In Paradise (Musaicum Must Classics). Paul Heyse

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СКАЧАТЬ is it then that the dilettanti attain their end so much more quickly than the true artists? Because, with this system of abbreviation, they steer straight for those results which seem to them of the most importance: resemblance, spirit, elegance of execution. For that reason they are often marvelously skillful in mastering the proportions of a face, for instance, and setting it off by a few dots and strokes so that everybody cries: 'Oh! how like! how speaking! and how quickly done!' The true artist knows that the length of time spent in the production is by no means a measure of excellence; and as he has not only a general sense of proportion, but also a feeling for the true form itself, he does not rest until he has done it full justice--until, so to speak, he has worked outward from the very core of that the exterior of which his eyes have already taken in and fully comprehended. However," he went on after a short pause, during which he unwound the wet cloths from his Bacchante, "you are at liberty to believe that all this is merely my personal opinion and nothing more than exaggerated estimate of what constitutes true art. In ordinary life the artist is distinguished from the dilettante only by the fact that the former follows the thing as a calling, and the latter only for his own amusement. According to this, you would be an artist from the moment you cast aside the baron, the statesman or jurist, the homme d'action, that you have in you, and regularly devoted a certain number of hours of the day to dirtying your fingers with clay. If you stick to it persistently, it would be very hard lines indeed if, in the course of several years, you should not possess the necessary mechanical skill just as well as any one else. Even to become an academic professor need not be an unattainable aim of your ambition. And if, in spite of all that, I should still continue, in my heart, to look upon you as a born dilettante, you could smile down upon me graciously, and heap coals of fire upon my head by proposing me as an honorary member of your academy. Ah! my dear boy, I tell you, if you should make a close examination of many of our most famous great men, you would bring to light little else than a disguised and beautiful dilettantism, made up of humbug, elegant trappings, and perhaps a few so-called ideas. I know painters who dash off a hand or a foot, a horse's head or an oak-tree, with as unerring an audacity as--well, as a thorough stenographer will bring a two hours' speech into the compass of an octavo page. But Lord have mercy upon them, for they have long since ceased to know what they do; and as the dear public has an even coarser sense, a still blunter natural feeling, and even more respect for appearances--why, it's all just as it should be, and no one can complain that he has been cheated."

      For some time after this speech silence reigned in the studio. There were heard only the fluttering of the sparrows, the heavy breathing of Homo, for the old fellow was already enjoying his morning nap again, and, in the saint-factory near by, the clatter and scraping and picking of seven or eight chisels in the hands of the assistants who were hard at work.

      "Thank you, Dædalus," said Felix, at last. "Upon the whole you are perfectly right, and I think it very kind of you to try and scare me off so thoroughly. But, with your permission, I intend to hold to my intentions until I have been made wise by my own experience. If, a year from this time, you preach me the same sermon, you shall see how penitently I will beat my breast and become converted from all my sins. But now, first give me something to sin with. Look here, my coat is already off, and I have nothing more to do but to roll up my shirt-sleeves."

      "So be it, then!" replied Jansen, with a good-natured smile. "Not as God wills, but as you wish--here!"

      He went to the large closet and took out a skull, which he laid on a little table near the window. At the same time he wheeled a modeling-bench out of the corner, placed it before the table, and pointed, without speaking, to a big lump of clay that lay moist and shiny in a tub.

      "Are we to study phrenology?" laughed Felix, rather nervously, for a suspicion began to dawn upon him.

      "No, my dear fellow, but we must take pains to make as exact a copy as possible of this round mass of bones. … We shall have plenty of time for the flesh when we have first mastered the skeleton."

      "I am to model a whole skeleton?"

      "Bone for bone, down to the big toe. In this way we combine an anatomical course with practice in modeling forms. Yes, my dear fellow," he smilingly continued, as he perceived the horrified expression of his pupil; "if you thought to begin your apprenticeship with the soft, white flesh of a woman, you have greatly deceived yourself. However, since you have already done quite enough preparatory studying in this field--"

      He suddenly broke off. On the landing, outside, they heard a pleasant feminine voice say:

      "Is this the way to Fräulein Minna Engelken's studio?"

      "If you will kindly give yourself the trouble to mount a flight higher," responded the hoarse bass of the janitor. "The door to the right--the name is on the sign. The Fräulein has been there for the last two hours."

      "Thanks."

      At the first sound of the voice Jansen had hurried to the door; he now opened it a little and peeped out. Then he came back to Felix, and, with his face slightly flushed, went silently to work.

      "Who was the lady?" asked Felix, though he felt no particular curiosity on the subject.

      "The stranger we saw yesterday. Strange! when I heard that unknown voice her face suddenly came up before my eyes again."

      Felix said nothing. He had gone up to the modeling-bench, had begun to work at a great ball of clay about as large as the skull, and appeared to be completely absorbed in his task.

      But they had scarcely been working on in this way, side by side and in silence, for more than a quarter of an hour when some one knocked softly on the door and Rosenbusch entered, looking excited, merry, and full of mischief.

      He nodded to the friends, stepped close up to them and said, with an air of mysterious importance: "Do you know who is up-stairs? The lady of the Pinakothek! Angelica is painting her picture--she has succeeded--an incredibly resolute woman that! And can keep a secret like the devil! Now just conceive of it; I discovered her early this morning clearing up her studio, as though the queen had given notice of a visit. For that matter it always does look damned elegant and neat up there--flowers in whichever direction you turn, and a hothouse fragrance that makes you sick. But, to-day, it is a positive show-room! 'What the devil is this, Angelica?' said I; 'is to-day your birthday, or are you going to get engaged, or are you painting a Russian princess?'--for I had long forgotten all about the affair of yesterday. But she, turning round the old yellow-silk cushion on the armchair so as to present the side which had the fewest spots--she scarcely looked at me, and said: 'Go and get to work, Herr von Rosebud'--that is what she always calls me when she is cross--'I am not at home to you, to-day!' In this way she morally turned me out of doors without farther ceremony, and, I must confess, I rather like it in her; energy, fearlessness, the courage of one's opinions, are always fine, even in a woman. So I withdrew, wondering, and was already at work laying on my colors when I heard some one coming up the stairs. Yes, I was right, she was going to Angelica; and as the wall between us is not very thick, and they did not at first take the precaution to lower their voices, I discovered the whole mystery--that it is our beauty of yesterday, that she is going to have her picture painted, and that her first name is Julie. And now I appeal to you, friends and companions in art, are we men or cowardly poltroons? Are we to suffer this vixen to carry away such a prize from under our very noses, and to withhold such a paragon of beauty from us under our own roof? Or shall we rush up as one man, and, in the name of art, lay siege to the door of this obdurate sister, and compel her, by force or persuasion, to open to us?"

      "I would advise you, Rosenbusch, to go quietly upstairs again and wreak your martial ardor on the battle of Lützen," Jansen answered, without the slightest approach to a smile. "But, if your excitement will not let you work, convey your homage to the lady through the wall by means of your flute. Perhaps they will invite you to come round and declaim some of your verses."

      "Wretched СКАЧАТЬ