The Glass Universe: The Hidden History of the Women Who Took the Measure of the Stars. Дава Собел

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       CHAPTER TWO

       What Miss Maury Saw

      THE INFUSION OF FUNDS for the Henry Draper Memorial made the Harvard College Observatory hum with new people and purpose. Construction of the small building to house Dr. Draper’s telescope started in June 1886 and continued through the summer while Mrs. Draper toured Europe. In October the instrument was mounted in the new dome. Now there were two telescopes outfitted for nightly rounds of spectral photography—the Draper 11-inch and an 8-inch purchased with a $2,000 grant from the Bache Fund of the National Academy of Sciences. The illustrious Great Refractor, through which the first-ever photograph of a star had been taken in 1850, later proved unsuitable for photography. Its 15-inch lens had been fashioned for visual observing; that is, for human eyes most attuned to yellow and green wavelengths of light. The lenses of the two new instruments, in contrast, favored the bluer wavelengths to which photographic plates were sensitive. The 8-inch Bache telescope also boasted a wide field of view for taking in huge tracts of sky all at once, rather than homing in on single objects.

      In less than a decade at the helm, Edward Pickering had shifted the observatory’s institutional emphasis from the old astronomy, centered on star positions, to novel investigations into the stars’ physical nature. While half the computing staff continued to calculate the locations and orbital dynamics of heavenly bodies, a few of the women were learning to read the glass plates produced on-site, honing their skills in pattern recognition in addition to arithmetic. A new kind of star catalogue would soon emerge from these activities.

      The earliest known star counter, Hipparchus of Nicaea, catalogued a thousand stars in the second century BC, and later astronomers enumerated the content of the heavens to ever better effect. The projected Henry Draper Catalogue would be the first in history to rely entirely on photographs of the sky and to specify the “spectrum type,” as well as the position and brightness, for myriad stars.

      Dr. and Mrs. Draper had gathered their spectra one by one, using a prism at the telescope’s eyepiece to split the light of each star. Pickering and his assistants, eager to increase the pace of operations, altered the Drapers’ approach. By installing prisms at the objective, or light-gathering end of the telescope, instead of at the eyepiece, they were able to capture group portraits containing two or three hundred spectra per plate. The prisms were large, square sheets of thick glass, wedge-shaped in cross section. “The safety and convenience of handling the prisms,” Pickering found, “is greatly increased by placing them in square brass boxes, each of which slides into place like a drawer.” Harvard’s picture gallery grew apace. When Mrs. Draper paid another visit soon after Thanksgiving, Pickering assured her that any star visible from Cambridge appeared on at least one of the glass plates.

      Toward the end of December 1886, just when the staff had smoothed out most of the difficulties with the new procedures, Nettie Farrar’s beau proposed. Pickering was all in favor of marriage, of course, but he hated to lose Miss Farrar, a five-year veteran of the computing corps whom he had personally trained to measure spectra on the photographic plates. On New Year’s Eve, he wrote to inform Mrs. Draper of Miss Farrar’s engagement, and also to name Williamina Fleming, the former maid, as her replacement.

      Since returning from Scotland in 1881, Mrs. Fleming had been assisting Pickering with photometry. Often she took the director’s penciled notations from the nightly observations with his assistants and applied the formulas he specified to compute the stars’ magnitudes. By 1886, when the Royal Astronomical Society awarded Pickering its gold medal for this work, he had already embarked on a parallel approach to photometry via photography. This change required Mrs. Fleming, well accustomed to reading lists of numbers scribbled in the dark, to judge magnitudes from fields of stars on glass plates.

      Mrs. Fleming had let Pickering know that photography ran in her pedigree. Her father, Robert Stevens, a carver and gilder praised for his gold-leaf picture frames, had been the first in the city of Dundee to experiment with daguerreotyping, as the process was called in her childhood. She was still a child, only seven, when her father died suddenly of heart failure. Her mother and older siblings tried, for a time, to keep the business running without him, but without success. One by one, her older brothers sailed away to Boston, where she eventually followed them. Now, at twenty-nine, she had a seven-year-old child of her own to care and provide for. Edward would soon arrive; her mother was booking passage with him on the Prussian out of Glasgow.

      Miss Farrar dutifully introduced Mrs. Fleming to the plates of stellar spectra, and taught her how to measure the hordes of tiny lines. Mrs. Fleming could have taught Miss Farrar a thing or two about marriage and childbirth, but on the subject of the spectrum she had everything to learn.