I Am A Cat. Natsume Soseki
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Название: I Am A Cat

Автор: Natsume Soseki

Издательство: Ingram

Жанр: Языкознание

Серия:

isbn: 9781462901753

isbn:

СКАЧАТЬ what is it?”

      This time, cramming a thumb and index finger into a nostril, he yanks out nostril hairs.

      “We are a bit short this month. . .”

      “Couldn’t possibly be short. We’ve settled the doctor’s fee and we paid off the bookshop’s bill last month. So this month, there ought in fact to be something left over.” He coolly examines his uprooted nostril hairs as though they were some wonder of the world.

      “But because you, instead of eating rice, have taken to bread and jam. . .”

      “Well, how many tins of jam have I gone through?”

      “This month, eight tins were emptied.”

      “Eight? I certainly haven’t eaten that much.”

      “It wasn’t only you. The children also lick it.”

      “However much one licks, one couldn’t lick more than two or three shillings worth.” My master calmly plants his nostril hairs, one by one, on the writing pad. The sticky-rooted bristles stand upright on the paper like a little copse of needles. My master seems impressed by this unexpected discovery and he blows upon them. Being so sticky, they do not fly away.

      “Aren’t they obstinate?” he says and blows upon them frantically.

      “It is not only the jam. There’s other things we have to buy.” The lady of the house expresses her extreme dissatisfaction by pouting sulkily.

      “Maybe.” Again inserting his thumb and finger, he extracts some hairs with a jerk. Among these hairs of various hue, red ones and black ones, there is a single pure white bristle. My master who, with a look of great surprise, has been staring at this object, proceeds to show it to his wife, holding it up between his fingers right in front of her face.

      “No, don’t.” She pushes his hand away with a grimace of distaste.

      “Look at it! A white hair from the nostrils.” My master seems to be immensely impressed. His wife, resigned, went back into the living room with a laugh. She seems to have given up hope of getting any answer to her problems of domestic economy. My master resumes his consideration of the problems of Natural Man.

      Having succeeded in driving off his wife with his scourge of nostril hair, he appears to feel relieved, and, while continuing that depilation, struggles to get on with his article. But his brush remains unmoving. “That ‘eats baked yams’ is also superfluous. Out with it.” He deletes the phrase. “And ‘incense burns’ is somewhat over-abrupt, so let’s cross that out too.” His exuberant self-criticism leaves nothing on the paper but the single sentence “Mr. the-late-and-sainted Natural Man is one who studies Infinity and reads the Analects of Confucius.” My master thinks this statement a trifle over-simplified. “Ah well, let’s not be bothered: let’s abandon prose and just make it an inscription.” Brandishing the brush crosswise, he paints vigorously on the writing pad in that watercolor style so common among literary men and produces a very poor study of an orchid. Thus all his precious efforts to write an article have come down to this mere nothing. Turning the sheet, he writes something that makes no sense. “Born in Infinity, studied Infinity, and died into Infinity. Mr. the-late-and-sainted Natural Man. Infinity.” At this moment Waverhouse drifts into the room in his usual casual fashion. He appears to make no distinction between his own and other people’s houses; unannounced and unceremoniously, he enters any house and, what’s more, will sometimes float in unexpectedly through a kitchen door. He is one of those who, from the moment of their birth, discaul themselves of all such tiresome things as worry, reserve, scruple, and concern.

      “‘Giant Gravitation again?’” asks Waverhouse still standing.

      “How could I be always writing only about ‘Giant Gravitation?’ I’m trying to compose an epitaph for the tombstone of Mr. the-late-and-sainted Natural Man,” replied my master with considerable exaggeration.

      “Is that some sort of posthumous Buddhist name like Accidental Child?” inquires Waverhouse in his usual irrelevant style.

      “Is there then someone called Accidental Child?”

      “No, of course there isn’t, but I take it that you’re working on something like that.”

      “I don’t think Accidental Child is anyone I know. But Mr. the-late-and-sainted Natural Man is a person of your own acquaintance.”

      “Who on earth could get a name like that?”

      “It’s Sorosaki. After he graduated from the University, he took a post-graduate course involving study of the ‘theory of infinity.’ But he over-worked, got peritonitis, and died of it. Sorosaki happened to be a very close friend of mine.”

      “All right, so he was your very close friend. I’m far from criticizing that fact. But who was responsible for converting Sorosaki into Mr. the-late-and-sainted Natural Man?”

      “Me. I created that name. For there is really nothing more philistine than the posthumous names conferred by Buddhist priests.” My master boasts as if his nomination of Natural Man were a feat of artistry.

      “Anyway, let’s see the epitaph,” says Waverhouse laughingly. He picks up my master’s manuscript and reads it out aloud. “Eh . . .‘Born into infinity, studied infinity, and died into infinity. Mr. the-late-and-sainted Natural Man. Infinity.’ I see. This is fine. Quite appropriate for poor old Sorosaki.”

      “Good, isn’t it?” says my master obviously very pleased.

      “You should have this epitaph engraved on a weight-stone for pickles and then leave it at the back of the main hall of some temple for the practice-benefit of passing weight lifters. It’s good. It’s most artistic. Mr. the-late-and-sainted may now well rest in peace.”

      “Actually, I’m thinking of doing just that,” answers my master quite seriously. “But you’ll have to excuse me,” he went on, “I won’t be long. Just play with the cat. Don’t go away.” And my master departed like the wind without even waiting for Waverhouse to answer.

      Being thus unexpectedly required to entertain the culture-vulture Waverhouse, I cannot very well maintain my sour attitude. Accordingly, I mew at him encouragingly and sidle up on to his knees. “Hello,” says Waverhouse, “you’ve grown distinctly chubby. Let’s take a look at you.” Grabbing me impolitely by the scruff of my neck he hangs me up in midair. “Cats like you that let their hind legs dangle are cats that catch no mice. . . Tell me,” he said, turning to my master’s wife in the next room, “has he ever caught anything?”

      “Far from catching so much as a single mouse, he eats rice-cakes and then dances.” The lady of the house unexpectedly probes my old wound, which embarrassed me. Especially when Waverhouse still held me in midair like a circus-performer.

      “Indeed, with such a face, it’s not surprising that he dances. Do you know, this cat possesses a truly insidious physionomy. He looks like one of those goblin-cats illustrated in the old storybooks.” Waverhouse, babbling whatever comes into his head, tries to make conversation with the mistress. She reluctantly interrupts her sewing and comes into the room.

      “I do apologize. You must be bored. He won’t be long now.” And she poured fresh tea for him.

      “I wonder where he’s gone.”

      “Heaven СКАЧАТЬ