ARTHUR MACHEN: 30+ Horror Classics, Supernatural & Fantasy Books (Including Translations, Essays & Memoirs). Arthur Machen
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СКАЧАТЬ fantastic labyrinth of walls. He heard the sound of sonorous plain-song from the monastic choir, of gross exuberant gaiety from the rich vineyards; he listened to the eternal mystic mirth of those that halted in the purple shadow of the sorbier by the white, steep road. The gracious and ornate châteaux on the Loire and the Vienne rose fair and shining to confront the incredible secrets of vast, dim, far-lifted Gothic naves, that seemed ready to take the great deep, and float away from the mist and dust of earthly streets to anchor in the haven of the clear city that hath foundations. The rank tale of the garderobe, of the farm-kitchen, mingled with the reasoned, endless legend of the schools, with luminous Platonic argument; the old pomp of the Middle Ages put on the robe of a fresh life. There was a smell of wine and of incense, of June meadows and of ancient books, and through it all he hearkened, intent, to the exultation of chiming bells ringing for a new feast in a new land. He would cover pages with the analysis of these marvels, tracking the suggestion concealed beneath the words, and yet glowing like the golden threads in a robe of samite, or like that device of the old binders by which a vivid picture appeared on the shut edges of a book. He tried to imitate this art, to summon even the faint shadow of the great effect, rewriting a page of Hawthorne, experimenting and changing an epithet here and there, noting how sometimes the alteration of a trifling word would plunge a whole scene into darkness, as if one of those blood-red fires had instantly been extinguished. Sometimes, for severe practice, he attempted to construct short tales in the manner of this or that master. He sighed over these desperate attempts, over the clattering pieces of mechanism which would not even simulate life; but he urged himself to an infinite perseverance. Through the white hours he worked on amidst the heap and litter of papers; books and manuscripts overflowed from the bureau to the floor; and if he looked out he saw the mist still pass by, still passing from the river to the north.

      It was not till the winter was well advanced that he began at all to explore the region in which he lived. Soon after his arrival in the grey street he had taken one or two vague walks, hardly noticing where he went or what he saw; but for all the summer he had shut himself in his room, beholding nothing but the form and color of words. For his morning walk he almost invariably chose the one direction, going along the Uxbridge Road towards Notting Hill, and returning by the same monotonous thoroughfare. Now, however, when the new year was beginning its dull days, he began to diverge occasionally to right and left, sometimes eating his luncheon in odd corners, in the bulging parlors of eighteenth-century taverns, that still fronted the surging sea of modern streets, or perhaps in brand new "publics" on the broken borders of the brickfields, smelling of the clay from which they had swollen. He found waste by-places behind railway embankments where he could smoke his pipe sheltered from the wind; sometimes there was a wooden fence by an old pear-orchard where he sat and gazed at the wet desolation of the market-gardens, munching a few currant biscuits by way of dinner. As he went farther afield a sense of immensity slowly grew upon him; it was as if, from the little island of his room, that one friendly place, he pushed out into the grey unknown, into a city that for him was uninhabited as the desert.

      He came back to his cell after these purposeless wanderings always with a sense of relief, with the thought of taking refuge from grey. As he lit the gas and opened the desk of his bureau and saw the pile of papers awaiting him, it was as if he had passed from the black skies and the stinging wind and the dull maze of the suburb into all the warmth and sunlight and violent color of the south.

      VI

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      It was in this winter after his coming to the grey street that Lucian first experienced the pains of desolation. He had all his life known the delights of solitude, and had acquired that habit of mind which makes a man find rich company on the bare hillside and leads him into the heart of the wood to meditate by the dark waterpools. But now in the blank interval when he was forced to shut up his desk, the sense of loneliness overwhelmed him and filled him with unutterable melancholy. On such days he carried about with him an unceasing gnawing torment in his breast; the anguish of the empty page awaiting him in his bureau, and the knowledge that it was worse than useless to attempt the work. He had fallen into the habit of always using this phrase "the work" to denote the adventure of literature; it had grown in his mind to all the austere and grave significance of "the great work" on the lips of the alchemists; it included every trifling and laborious page and the vague magnificent fancies that sometimes hovered below him. All else had become mere by-play, unimportant, trivial; the work was the end, and the means and the food of his life—it raised him up in the morning to renew the struggle, it was the symbol which charmed him as he lay down at night. All through the hours of toil at the bureau he was enchanted, and when he went out and explored the unknown coasts, the one thought allured him, and was the colored glass between his eyes and the world. Then as he drew nearer home his steps would quicken, and the more weary and grey the walk, the more he rejoiced as he thought of his hermitage and of the curious difficulties that awaited him there. But when, suddenly and without warning, the faculty disappeared, when his mind seemed a hopeless waste from which nothing could arise, then he became subject to a misery so piteous that the barbarians themselves would have been sorry for him. He had known some foretaste of these bitter and inexpressible griefs in the old country days, but then he had immediately taken refuge in the hills, he had rushed to the dark woods as to an anodyne, letting his heart drink in all the wonder and magic of the wild land. Now in these days of January, in the suburban street, there was no such refuge.

      He had been working steadily for some weeks, well enough satisfied on the whole with the daily progress, glad to awake in the morning, and to read over what he had written on the night before. The new year opened with faint and heavy weather and a breathless silence in the air, but in a few days the great frost set in. Soon the streets began to suggest the appearance of a beleaguered city, the silence that had preceded the frost deepened, and the mist hung over the earth like a dense white smoke. Night after night the cold increased, and people seemed unwilling to go abroad, till even the main thoroughfares were empty and deserted, as if the inhabitants were lying close in hiding. It was at this dismal time that Lucian found himself reduced to impotence. There was a sudden break in his thought, and when he wrote on valiantly, hoping against hope, he only grew more aghast on the discovery of the imbecilities he had committed to paper. He ground his teeth together and persevered, sick at heart, feeling as if all the world were fallen from under his feet, driving his pen on mechanically, till he was overwhelmed. He saw the stuff he had done without veil or possible concealment, a lamentable and wretched sheaf of verbiage, worse, it seemed, than the efforts of his boyhood. He was not longer tautological, he avoided tautology with the infernal art of a leader-writer, filling his wind bags and mincing words as if he had been a trained journalist on the staff of the Daily Post. There seemed all the matter of an insufferable tragedy in these thoughts; that his patient and enduring toil was in vain, that practice went for nothing, and that he had wasted the labor of Milton to accomplish the tenth-rate. Unhappily he could not "give in"; the longing, the fury for the work burnt within him like a burning fire; he lifted up his eyes in despair.

      It was then, while he knew that no one could help him, that he languished for help, and then, though he was aware that no comfort was possible, he fervently wished to be comforted. The only friend he had was his father, and he knew that his father would not even understand his distress. For him, always, the printed book was the beginning and end of literature; the agony of the maker, his despair and sickness, were as accursed as the pains of labor. He was ready to read and admire the work of the great Smith, but he did not wish to hear of the period when the great Smith had writhed and twisted like a scotched worm, only hoping to be put out of his misery, to go mad or die, to escape somehow from the bitter pains. And Lucian knew no one else. Now and then he read in the paper the fame of the great littérateurs; the Gypsies were entertaining the Prince of Wales, the Jolly Beggars were dining with the Lord Mayor, the Old Mumpers were mingling amicably and gorgeously with the leading members of the Stock Exchange. He was so unfortunate as to know none of these gentlemen, but it hardly seemed likely that they could have done much for him in any case. Indeed, in his СКАЧАТЬ