ARTHUR MACHEN: 30+ Horror Classics, Supernatural & Fantasy Books (Including Translations, Essays & Memoirs). Arthur Machen

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СКАЧАТЬ at the vast dim mountain hovering like a cloud in the west, and then at the scene illumined by a flaring light, and contrasted with violent shadows. The subdued mutter of conversation in a strange language rising from bench after bench, swift hissing whispers of explanation, now and then a shout or a cry as the interest deepened, the restless tossing of the people as the end drew near, an arm lifted, a cloak thrown back, the sudden blaze of a torch lighting up purple or white or the gleam of gold in the black serried ranks; these were impressions that seemed always amazing. And above, the dusky light of the stars, around, the sweet-scented meadows, and the twinkle of lamps from the still city, the cry of the sentries about the walls, the wash of the tide filling the river, and the salt savor of the sea. With such a scenic ornament he saw the tale of Apuleius represented, heard the names of Fotis and Byrrhaena and Lucius proclaimed, and the deep intonation of such sentences as Ecce Veneris hortator et armiger Liber advenit ultro. The tale went on through all its marvelous adventures, and Lucian left the amphitheatre and walked beside the river where he could hear indistinctly the noise of voices and the singing Latin, and note how the rumor of the stage mingled with the murmur of the shuddering reeds and the cool lapping of the tide. Then came the farewell of the cantor, the thunder of applause, the crash of cymbals, the calling of the flutes, and the surge of the wind in the great dark wood.

      At other times it was his chief pleasure to spend a whole day in a vineyard planted on the steep slope beyond the bridge. A grey stone seat had been placed beneath a shady laurel, and here he often sat without motion or gesture for many hours. Below him the tawny river swept round the town in a half circle; he could see the swirl of the yellow water, its eddies and miniature whirlpools, as the tide poured up from the south. And beyond the river the strong circuit of the walls, and within, the city glittered like a charming piece of mosaic. He freed himself from the obtuse modern view of towns as places where human beings live and make money and rejoice or suffer, for from the standpoint of the moment such facts were wholly impertinent. He knew perfectly well that for his present purpose the tawny sheen and shimmer of the tide was the only fact of importance about the river, and so he regarded the city as a curious work in jewelry. Its radiant marble porticoes, the white walls of the villas, a dome of burning copper, the flash and scintillation of tiled roofs, the quiet red of brickwork, dark groves of ilex, and cypress, and laurel, glowing rose-gardens, and here and there the silver of a fountain, seemed arranged and contrasted with a wonderful art, and the town appeared a delicious ornament, every cube of color owing its place to the thought and inspiration of the artificer. Lucian, as he gazed from his arbour amongst the trellised vines, lost none of the subtle pleasures of the sight; noting every nuance of color, he let his eyes dwell for a moment on the scarlet flash of poppies, and then on a glazed roof which in the glance of the sun seemed to spout white fire. A square of vines was like some rare green stone; the grapes were massed so richly amongst the vivid leaves, that even from far off there was a sense of irregular flecks and stains of purple running through the green. The laurel garths were like cool jade; the gardens, where red, yellow, blue and white gleamed together in a mist of heat, had the radiance of opal; the river was a band of dull gold. On every side, as if to enhance the preciousness of the city, the woods hung dark on the hills; above, the sky was violet, specked with minute feathery clouds, white as snowflakes. It reminded him of a beautiful bowl in his villa; the ground was of that same brilliant blue, and the artist had fused into the work, when it was hot, particles of pure white glass.

      For Lucian this was a spectacle that enchanted many hours; leaning on one hand, he would gaze at the city glowing in the sunlight till the purple shadows grew down the slopes and the long melodious trumpet sounded for the evening watch. Then, as he strolled beneath the trellises, he would see all the radiant facets glimmering out, and the city faded into haze, a white wall shining here and there, and the gardens veiled in a dim glow of color. On such an evening he would go home with the sense that he had truly lived a day, having received for many hours the most acute impressions of beautiful color.

      Often he spent the night in the cool court of his villa, lying amidst soft cushions heaped upon the marble bench. A lamp stood on the table at his elbow, its light making the water in the cistern twinkle. There was no sound in the court except the soft continual plashing of the fountain. Throughout these still hours he would meditate, and he became more than ever convinced that man could, if he pleased, become lord of his own sensations. This, surely, was the true meaning concealed under the beautiful symbolism of alchemy. Some years before he had read many of the wonderful alchemical books of the later Middle Ages, and had suspected that something other than the turning of lead into gold was intended. This impression was deepened when he looked into Lumen de Lumine by Vaughan, the brother of the Silurist, and he had long puzzled himself in the endeavor to find a reasonable interpretation of the hermetic mystery, and of the red powder, "glistening and glorious in the sun." And the solution shone out at last, bright and amazing, as he lay quiet in the court of Avallaunius. He knew that he himself had solved the riddle, that he held in his hand the powder of projection, the philosopher's stone transmuting all it touched to fine gold; the gold of exquisite impressions. He understood now something of the alchemical symbolism; the crucible and the furnace, the "Green Dragon," and the "Son Blessed of the Fire" had, he saw, a peculiar meaning. He understood, too, why the uninitiated were warned of the terror and danger through which they must pass; and the vehemence with which the adepts disclaimed all desire for material riches no longer struck him as singular. The wise man does not endure the torture of the furnace in order that he may be able to compete with operators in pork and company promoters; neither a steam yacht, nor a grouse-moor, nor three liveried footmen would add at all to his gratifications. Again Lucian said to himself:

      "Only in the court of Avallaunius is the true science of the exquisite to be found."

      He saw the true gold into which the beggarly matter of existence may be transmuted by spagyric art; a succession of delicious moments, all the rare flavors of life concentrated, purged of their lees, and preserved in a beautiful vessel. The moonlight fell green on the fountain and on the curious pavements, and in the long sweet silence of the night he lay still and felt that thought itself was an acute pleasure, to be expressed perhaps in terms of odor or color by the true artist.

      And he gave himself other and even stranger gratifications. Outside the city walls, between the baths and the amphitheatre, was a tavern, a place where wonderful people met to drink wonderful wine. There he saw priests of Mithras and Isis and of more occult rites from the East, men who wore robes of bright colours, and grotesque ornaments, symbolizing secret things. They spoke amongst themselves in a rich jargon of colored words, full of hidden meanings and the sense of matters unintelligible to the uninitiated, alluding to what was concealed beneath roses, and calling each other by strange names. And there were actors who gave the shows in the amphitheatre, officers of the legion who had served in wild places, singers, and dancing girls, and heroes of strange adventure.

      The walls of the tavern were covered with pictures painted in violent hues; blues and reds and greens jarring against one another and lighting up the gloom of the place. The stone benches were always crowded, the sunlight came in through the door in a long bright beam, casting a dancing shadow of vine leaves on the further wall. There a painter had made a joyous figure of the young Bacchus driving the leopards before him with his ivy-staff, and the quivering shadow seemed a part of the picture. The room was cool and dark and cavernous, but the scent and heat of the summer gushed in through the open door. There was ever a full sound, with noise and vehemence, there, and the rolling music of the Latin tongue never ceased.

      "The wine of the siege, the wine that we saved," cried one.

      "Look for the jar marked Faunus; you will be glad."

      "Bring me the wine of the Owl's Face."

      "Let us have the wine of Saturn's Bridge."

      The boys who served brought the wine in dull red jars that struck a charming note against their white robes. They poured out the violet and purple and golden wine with calm sweet faces as if they were assisting in the mysteries, without any sign that they heard the strange words that flashed from СКАЧАТЬ