The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 09 of 12). Frazer James George

Чтение книги онлайн.

СКАЧАТЬ him forcibly down.213 In Cochinchina a troublesome ghost can be confined to the grave by the simple process of knocking a nail or thrusting a bar of iron into the earth at the point where the head of the corpse may be presumed to repose.214

      Evils nailed into stones, walls, door-posts, and so on.

      From knocking the mischief into a tree or a log it is only a step to knocking it into a stone, a door-post, a wall, or such like. At the head of Glen Mor, near Port Charlotte, in Islay, there may be seen a large boulder, and it is said that whoever drives a nail into this stone will thereafter be secure from attacks of toothache. A farmer in Islay told an enquirer some years ago how a passing stranger once cured his grandmother of toothache by driving a horse-nail into the lintel of the kitchen door, warning her at the same time to keep the nail there, and if it should come loose just to tap it with a hammer till it had a grip again. She had no more toothache for the rest of her life.215 In Brunswick it is open to any one to nail his toothache either into a wall or into a tree, as he thinks fit; the pain is cured quite as well in the one way as in the other.216 So in Beauce and Perche a healer has been known to place a new nail on the aching tooth of a sufferer and then knock the nail into a door, a beam, or a joist.217 The procedure in North Africa is similar. You write certain Arabic letters and numbers on the wall; then, while the patient puts a finger on the aching tooth, you knock a nail, with a light tap of a hammer, into the first letter on the wall, reciting a verse of the Coran as you do so. Next you ask the sufferer whether the pain is now abated, and if he says “Yes” you draw out the nail entirely. But if he says “No,” you shift the nail to the next letter in the wall, and so on, till the pain goes away, which it always does, sooner or later.218 A Bohemian who fears he is about to have an attack of fever will snatch up the first thing that comes to hand and nail it to the wall. That keeps the fever from him.219

      Devils and ghosts nailed down in Morocco, Tunis, and Egypt. Headache nailed into a door or a wall. Plague pegged into a hole.

      As in Europe we nail toothache or fever to a wall, so in Morocco they nail devils. A house in Mogador having been infested with devils, who threw stones about it in a way that made life a burden to the inmates, a holy man was called in to exorcise them, which he did effectually by pronouncing an incantation and driving a nail into the wall; at every stroke of the hammer a hissing sound announced that another devil had received his quietus.220 Among the modern Arabs the soul of a murdered man must be nailed down. Thus if a man be murdered in Egypt, his ghost will rise from the ground where his blood was shed: but it can be prevented from doing so by driving a new nail, which has never been used, into the earth at the spot where the murder was committed. In Tripoli the practice is similar. Some years ago a native was murdered close to the door of a little Italian inn. Immediately the Arabs of the neighbourhood thronged thither and effectually laid the ghost with hammer and nail. When the innkeeper rashly attempted to remove the nail, he was warned that to do so would be to set the ghost free.221 In modern Egypt numbers of people afflicted with headache used to knock a nail into the great wooden door of the old south gate of Cairo, for the purpose of charming away the pain; others who suffered from toothache used to extract a tooth and insert it in a crevice of the door, or fix it in some other way, in order to be rid of toothache for the future. A holy and miraculous personage, invisible to mortal eyes, was supposed to have one of his stations at this gate.222 In Mosul also a sheikh can cure headache by first laying his hands on the sufferer's head and then hammering a nail into a wall.223 Not far from Neuenkirchen, in Oldenburg, there is a farmhouse to which, while the Thirty Years' War was raging, the plague came lounging along from the neighbouring town in the shape of a bluish vapour. Entering the house it popped into a hole in the door-post of one of the rooms. The farmer saw his chance, and quick as thought he seized a peg and hammered it into the hole, so that the plague could not possibly get out. After a time, however, thinking the danger was past, he drew out the peg. Alas! with the peg came creeping and curling out of the hole the blue vapour once more. The plague thus let loose seized on every member of the family in that unhappy house and left not one of them alive.224 Again, the great plague which devastated the ancient world in the reign of Marcus Antoninus is said to have originated in the curiosity and greed of some Roman soldiers, who, pillaging the city of Seleucia, came upon a narrow hole in a temple and incautiously enlarged the opening in the expectation of discovering treasure. But that which came forth from the hole was not treasure but the plague. It had been pent up in a secret chamber by the magic art of the Chaldeans; but now, released from its prison by the rash act of the spoilers, it stalked abroad and spread death and destruction from the Euphrates to the Nile and the Atlantic.225

      Plague nailed down in ancient Rome.

      The simple ceremony, in which to this day the superstition of European peasants sees a sovereign remedy for plague and fever and toothache, has come down to us from a remote antiquity; for in days when as yet Paris and London were not, when France still revered the Druids as the masters of all knowledge, human and divine, and when our own country was still covered with virgin forests, the home of savage beasts and savage men, the same ceremony was solemnly performed from time to time by the highest magistrate at Rome, to stay the ravages of pestilence or retrieve disaster that threatened the foundations of the national life. In the fourth century before our era the city of Rome was desolated by a great plague which raged for three years, carrying off some of the highest dignitaries and a great multitude of common folk. The historian who records the calamity informs us that when a banquet had been offered to the gods in vain, and neither human counsels nor divine help availed to mitigate the violence of the disease, it was resolved for the first time in Roman history to institute dramatical performances as an appropriate means of appeasing the wrath of the celestial powers. Accordingly actors were fetched from Etruria, who danced certain simple and decorous dances to the music of a flute. But even this novel spectacle failed to amuse or touch, to move to tears or laughter the sullen gods. The plague still raged, and at the very moment when the actors were playing their best in the circus beside the Tiber, the yellow river rose in angry flood and drove players and spectators, wading and splashing through the fast-deepening waters, away from the show. It was clear that the gods spurned plays as well as prayers and banquets; and in the general consternation it was felt that some more effectual measure should be taken to put an end to the scourge. Old men remembered that a plague had once been stayed by the knocking of a nail into a wall; and accordingly the Senate resolved that now in their extremity, when all other means had failed, a supreme magistrate should be appointed for the sole purpose of performing this solemn ceremony. The appointment was made, the nail was knocked, and the plague ceased, sooner or later.226 What better proof could be given of the saving virtue of a nail?

      Pestilence and civil discord nailed into a wall in Rome.

      Twice more within the same century the Roman people had recourse to the same venerable ceremony as a cure for public calamities with which the ordinary remedies, civil and religious, seemed unable to cope. One of these occasions was a pestilence;227 the other was a strange mortality among the leading men, which public opinion traced, rightly or wrongly, to a series of nefarious crimes perpetrated by noble matrons, who took their husbands off by poison. The crimes, real or imaginary, were set down to frenzy, and nothing could be thought of so likely to minister to minds diseased as the knocking of a nail into a wall. Search among the annals of the city proved that in a season of civil discord, when the state had been rent by party feud, the same time-honoured remedy, the same soothing balm, СКАЧАТЬ