English Caricaturists and Graphic Humourists of the Nineteenth Century. Graham Everitt

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СКАЧАТЬ Duel that Did Not Take Place.”—Dissolution of Parliament in 1834.—Brougham’s Royal “Progress” through Scotland.—Annoyance of William IV., who Determines to Get Rid of Him.—“The Fall of Icarus.”—“The Vaux and the Grapes.”—The Irish Coercion Bill of 1833.—Irish Disaffection which led Up to It.—List of Irish Crimes for One Year.—Scenes between English and Irish Members.—“Prisoners of War.”—Good Effects of the Coercion Bill.—Irish Agitators of 1833 and 1883 Compared.—O’ Connell and the Irish Peasant.—Unscrupulous Political Conduct of O’Connell.—“The Comet of 1835.”—“Doctor Syntax [i.e. Peel] on his Faithful Steed in Search of the Picturesque.”—Amazing Number of HB’s Political Sketches.—His failings.—His Imitators and their Fate.

      pp. 254-276.

      CHAPTER XIII.

      John Leech.—Birth.—At Charterhouse.—The “Coach Tree.”—Early Efforts in Drawing brought to the notice of Flaxman.—Apprenticed to Whittle, an Eccentric Medical Man.—Transfer of Leech’s Indentures.—Early Work.—Applies to Illustrate “Pickwick.”—Style not Matured till 1840.—An Attack on Dickens.—Attack on “Phiz.”—Attack on D’Israeli.—“Bentley’s Miscellany.”—Joins Punch.—Marriage.—The “Right-hand Man in Punch’s Cabinet.”—“Illuminated Magazine.”—Portraits of Leech in Punch.—Douglas Jerrold and Albert Smith.—Douglas Jerrold and À Beckett.—Leech at a Fancy Ball.—Albert Smith and the Wide-awake Innkeepers at Chamounix.—George Cruikshank Borrowing from Leech.—Influence of Cruikshank on Leech.—The Two Compared.—Abhorrence of Frenchmen.—Mistake in “The Battle of Life.”

      pp. 277-293.

      CHAPTER XIV.

      John Leech’s Punch Cartoons.—The “Albert” Hat.—O’Connell.—Sir James Graham.—“Peel’s Dirty Little Boy.”—“How do you Like the New Whig?”—“The Premier’s Fix.”—“The Railway Juggernaut.”—Between Free Trade and Protection Sir Robert Peel falls through.—“Dombey and Son.”—Lord Brougham “in order.”—Smithfield.—Louis Philippe.—The Year of Unrest, 1848.—French Expedition to Rome.—“A Bright Idea.”—General Haynau and Barclay & Perkins’ Draymen.—“Joe” Hume.—The “Papal Aggression” Cartoons.—“The Boy who Chalked up ‘No Popery’ and then Ran Away.”—Great Exhibition of 1851.—The Coup d’état.—The Peace Society.—“The Old ‘Un and the Young ’Un.”—War with Russia.—Evils of the Purchase System.—Generals Janvier and Fevrier.—“The Return from Vienna.”—Incapacity of English Generals.—“Urgent Private Affairs.”—“Staying Proceedings.”—The Royal Levées.—The French Colonels.—“Religion à la mode.”—Fête at Cremorne.—Plots against the French Emperor, and their Consequences.—“Invasion of French Light Wines.”

      pp. 294-314.

      CHAPTER XV.

