Название: Moonshine
Автор: Victoria Clayton
Издательство: HarperCollins
Жанр: Современная зарубежная литература
isbn: 9780007398287
isbn:
Burgo leaned forward and closed the glass partition that separated the front from the back.
‘Obviously you don’t worry about appearing democratic.’ I admired the acres of polished walnut and quilted leather. The back seat was the size of a generous sofa and you could have fitted a dining table and chairs into the space for our legs.
‘Simon won’t mind being excluded. He’s thrilled to be asked to drive fast. He doesn’t often get the chance.’
‘I really meant, this is an opulent car.’
‘It isn’t mine. It belongs to Simon. He’s a dedicated Conservative so he lets me have the use of it at a reasonable rate. It doesn’t do me any harm to be conspicuous but the real reason I like it is because I can stretch my legs and sleep off the coronation chicken on my way back to London.’ He extended them as he spoke and they were, indeed, unusually long. ‘When Simon’s not driving me about he makes a living ferrying brides to and from church at a stately crawl.’
This explained the powerfully sweet aroma of scent and hairspray that clung to the upholstery. I opened the window a fraction.
Burgo leaned forward and picked something from the floor. ‘There you are. Confetti.’ He handed me some scraps of silver paper, then swayed towards me as Simon took a tight bend at speed. The draught from the open window blew the tiny bell and the horseshoe from my hand. ‘I find all sorts of things in here.’ He looked in the ashtray and then felt along the edge of the seat. ‘There you are.’ He showed me a lace handkerchief, crumpled into a ball. ‘It’s still damp with tears. At least I hope it’s tears. Once I found a garter. Another time a copy of Tropic of Capricorn with the spicier sections marked. Last week I found a photograph of a young man torn in two. Themes for a whole book of short stories.’
‘Don’t you ever drive yourself?’
‘I don’t have a licence. I gave up after the fifth attempt to pass my test. I offered the last man a bribe but he still refused to pass me. I found it reassuring, in a way, that he was incorruptible. My temperament isn’t suited to driving. I get bored and my mind wanders. In London I take taxis. It’s an opportunity to hear what people really think, talking to people who don’t know I’m an MP. Naturally the cabbies all have strong views on politics and are usually much further to the right than I am.’
‘My father seems to think you’re practically a Marxist.’
‘In theory I approve of some elements of Marxism but I disapprove of despotism, which is the only way you can implement it, humans being so unequal. History’s shown us that Marxism and Fascism have a lot in common. Both systems rely on collective brainwashing to educate the populace and extreme brutality to crush rebellion. And that’s positively my last word this evening about politics. You’ve told me unequivocally that you hate them and I’ve had enough of them today to satisfy the most ardent politicophile.’
‘I like political history, though. Distance lends enchantment.’
‘What do you really like?’ He slid lower in his seat, folded his arms and turned his head to rest his chin on his left shoulder to look at me. ‘What makes you want to get up in the morning?’
Meeting his eyes, observant, curious, humorous, I felt a moment of disquiet, almost alarm. What was I doing speeding through the countryside to an unknown destination with this man who was a stranger? Reality is so different from one’s imagining. Getting dressed alone in my bedroom, I had felt excited and confident. Now Burgo was beside me, I felt oddly uncertain of myself and almost wished myself safely back in the gloomy dining room at Cutham.
‘Well.’ I looked down at the little heap of multicoloured confetti near his shoe and attempted to restore my composure by giving my attention fully to the question. ‘Breakfast, for one thing. I usually wake up hungry. And extremes of weather. Not only sun but snow and wind, too. I even like wet days if it’s a proper deluge. That’s the only thing I don’t like about living in London: you hardly notice the seasons, except as an inconvenience. Nature’s confined to a few dusty plane trees growing out of holes in the pavement. I really love flowers and gardens. But London parks are too tidy. And I hate African marigolds.’ Careful, I thought, you’re starting to gabble. Don’t let him see you’re nervous. If only he’d stop looking at me. I put up my hand to check the combs in my hair, then was annoyed with myself for fidgeting. ‘I’d always be willing to get up to see the first bud open of an oriental poppy called Cedric Morris. It’s the most subtle shade of greyish pink.’ Now you’re sounding like a plant dictionary. Stupid, stupid. ‘And I nearly always want to get up for work. I work for an auction house. I used to be in the antique textile department but last year I moved to porcelain. There’s always the chance that something good’s going to be brought in for valuation or to be sold. I can’t often afford to bid for anything myself but just to see something beautiful – to touch it – gives me pleasure.’
‘What do you call beautiful?’
‘Practically anything that’s eighteenth century. Ignoring the smells and the lack of antibiotics and dentistry, Angelica Kauffmann seems to me to have led the most enviable life. She was prodigiously talented and got to see most of the wonderful houses and gardens and exquisite furniture of the age.’
‘Ah yes, she was a painter.’
‘And absolutely on a par with the men. Sir Joshua Reynolds was a great admirer. Have you seen her work at Frogmore?’
‘No. But I shall, now you’ve put me on to it. Do you paint?’
‘In an amateur way. The need to earn a living is my excuse for not being better at it. But the truth is that I can’t make up my mind what I like best. Textiles, fans and objets de vertu are passions but I’m equally besotted by porcelain, especially Chelsea and Longton Hall. As for early English walnut furniture …’ I made a sound expressive of longing.
‘Describe an average day.’
I told him about my job. Now I was on familiar territory I grew calmer. I felt a brief return of my London self. I was used to working with male colleagues, to being as much at ease with men as with women and confident that I knew what I was talking about most of the time. Burgo was a good listener. He gave me his whole attention and asked the right questions. I relaxed and wondered what had made me lose my nerve in that absurd way. It must be Cutham that disagreed with me.
‘I like the idea of a life spent in pursuit of beauty,’ Burgo said.
‘Is that the impression I’ve given? Well, perhaps. Some people would think that superficial. Cold and selfish. And subjective, of course.’
‘Only if they were thinking of beauty in its narrowest sense: the acquisition of fine objects. And even with material beauty, things must be honest, well conceived and well made to be beautiful. Keats said it succinctly enough in that wonderful sonnet. “Beauty is truth, truth beauty.” Or was it the other way round? When we come to abstractions – goodness, truth, unselfishness, charity, justice, fortitude – in practice they’re indivisible from one another and from beauty. I knew I’d like talking to you. You’re an enthusiast and so am I. About different things but that doesn’t matter. I like that dress. That is a subjective judgement. What do you call that colour?’
‘I don’t know. Pistachio, perhaps.’
‘Your eyes are almost the same colour, a mixture of green and grey with that ring of gold round СКАЧАТЬ