He was musing over these things when a piece of news, very strange and unexpected, arrived at the rectory. A distant, almost a mythical relative, known from childhood as "Cousin Edward in the Isle of Wight," had died, and by some strange freak had left Lucian two thousand pounds. It was a pleasure to give his father five hundred pounds, and the rector on his side forgot for a couple of days to lean his head on his hand. From the rest of the capital, which was well invested, Lucian found he would derive something between sixty and seventy pounds a year, and his old desires for literature and a refuge in the murmuring streets returned to him. He longed to be free from the incantations that surrounded him in the country, to work and live in a new atmosphere; and so, with many good wishes from his father, he came to the retreat in the waste places of London.
He was in high spirits when he found the square, clean room, horribly furnished, in the by-street that branched from the main road, and advanced in an unlovely sweep to the mud pits and the desolation that was neither town nor country. On every side monotonous grey streets, each house the replica of its neighbor, to the east an unexplored wilderness, north and west and south the brickfields and market-gardens, everywhere the ruins of the country, the tracks where sweet lanes had been, gangrened stumps of trees, the relics of hedges, here and there an oak stripped of its bark, white and haggard and leprous, like a corpse. And the air seemed always grey, and the smoke from the brickfields was grey.
At first he scarcely realized the quarter into which chance had led him. His only thought was of the great adventure of letters in which he proposed to engage, and his first glance round his "bed-sitting-room" showed him that there was no piece of furniture suitable for his purpose. The table, like the rest of the suite, was of bird's-eye maple; but the maker seemed to have penetrated the druidic secret of the rocking-stone, the thing was in a state of unstable equilibrium perpetually. For some days he wandered through the streets, inspecting the second-hand furniture shops, and at last, in a forlorn byway, found an old Japanese bureau, dishonored and forlorn, standing amongst rusty bedsteads, sorry china, and all the refuse of homes dead and desolate. The bureau pleased him in spite of its grime and grease and dirt. Inlaid mother-of-pearl, the gleam of lacquer dragons in red gold, and hints of curious design shone through the film of neglect and ill-usage, and when the woman of the shop showed him the drawers and well and pigeon-holes, he saw that it would be an apt instrument for his studies.
The bureau was carried to his room and replaced the "bird's-eye" table under the gas-jet. As Lucian arranged what papers he had accumulated: the sketches of hopeless experiments, shreds and tatters of stories begun but never completed, outlines of plots, two or three notebooks scribbled through and through with impressions of the abandoned hills, he felt a thrill of exaltation at the prospect of work to be accomplished, of a new world all open before him.
He set out on the adventure with a fury of enthusiasm; his last thought at night when all the maze of streets was empty and silent was of the problem, and his dreams ran on phrases, and when he awoke in the morning he was eager to get back to his desk. He immersed himself in a minute, almost a microscopic analysis of fine literature. It was no longer enough, as in the old days, to feel the charm and incantation of a line or a word; he wished to penetrate the secret, to understand something of the wonderful suggestion, all apart from the sense, that seemed to him the differentia of literature, as distinguished from the long follies of "character-drawing," "psychological analysis," and all the stuff that went to make the three-volume novel of commerce.
He found himself curiously strengthened by the change from the hills to the streets. There could be no doubt, he thought, that living a lonely life, interested only in himself and his own thoughts, he had become in a measure inhuman. The form of external things, black depths in woods, pools in lonely places, those still valleys curtained by hills on every side, sounding always with the ripple of their brooks, had become to him an influence like that of a drug, giving a certain peculiar color and outline to his thoughts. And from early boyhood there had been another strange flavor in his life, the dream of the old Roman world, those curious impressions that he had gathered from the white walls of Caermaen, and from the looming bastions of the fort. It was in reality the subconscious fancies of many years that had rebuilt the golden city, and had shown him the vine-trellis and the marbles and the sunlight in the garden of Avallaunius. And the rapture of love had made it all so vivid and warm with life, that even now, when he let his pen drop, the rich noise of the tavern and the chant of the theatre sounded above the murmur of the streets. Looking back, it was as much a part of his life as his schooldays, and the tessellated pavements were as real as the square of faded carpet beneath his feet.
But he felt that he had escaped. He could now survey those splendid and lovely visions from without, as if he read of opium dreams, and he no longer dreaded a weird suggestion that had once beset him, that his very soul was being molded into the hills, and passing into the black mirror of still waterpools. He had taken refuge in the streets, in the harbor of a modern suburb, from the vague, dreaded magic that had charmed his life. Whenever he felt inclined to listen to the old wood-whisper or to the singing of the fauns he bent more earnestly to his work, turning a deaf ear to the incantations.
In the curious labor of the bureau he found refreshment that was continually renewed. He experienced again, and with a far more violent impulse, the enthusiasm that had attended the writing of his book a year or two before, and so, perhaps, passed from one drug to another. It was, indeed, with something of rapture that he imagined the great procession of years all to be devoted to the intimate analysis of words, to the construction of the sentence, as if it were a piece of jewelry or mosaic.
Sometimes, in the pauses of the work, he would pace up and down his cell, looking out of the window now and again and gazing for an instant into the melancholy street. As the year advanced the days grew more and more misty, and he found himself the inhabitant of a little island wreathed about with the waves of a white and solemn sea. In the afternoon the fog would grow denser, shutting out not only sight but sound; the shriek of the garden gates, the jangling of the tram-bell echoed as if from a far way. Then there were days of heavy incessant rain; he could see a grey drifting sky and the drops plashing in the street, and the houses all dripping and saddened with wet.
He cured himself of one great aversion. He was no longer nauseated at the sight of a story begun and left unfinished. Formerly, even when an idea rose in his mind bright and wonderful, he had always approached the paper with a feeling of sickness and dislike, remembering all the hopeless beginnings he had made. But now he understood that to begin a romance was almost a separate and special art, a thing apart from the story, to be practiced with sedulous care. Whenever an opening scene occurred to him he noted it roughly in a book, and he devoted many long winter evenings to the elaboration of these beginnings. Sometimes the first impression would yield only a paragraph or a sentence, and once or twice but a splendid and sonorous word, СКАЧАТЬ