      Exhibition of Leech’s “Sketches in Oil” at the Egyptian Hall in 1862.—What Thackeray said of them.—Gradual Decrease in the Numbers of his Cartoons for Punch.—Overwork.—Goes to the Continent with Mark Lemon in 1862.—“A day at Biarritz.”—Returns with no Benefit.—Leech and Thackeray at Evans’s in December, 1863.—Thackeray and Leech at Charterhouse on “Founder’s Day.”—Thackeray at the Wednesday Punch Dinner, 15th of December, 1863.—Death of Thackeray.—Death of Mr. R. W. Surtees.—The Punch Council Dinners.—John Leech a faithful Attendant.—“Moses Starting for the Fair.”—John Leech’s Illness described.—No Falling off in the Quality of his Designs.—“St. Genulphus.”—Starts off for Homburg with Mr. Alfred Elmore.—Death of Thomas Frederick Robson.—His Wonderful Powers Wasted.—Leech goes to Whitby.—Shirley Brooks joins him.—“The Weinbrunnen Schwalbach.”—Reminiscences of the Whitby Visit.—Opening of Fechter’s Season at the Lyceum.—John Leech at a Party at Mr. W. P. Frith’s, 13th of October—At the Weekly Punch Dinner, 26th of October.—Serious Change for the Worse.—His Death.—Shock caused by his Death in London and the Provinces.—His Funeral.—Shirley Brooks’ Memorial in Punch.

      pp. 315-335.

      CHAPTER XVI.

      Hablot Knight Browne (“Phiz”).—Invincible Tendency to Exaggeration.—Charles Lever’s Opinion.—Weakness and Attenuation of his Figures.—Compared with John Leech.—Tendency to Reproduce.—All his Heroes closely Resemble One Another.—Charles Lever’s Complaint on this Score.—Great Ability of the Artist.—“Ralph Nickleby’s Visit to his Poor Relations.”—Newman Noggs.—Squeers.—Mrs. Nickleby’s Lunatic Admirer.—“Pecksniff’s Reception of the New Pupil.”—“Pleasant Little Family Party at Mr. Pecksniff’s.”—“Warm Reception of Mr. Pecksniff by his Venerable Friend.”—Quilp and Samson Brass.—Quilp and the Dog.—Mrs. Jarley’s Waxwork Brigand.—Capture of Bunsby by Mrs. Macstinger.—“Sunday under Three Heads.”—The Jack Sheppard Mania of 1840.—“The Way to the Gallows made Easy and Pleasant.”—“Phiz” not a Born Comic Artist.—Excellence in Depicting Graver Subjects.—“The Dombey Family.”—“Mrs. Dombey at Home.”—“Abstraction and Recognition.”—“The Dark Road.”—“Carker in his Hour of Triumph.”—“Bleak House.”—Why Browne suited Charles Dickens’s Requirements.—Coolness between Artist and Author.—One of Browne’s Finest Illustrations.—Decline of Book Etching.—Browne without an Idea of his Own.—Powerful Assistance rendered to Novelists by Book Illustrators of his day.—Sketches and Studies.—Death of the Artist.

      pp. 336-354.

      CHAPTER XVII.

      Kenny Meadows.—“Portraits of the English.”—A Thoroughly Useful Man.—Some Works Illustrated by Meadows.—His Merits Unequal.—His Contempt for Nature.—An Early Illustrator of Punch.—His Illustrated Shakespeare.—Some Excellent Work of Meadows.—His Death.—Robert William Buss.—Recommended to Illustrate “Pickwick” on Seymour’s Death.—Etchings Suppressed.—The “Buss Plates” not his at all.—His Paintings.—Lectures on Caricature and Graphic Satire.—Comic Publications which preceded or ran side by side with Punch.—Alfred William Forrester (Alfred Crowquill).—“A General Utility Man.”—Crowquill a Caricaturist.—His Talent and Cleverness.—Some of His Paintings.—Charles H. Bennett.—“Shadows.”—“Shadow and Substance.”—“Origin of Species.”—Taken on the Punch Staff.—Early Death.—Theatrical Performances for the Benefit of his Family.—Kate Terry.—Thackeray as a Comic Artist.—Satire on Charles Lever.—Unfitted to Illustrate his own Novels, and why.—His Genius Displayed in Literature not in Art.—Illustrations to “Vanity Fair” Considered.—Anthony Trollope on this Subject.

      pp. 355-380.

      CHAPTER XVIII.

      First Work of Richard Doyle.—Receives his Art Training from his Father.—Joins Punch.—The СКАЧАТЬ