A LITTLE PIECE OF HEAVEN. That was one way to look at the sheet of glass propped up in front of her. It measured about the same dimensions as a picture frame, eight inches by ten, and no thicker than a windowpane. It was coated on one side with a fine layer of photographic emulsion, which now held several thousand stars fixed in place, like tiny insects trapped in amber. One of the men had stood outside all night, guiding the telescope to capture this image, along with another dozen in the pile of glass plates that awaited her when she reached the observatory at 9 a.m. Warm and dry indoors in her long woolen dress, she threaded her way among the stars. She ascertained their positions on the dome of the sky, gauged their relative brightness, studied their light for changes over time, extracted clues to their chemical content, and occasionally made a discovery that got touted in the press. Seated all around her, another twenty women did the same.

The unique employment opportunity that the Harvard Observatory afforded ladies, beginning in the late nineteenth century, was unusual for a scientific institution, and perhaps even more so in the male bastion of Harvard University. However, the director’s farsighted hiring practices, coupled with his commitment to systematically photographing the night sky over a period of decades, created a field for women’s work in a glass universe. The funding for these projects came primarily from two heiresses with abiding interests in astronomy, Anna Palmer Draper and Catherine Wolfe Bruce.

The large female staff, sometimes derisively referred to as a harem, consisted of women young and old. They were good at math, or devoted stargazers, or both. Some were alumnae of the newly founded women’s colleges, though others brought only a high school education and their own native ability. Even before they won the right to vote, several of them made contributions of such significance that their names gained honored places in the history of astronomy: Williamina Fleming, Antonia Maury, Henrietta Swan Leavitt, Annie Jump Cannon, and Cecilia Payne. This book is their story.

PART ONE

The Colors of Starlight

I swept around for comets about an hour, and then I amused myself with noticing the varieties of color. I wonder that I have so long been insensible to this charm in the skies, the tints of the different stars are so delicate in their variety. … What a pity that some of our manufacturers shouldn’t be able to steal the secret of dyestuffs from the stars.

—Maria Mitchell (1818–1889)

Professor of Astronomy, Vassar College

The white mares of the moon rush along the sky

Beating their golden hoofs upon the glass heavens

—Amy Lowell (1874–1925)

Winner of the Pulitzer Prize for Poetry

CHAPTER ONE

Mrs. Draper’s Intent

THE DRAPER MANSION, uptown on Madison Avenue at Fortieth Street, exuded the new glow of electric light on the festive night of November 15, 1882. The National Academy of Sciences was meeting that week in New York City, and Dr. and Mrs. Henry Draper had invited some forty of its members to dinner. While the usual gaslight illuminated the home’s exterior, novel Edison incandescent lamps burned within—some afloat in bowls of water—for the amusement of the guests at table.

Thomas Edison himself sat among them. He had met the Drapers years ago, on a СКАЧАТЬ

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PREFACE

PART ONE

CHAPTER ONE

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