The Machine. James Smythe

Чтение книги онлайн.

       7

      Beth can’t sleep because of the rain. It’s so heavy that it sounds unholy: the windows shaking, the beating of it against the ground outside. Looking down from her bedroom window to the Grasslands she can see that they’ve become a slop, as the run-off from the hard ground has caused the water to accumulate there. It’s puddled around the base of the building – she can lean down and see it, like a trench, and there are things floating in it but she can’t see what they are from here, bobbing like dark rotting buoys – because the ground is too hard to take it in. It’s easier to watch it than to sleep, so Beth slides open her window and leans out. It’s coming straight down, no wind pushing it in any direction. She can lean on the sill and not get even slightly wet, which she does: sitting on the edge of the bed and watching it fall. The cats are conspicuous by their absence. She wonders where they go when it rains like this. If they’re young enough to not remember when it rained with any real regularity, and if they don’t know what it is, it must terrify them. She remembers being a child and having a small dog, and the first winter it snowed since they got it. Taking the dog out into it and trudging through the foot of whiteness that covered their streets that first morning, and watching the dog licking at it, then jumping through it: trying to make it over the mounds but failing, and ending up leaving pits where its entire body landed over and over again. How it pissed into it, and the cave that the hot urine made, and how that cave made the overlying snow crumble. How she notices that cause and effect, dragging the dog to piles of snow against walls to get it to wee, to make the snow collapse.

      When she’s done with the window she leaves it open and walks around the flat. She sits in the living room in front of the television, nervous. She checks her bank accounts, which have been all but cleared out by her purchasing the Machine. She’s got an email from the French seller. He’s ambiguous in the language he uses, but he wants to make sure that it got there in one piece, and that it works. She doesn’t know why he cares: probably because he’d likely get in more trouble for selling it than she would for buying it, and if it was broken she would be liable to kick up a fuss. She replies: Everything seems to be fine, and the equipment seems to function. I’m very grateful for all your help. She presses send, and she’s barely had time to think before a reply comes.

      No problem, it says. It offers her help if she needs it, tells her to email that address. She doesn’t reply to this one. She assumes that that’s it, the last contact that she’ll have with him. She Googles Vic’s name, just to see if there’s anything new, but there’s nothing immediate. There’s a lot of articles that mention him as part of some group litigation, and a few people who have studied him, covered him as part of a thesis. Occasionally an article will mention Beth as well: it will say that he was only recently married when he went to war, and that the treatment robbed a wife of her husband, left her practically bereaved only a couple of years past their beautiful union. Purple prose to describe something that was far more simple and crude than it appeared. When it had actually been a lump of shrapnel from an improvised, home-made bomb that robbed her. When she heard that he had been injured – a telephone call from a man whose name she didn’t even remember, frantic and desperate where she had assumed that army calls came through measured and calm – she prayed for him to survive. She said, through her atheism, that she wanted nothing more than for him to survive.

      Whatever happens, that’s all that I want, she said, out loud, to the darkness of her bedroom as she tried to sleep that night. Now, she remembers that night, because – quite deliberately – she never prays. This has been done by her, not some cruel deity. It was an unfair trade-off, to give him his life and then curse him with the dreams that it did, only to rob his life from him again, in all essence. Beth shuts the laptop and walks to the fridge. She takes milk out and drinks from the bottle, standing with the door open, letting the chill run over her body. She can’t stop thinking about Vic, so she goes to the spare bedroom. This, in here now, contains a part of him.

      You’re still here then, she says. She turns the Machine on and presses her hand, all of it, palm fully spread, onto the screen. The whirr, the hum. The familiar warmth of the screen as she leaves her hand there, and the print that’s left when СКАЧАТЬ