Captain Fracasse. Theophile Gautier

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      The marquis, who was of an ardent, impatient nature, made his appearance in the dining-room before they had quite finished the sumptuous repast which had been served to them; he would not allow them to rise, but seated himself at the table with them, and when the last course had been removed, asked the tyrant to be good enough to give him a list of the plays they were in the habit of acting, so that he might select one for the evening’s entertainment. But so many were enumerated that his lordship found it not easy to make a choice, and expressed his desire to have the tyrant’s ideas upon the subject.

      “There is one piece we often play,” Herode said, “which never fails to please, and is so full of good-natured fun and nonsense that it keeps the audience in a roar of laughter from the beginning to the end.”

      “Let us have that one, by all means,” the marquis exclaimed; “and pray what is the name of this delightful play?”

      “The Rodomontades of Captain Matamore.”

      “A capital title, upon my word! and has the soubrette a good part in it?” asked his lordship, with a languishing glance at her.

      “The most racy, mischievous role imaginable,” said Herode warmly, “and she plays it to perfection—it is her chef d’oeuvre. She is always applauded to the echo in it.”

      At this high praise from the manager, Zerbine—for such was the soubrette’s name—tried her best to get up a becoming blush, but in vain. Modesty she had none, and the tint she would fain have called into requisition at that moment was not contained in any of her numerous rouge-pots. So she cast down her eyes, thereby displaying to advantage the length and thickness of her jet-black lashes, and raised her hand with a deprecating gesture, which called attention to its pretty, taper fingers and rosy nails. The marquis watched he admiringly, and she certainly was very charming in her way. He did not vouchsafe even a glance to the other two young actresses—refraining from testifying any marked admiration for Isabelle because of the prior claim of the Baron de Sigognac—though he was secretly very much delighted with her sweet, refined style of beauty, and the quiet dignity and grace of her deportment. Serafina, who was naturally indignant that the marquis had not even asked if there was a part for her in the piece to be performed, accused him in her heart of being no gentleman, and of having very low, vulgar tastes, but she was the only one of the party that felt any dissatisfaction.

      Before the marquis left them he said to Herode, “I have given orders to have the orangery cleared so that our theatre can be arranged there; they are carrying planks, trestles, benches, hangings, and all other needful articles in there now. Will you kindly superintend the workmen, who are new to this sort of business? They will obey your orders as they would my own.”

      Accordingly the tyrant, Blazius and Scapin repaired to the orangery, which was at a little distance from the chateau and admirably calculated for the purpose it was now to serve, and where they found everything necessary to convert it into a temporary theatre.

      Whilst this work is going forward we will make our amiable, indulgent readers acquainted with the fair mistress of the chateau—having heretofore forgotten to mention that the Marquis de Bruyeres was a married man; he thought of it so seldom himself that we may surely be pardoned for this omission. As can be readily imagined, from our last remark, love had not been the moving cause in this union. Adjoining estates, which, united in one, formed a noble domain, and equality of rank had been the chief considerations. After a very brief honeymoon, during which they had become painfully aware of a total want of congeniality, the marquis and marquise—like well-bred people, making no outcry about their matrimonial failure—had tacitly agreed to live amicably under the same roof, but entirely independent of each other—he to go his way and she hers, with perfect freedom. They always treated each other in public, and indeed whenever they chanced to meet, with the greatest courtesy, and might easily have been mistaken by a casual observer for an unusually happy and united pair. Mme. la Marquise occupied a sumptuous suite of apartments in the chateau, which her husband never thought of entering without first sending to ascertain whether it would be convenient for madame to receive him, like a formal visitor. But we will avail ourselves of the time-honoured privilege of authors, and make our way into the noble chatelaine’s bed-chamber, without any form or ceremony—feeling sure of not disturbing its fair occupant, since the writer of a romance wears upon his finger the wonder-working ring of Gyges, which renders him invisible.

      It was a large, lofty room, hung with superb tapestry representing the adventures of Apollo, and exhibiting every luxury that wealth could procure. Here also a bright wood fire was, burning cheerily, and the Marquise de Bruyeres sat before her dressing table, with two maids in attendance upon her, absorbed in the all-important business of putting the finishing touches to her extremely becoming as well as effective toilet. Mme. la Marquise was a handsome brunette, whose embonpoint, which had succeeded to the slender outline of early youth, had added to her beauty; her magnificent black hair, which was one of her ladyship’s greatest charms, was dressed in the most elaborate fashion—an intricate mass of glossy braids, puffs and curls, forming a lofty structure, and ornamented with a large bow of crimson ribbon, while one long curl fell upon her fair neck, making it look all the whiter by contrast. Her dress of crimson silk, cut very low, displayed to advantage—the plump, dimpled shoulders, and her snowy bosom, and from a band of black velvet round her throat was suspended a heart-shaped locket, set with superb rubies and brilliants. A white satin petticoat covered with priceless old lace, over which the crimson silk gown, open in front, was looped high upon the hips, and then swept back in a long, ample, richly trimmed train, completed the elegant toilet of Mme. la Marquise. Jeanne, the favourite maid and confidante, held open the box of tiny black, “muoches”—without which no fashionable lady of that epoch considered herself fully equipped—while the marquise placed one, with most happy effect, near the corner of her rather pretty mouth, and then hesitated some time before she could decide where to put the other, which she held ready on the tip of her forefinger. The two maids stood motionless, breathlessly watching their mistress, as if fully impressed with the importance of this grave question, until at last the little black star found a resting-place just above the edge of the crimson silk bodice, to the left—indicating, in the accepted hieroglyphics of that age of gallantry, that he who aspired to the lips of the fair wearer must first win her heart.

      After a last lingering look in the mirror Mme. la Marquise rose and walked slowly towards the fire, but suddenly, remembering that there was yet one adornment wanting, turned back, and took from a beautiful casket standing open on the toilet-table, a large, thick watch—called in those days a Nuremberg egg—which was curiously enamelled in a variety of bright colours, and set with brilliants. It hung from a short, broad chain of rich workmanship, which she hooked into her girdle, near another chain of the same description, from which depended a small hand-mirror in a pretty gold frame.

      “Madame is looking her loveliest to-day,” said Jeanne in flattering tones; “her hair is dressed to perfection, and her gown fits like a glove.”

      “Do you really think so?” asked her mistress languidly, and with affected indifference. “It seems to me, on the contrary, that I am positively hideous. My eyes are sunken, and this colour makes me look immensely stout. I have half a mind to exchange this dress for a black one now. What do you think, Jeanne? Black makes people look slender, they say.”

      “If madame insists upon it I can quickly make the exchange; but it would be a sad pity not to wear such an elegant and becoming costume as madame has on now.”

      “Well, let it be then; but it will be all your fault, Jeanne, if I fail to receive as much admiration as usual this evening. Do you know whether the marquis has invited many people to come and see this play?”

      “Yes, madame, several messengers have been sent off on horseback in different directions, and there will be sure to be a large gathering—they СКАЧАТЬ