THE FOUR GOSPELS (Les Quatre Évangiles). Эмиль Золя
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Название: THE FOUR GOSPELS (Les Quatre Évangiles)

Автор: Эмиль Золя

Издательство: Bookwire

Жанр: Документальная литература

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isbn: 9788027218639

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СКАЧАТЬ And Santerre related that he had lately seen Doctor Gaude perform several operations at the Marbeuf Hospital. He had found there the usual set of society men who attend first performances at the theatres, and indeed there were also some women present.

      And then he enlarged upon the subject, giving the crudest and most precise particulars, much to the delight of Seguin, who every now and again interpolated remarks of approval, while both Mathieu and Marianne grew more and more ill at ease. The young woman sat looking with amazement at Santerre as he calmly recapitulated horror after horror, to the evident enjoyment of the others. She remembered having read his last book, that love story which had seemed to her so supremely absurd, with its theories of the annihilation of the human species. And she at last glanced at Mathieu to tell him how weary she felt of all the semi-society and semi-medical chatter around her, and how much she would like to go off home, leaning on his arm, and walking slowly along the sunlit quays. He, for his part, felt a pang at seeing so much insanity rife amid those wealthy surroundings. He made his wife a sign that it was indeed time to take leave.

      “What! are you going already!” Valentine then exclaimed. “Well, I dare not detain you if you feel tired.” However, when Marianne begged her to kiss the children for her, she added: “Why, yes, it’s true you have not seen them. Wait a moment, pray; I want you to kiss them yourself.”

      But when Celeste appeared in answer to the bell, she announced that Monsieur Gaston and Mademoiselle Lucie had gone out with their governess. And this made Seguin explode once more. All his rancor against his wife revived. The house was going to rack and ruin. She spent her days lying on a sofa. Since when had the governess taken leave to go out with the children without saying anything? One could not even see the children now in order to kiss them. It was a nice state of things. They were left to the servants; in fact, it was the servants now who controlled the house.

      Thereupon Valentine began to cry.

      “Mon Dieu!” said Marianne to her husband, when she found herself out of doors, able to breathe, and happy once more now that she was leaning on his arm; “why, they are quite mad, the people in that house.”

      “Yes,” Mathieu responded, “they are mad, no doubt; but we must pity them, for they know not what happiness is.”

      VI

       Table of Contents

      ABOUT nine o’clock one fine cold morning, a few days afterwards, as Mathieu, bound for his office, a little late through having lingered near his wife, was striding hastily across the garden which separated the pavilion from the factory yard, he met Constance and Maurice, who, clad in furs, were going out for a walk in the sharp air. Beauchene, who was accompanying them as far as the gate, bareheaded and ever sturdy and victorious, gayly exclaimed to his wife:

      “Give the youngster a good spin on his legs! Let him take in all the fresh air he can. There’s nothing like that and good food to make a man.”

      Mathieu, on hearing this, stopped short. “Has Maurice been poorly again?” he inquired.

      “Oh, no!” hastily replied the boy’s mother, with an appearance of great gayety, assumed perhaps from an unconscious desire to hide certain covert fears. “Only the doctor wants him to take exercise, and it is so fine this morning that we are going off on quite an expedition.”

      “Don’t go along the quays,” said Beauchene again. “Go up towards the Invalides. He’ll have much stiffer marching to do when he’s a soldier.”

      Then, the mother and the child having taken themselves off, he went back into the works with Mathieu, adding in his triumphant way: “That youngster, you know, is as strong as an oak. But women are always so nervous. For my part, I’m quite easy in mind about him, as you can see.” And with a laugh he concluded: “When one has but one son, he keeps him.”

      That same day, about an hour later, a terrible dispute which broke out between old Moineaud’s daughters, Norine and Euphrasie, threw the factory into a state of commotion. Norine’s intrigue with Beauchene had ended in the usual way. He had soon tired of the girl and betaken himself to some other passing fancy, leaving her to her tears, her shame, and all the consequences of her fault; for although it had hitherto been possible for her to conceal her condition from her parents, she was unable to deceive her sister, who was her constant companion. The two girls were always bickering, and Norine had for some time lived in dread of scandal and exposure. And that day the trouble came to a climax, beginning with a trivial dispute about a bit of glass-paper in the workroom, then developing into a furious exchange of coarse, insulting language, and culminating in a frantic outburst from Euphrasie, who shrieked to the assembled workgirls all that she knew about her sister.

      There was an outrageous scene: the sisters fought, clawing and scratching one another desperately, and could not be separated until Beauchene, Mathieu, and Morange, attracted by the extraordinary uproar, rushed into the workroom and restored a little order. Fortunately for Beauchene, Euphrasie did not know the whole truth, and Norine, after giving her employer a humble, supplicating glance, kept silence; but old Moineaud was present, and the public revelation of his daughter’s shame sent him into a fury. He ordered Norine out of the works forthwith, and threatened to throw her out of window should he find her at home when he returned there in the evening. And Beauchene, both annoyed at the scandal and ashamed at being the primary cause of it, did not venture to interfere. It was only after the unhappy Norine had rushed off sobbing that he found strength of mind to attempt to pacify the father, and assert his authority in the workroom by threatening to dismiss one and all of the girls if the slightest scandal, the slightest noise, should ever occur there again.

      Mathieu was deeply pained by the scene, but kept his own counsel. What most astonished him was the promptness with which Beauchene regained his self-possession as soon as Norine had fled, and the majesty with which he withdrew to his office after threatening the others and restoring order. Another whom the scene had painfully affected was Morange, whom Mathieu, to his surprise, found ghastly pale, with trembling hands, as if indeed he had had some share of responsibility in this unhappy business. But Morange, as he confided to Mathieu, was distressed for other reasons. The scene in the workroom, the revelation of Norine’s condition, the fate awaiting the girl driven away into the bleak, icy streets, had revived all his own poignant worries with respect to Valerie. Mathieu had already heard of the latter’s trouble from his wife, and he speedily grasped the accountant’s meaning. It vaguely seemed to him also that Morange was yielding to the same unreasoning despair as Valerie, and was almost willing that she should take the desperate course which she had hinted to Marianne. But it was a very serious matter, and Mathieu did not wish to be in any way mixed up in it. Having tried his best to pacify the cashier, he sought forgetfulness of these painful incidents in his work.

      That afternoon, however, a little girl, Cecile Moineaud, the old fitter’s youngest daughter, slipped into his office, with a message from her mother, beseeching him to speak with her. He readily understood that the woman wished to see him respecting Norine, and in his usual compassionate way he consented to go. The interview took place in one of the adjacent streets, down which the cold winter wind was blowing. La Moineaude was there with Norine and another little girl of hers, Irma, a child eight years of age. Both Norine and her mother wept abundantly while begging Mathieu to help them. He alone knew the whole truth, and was in a position to approach Beauchene on the subject. La Moineaude was firmly determined to say nothing to her husband. She trembled for his future and that of her son Alfred, who was now employed at the works; for there was no telling what might happen if Beauchene’s name should be mentioned. Life was indeed hard enough already, and what would become of them all should the family bread-winners be turned away from the factory? Norine certainly had no legal claim СКАЧАТЬ