all its recent victims decently buried, in the cemeteries I contribute so largely towards filling. When a man has performed such feats of courage and carnage as I have—killing my hundreds single-handed, while my dastardly comrades trembled with fear, or turned and fled from the foe—to say nothing of my daily affairs of honour, now that the wars are over—he may assuredly indulge himself occasionally in milder amusements. Besides, the whole civilized world, having now been subjugated by my good sword, no longer offers any resistance to my indomitable arm, and Atropos, the eldest of the dread Parcae sisters, has sent word to me that the fatal scissors, with which she cuts the threads of human lives, have become so dulled by the great amount of work my trusty blade has given her to do with them, that she has been obliged to send them to Vulcan to be sharpened, and she begs for a short respite. So you see, Scapin, I must put force upon myself and restrain my natural ardour—refrain for a time from wars, massacres, sacking of cities, stand-up fights with giants, killing of monsters and dragons, like Theseus and Hercules of glorious memory, and all the other little pastimes which usually occupy my good sword and me. I will take my ease now for a brief period, and Death may enjoy a short rest too. But to whom did my worthy prototype, Mars, the great god of war, devote HIS leisure hours? in whose sweet society did HE find delight? Ask Venus, the immortal goddess of love and beauty, who had the good taste to prefer a warlike man to all others, and lent a willing ear to the suit of my valiant predecessor. So I, following his illustrious example, condescend to turn my attention for the moment to the tender sex, and pay my court to the fair Isabelle, the young and beautiful object of my ardent love. Being aware that Cupid, with all his assurance, would not dare to aim one of his golden-tipped arrows at such an all-conquering hero as my unworthy self, I have given him a little encouragement; and, in order that the shaft may penetrate to the generous lion’s heart that beats in this broad breast, I have laid aside the world-famed coat of mail—made of the rings given to me by goddesses, empresses, queens, infantas, princesses, and great ladies of every degree, my illustrious admirers the world over—which is proof against all weapons, and has so often saved my life in my maddest deeds of daring.”

      “All of which signifies,” interrupts the valet, who had listened to this high-blown tirade with ill-concealed impatience, “as far as my feeble intellect can comprehend such magnificent eloquence, that your most redoubtable lordship has fallen in love with some young girl hereabouts, like any ordinary mortal.”

      “Really, Scapin,” says Matamore, with good-humoured condescension, “you have hit the nail upon the head—you are not so stupid after all, for a valet. Yes, I have fallen in love, but do not imagine for a moment that my courage will suffer diminution on that account. It was all very well for Samson СКАЧАТЬ