The Well of Loneliness & Carmilla. Radclyffe Hall

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СКАЧАТЬ not give him, or indeed any man, because of that deep repugnance. Yet there should have been nothing repugnant about Martin, nor was she a child to have felt such terror. She had known certain facts about life for some time and they had not repelled her in other people—not until they had been brought home to herself had these facts both terrified and repelled her.

      She got up. No good in trying to sleep, those eternal questions kept stifling, tormenting. Dressing quickly she stole down the wide, shallow stairs to the garden door, then out into the garden. The garden looked unfamiliar in the sunrise, like a well-known face that is suddenly transfigured. There was something aloof and awesome about it, as though it were lost in ecstatic devotion. She tried to tread softly for she felt apologetic, she and her troubles were there as intruders; their presence disturbed this strange hush of communion, this oneness with something beyond their knowledge, that was yet known and loved by the soul of the garden. A mysterious and wonderful thing this oneness, pregnant with comfort could she know its true meaning—she felt this somewhere deep down in herself, but try as she would her mind could not grasp it; perhaps even the garden was shutting her out of its prayers, because she had sent away Martin. Then a thrush began to sing in the cedar, and his song was full of wild jubilation: ‘Stephen, look at me, look at me!’ sang the thrush, ‘I’m happy, happy, it’s all very simple!’ There was something heartless about that singing which only served to remind her of Martin. She walked on disconsolate, thinking deeply. He had gone, he would soon be back in his forests—she had made no effort to keep him beside her because he had wanted to be her lover. . . . ‘Stephen, look at us, look at us!’ sang the birds, ‘We’re happy, happy, it’s all very simple!’ Martin walking in dim, green places—she could picture his life away in the forests, a man’s life, good with the goodness of danger, a primitive, strong, imperative thing—a man’s life, the life that should have been hers—And her eyes filled with heavy, regretful tears, yet she did not quite know for what she was weeping. She only knew that some great sense of loss, some great sense of incompleteness possessed her, and she let the tears trickle down her face, wiping them off one by one with her finger.

      And now she was passing the old potting shed where Collins had lain in the arms of the footman. Choking back her tears she paused by the shed, and tried to remember the girl’s appearance. Grey eyes—no, blue, and a round-about figure—plump hands, with soft skin always puckered from soap-suds—a housemaid’s knee that had pained very badly: ‘See that dent? That’s the water. . . . It fair makes me sick.’ Then a queer little girl dressed up as young Nelson: ‘I’d like to be awfully hurt for you, Collins, the way that Jesus was hurt for sinners. . . .’ The potting shed smelling of earth and dampness, sagging a little on one side, lop-sided—Collins lying in the arms of the footman, Collins being kissed by him, wantonly, crudely—a broken flower pot in the hand of a child—rage, deep rage—a great anguish of spirit—blood on a face that was pale with amazement, very bright red blood that kept trickling and trickling—flight, wild, inarticulate flight, away and away, anyhow, anywhere—the pain of torn skin, the rip of torn stockings—

      She had not remembered these things for years, she had thought that all this had been quite forgotten; there was nothing to remind her of Collins these days but a fat, half-blind and pampered old pony. Strange how these memories came back this morning; she had lain in bed lately trying to recapture the childish emotions aroused in her by Collins and had failed, yet this morning they came back quite clearly. But the garden was full of a new memory now; it was full of the sorrowful memory of Martin. She turned abruptly, and leaving the shed walked towards the lakes that gleamed faintly in the distance.

      Down by the lakes there was a sense of great stillness which the songs of the birds could in no way lessen, for this place had that curious stillness of spirit that seems to interpenetrate sound. A swan paddled about in front of his island, on guard, for his mate had a nest full of cygnets; from time to time he glanced crossly at Stephen though he knew her quite well, but now there were cygnets. He was proud in his splendid, incredible whiteness, and paternity made him feel overbearing, so that he refused to feed from Stephen’s hand although she found a biscuit in her pocket.

      ‘Coup, c-o-u-p!’ she called, but he swung his neck sideways as he swam—it was like a disdainful negation. ‘Perhaps he thinks I’m a freak,’ she mused grimly, feeling more lonely because of the swan.

      The lakes were guarded by massive old beech trees, and the beech trees stood ankle-deep in their foliage; a lovely and luminous carpet of leaves they had spread on the homely brown earth of Morton. Each spring came new little shuttles of greenness that in time added warp and woof to the carpet, so that year by year it grew softer and deeper, and year by year it glowed more resplendent. Stephen had loved this spot from her childhood, and now she instinctively went to it for comfort, but its beauty only added to her melancholy, for beauty can wound like a two-edged sword. She could not respond to its stillness of spirit, since she could not lull her own spirit to stillness.

      She thought: ‘I shall never be one with great peace any more, I shall always stand outside this stillness—wherever there is absolute stillness and peace in this world, I shall always stand just outside it.’ And as though these thoughts were in some way prophetic, she inwardly shivered a little.

      Then what must the swan do but start to hiss loudly, just to show her that he was really a father: ‘Peter,’ she reproached him, ‘I won’t hurt your babies—can’t you trust me? I fed you the whole of last winter!’

      But apparently Peter could not trust her at all, for he squawked to his mate who came out through the bushes, and she hissed in her turn, flapping strong angry wings, which meant in mere language: ‘Get out of this, Stephen, you clumsy, inadequate, ludicrous creature; you destroyer of nests, you disturber of young, you great wingless blot on a beautiful morning!’ Then they both hissed together: ‘Get out of this, Stephen!’ So Stephen left them to the care of their cygnets.

      Remembering Raftery, she walked to the stables, where all was confusion and purposeful bustle. Old Williams was ruthlessly out on the warpath; he was scolding: ‘Drat the boy, what be ’e a-doin’? Come on, do! ’Urry up, get them two horses bridled, and don’t go forgettin’ their knee-caps this mornin’—and that bucket there don’t belong where it’s standin’, nor that broom! Did Jim take the roan to the blacksmith’s? Gawd almighty, why not? ’Er shoes is like paper! ’Ere, you Jim, don’t you go on ignorin’ my orders, if you do—Come on, boy, got them two horses ready? Right, well then, up you go! You don’t want no saddle, like as not you’d give ’im a gall if you ’ad one!

      The sleek, good-looking hunters were led out in clothing—for the early spring mornings were still rather nippy—and among them came Raftery, slender and skittish; he was wearing his hood, and his eyes peered out bright as a falcon’s from the two neatly braided eye-holes. From a couple more holes in the top of his head-dress, shot his small, pointed ears, which now worked with excitement.

      ‘ ’Old on!’ bellowed Williams, ‘What the ’ell be you doin’? Quick, shorten ’is bridle, yer not in a circus!’ And then seeing Stephen: ‘Beg pardon, Miss Stephen, but it be a fair crime not to lead that horse close, and ’im all corned up until ’e’s fair dancin’!’

      They stood watching Raftery skip through the gates, then old Williams said softly: ‘ ’E do be a wonder—more nor fifty odd years ’ave I worked in the stables, and never no beast ’ave I loved like Raftery. But ’e’s no common horse, ’e be some sort of Christian, and a better one too than a good few I knows on—’

      And Stephen answered: ‘Perhaps he’s a poet like his namesake; I think if he could write he’d write verses. They say all the Irish are poets at heart, so perhaps they pass on the gift to their horses.’

      Then the two of them smiled, each a little embarrassed, but their eyes held great friendship the one for the other, a friendship of years now cemented by Raftery whom they СКАЧАТЬ