English Caricaturists and Graphic Humourists of the Nineteenth Century. Graham Everitt

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      Having been called on to write a Preface to a popular edition of this book, I seize the opportunity which is now afforded me of correcting an error which occurred in the original edition. By some unaccountable accident the printer omitted my sub-title; and it was not unnatural that some of my reviewers should inquire why, in a work dealing with English Caricaturists of the Nineteenth Century, no mention should be made of the graphic humourists who succeeded John Leech. This question is answered by the restoration of the original title, from which it will be seen that the work is simply “a contribution to the history of caricature from the time of the first Napoleon down to the death of John Leech, in 1864.” To take in the later humourists, would be to carry the work beyond the limits which I had originally assigned to it.

      One word more, and I have done. My intention in writing this book was to show how the caricaturist “illustrated” his time,—in other words, how he “interpreted” the social and political events of his day, according to his own bias, or the views he was retained to serve. While exhibiting him in the light of an historian—which he most undoubtedly is—I had no idea (as some of my too favourable critics seem to have imagined) of writing a history of caricature itself. For this task, indeed, I am not qualified, nor does it in the slightest degree enlist my sympathy.

      G. Everitt.

      11th August, 1893.

      CHAPTER I.

      Dr. Johnson’s definition of the word Caricatura.—Francis Grose’s definition.—Modern signification of the word.—Change in the Spirit of English Caricature during the last Fifty Years.—Its Causes.—Gillray.—Rowlandson.—Bunbury.—Influence of Gillray and Rowlandson on their immediate Successors.—Gradual Disappearance of the Coarseness of the Old Caricaturists.—Change wrought by John Doyle.—We have now no Caricaturist.—Effect of Wood Engraving on Caricature.—Hogarth, although a Satirist, not a Caricaturist.—Gustave Doré misdescribed a Caricaturist.—Absurdity of comparing him with Cruikshank.—“Etching Moralized.”

      pp. 1-11.

      CHAPTER II.

      Connection of Gillray and Rowlandson with Nineteenth Century Caricaturists.—Napoleon Bonaparte.—The Causes of English Exasperation against him explained.—Sketch of his Policy towards England.—The “Berlin Decree.”—English Caricatures brought to the notice of Bonaparte.—“A Political Fair.”—The “Gallick Storehouse for English Shipping.”—“Spanish Flies, or Boney taking an Immoderate Dose.”—“Boney and his New Wife, or a Quarrel about Nothing.”—Birth of the young King of Rome.—“British Cookery, or Out of the Frying-pan into the Fire.”—“General Frost Shaving Boney.”—“Polish Diet with French Dessert.”—“The Corsican Blood-hound beset by the Bears of Russia.” “Nap nearly Nab’d, or a Retreating Jump just in time.”—“Boney Returning from Russia covered with Glory.”—“Nap’s Glorious Return.”—Rowlandson’s Anti-Bonaparte Caricatures.—French Contemporary Satires.—Gillray’s Anti-Bonaparte Caricatures.—His Libels on Josephine.—Madame Tallien.—Robert Dighton.—Consequences of a Pinch of Snuff.—Master Betty—Impeachment of Lord Melville.—Introduction of Gas.—Mary Anne Clarke.—Imbecility and Death of James Gillray

      pp. 12-33.

      CHAPTER III.

      Re-opening of Drury Lane.—Dr. Busby’s “Monologue.”—“A Buz in a Box, or the Poet in a Pet.”—“Doctors Differ, or Dame Nature against the College.”—Joanna Southcott.—Flight of the Princess Charlotte.—“Plebeian Spirit, or Coachee and the Heiress Presumptive.”—“Miss endeavouring to Excite a Glow with her Dutch Plaything.”—American War of 1812-1815.—Hostile Temper of the Americans.—Disastrous Results of their Invasion of Canada.—English Retaliatory Measures.—Burning of Washington.—Expedition against Alexandria.—“The Fall of Washington, or Maddy in Full Flight.”—British Defeated at Baltimore and New Orleans.—“Romeo Coates.”—Marriage of the Princess Charlotte.—“Leap Year, or John Bull’s Establishment.”—Troubles of 1817.—Narrow Escape of the Prince Regent.—“More Plots!!! More Plots!!!”—Edmund Kean and Lucius Junius Booth.—“The Rival Richards.”—Congress of the Allied Sovereigns at Aix-la-Chapelle.—“A Russian Dandy at Home: a Scene at Aix-la-Chapelle.”—“A Peep at the Pump Room, or the Zomerzetshire Folks in a Maze.”—Death of Queen Charlotte.—“The Hambourg Waltz.”—Invention of the Kaleidoscope.—“Caleidoscopes, or Paying for Peeping.”—The Velocipede or “Hobby.”—“The Spirit Moving the Quakers upon Worldly Vanities.”—“John Bull in Clover,” and “John Bull Done Over.”—Birth of the Princess Victoria.—“A Scene in the New Farce, called The Rivals, or a Visit to the Heir Presumptive.”

      pp. 34-61.

      CHAPTER IV.

      Caroline of Brunswick.—Levity of her Character.—Result of the Commission to Inquire into her Conduct in 1806.—Her Letter to the Regent.—Result of the Commission of 1813.—Caroline rebels.—Wrath of Lord Ellenborough.-“A Key to the Investigation, or Iago distanced by odds.”—Refusal of the Regent to meet her in 1814.—Her Protest.—Applies for Permission to Travel Abroad.—Rumours prejudicial to her Moral Conduct.—“Paving the way for a Royal Divorce.”—The Milan Commission.—Ministers averse to the Prosecution of the Queen.—Their False Step.—Arrival of Caroline in London.—Opening of the “Green Bag.”—Arrival of the Witnesses.—Strange Appearance of Caroline at the Trial.—Satire upon Her and her Supporters.—“City Scavengers Cleansing the London Streets of Impurities.”—Practical Failure of the Prosecution.—“The Queen Caroline running down the Royal George.”—“The Steward’s Court of the Manor of Torre Devon.”—Popularity of the King.—“Grand Entrance to Bamboozlem.”—Public Events of 1822-1825.—Greek War of Independence.—Battle of Navarino.—“Russian Bear’s Grease, or a Peep into Futurity.”—“The Descent of the Great Bear, or the Mussulmans in a Quandary.”—“The Nest in Danger.”—“The Porte presenting a Bill of Indemnification.”—“Burking old Mrs. Constitution, aged 141.”—Caricature Declines after 1830, and why.—William Heath and other Caricaturists of the Period.—Theodore Lane.

      pp. 62-88.

      CHAPTER V.

      Caricatures of Robert Cruikshank.—Forgotten, and why.—Artistic Training—“The Mother’s Girl Plucking a Crow, or German Flesh and English Spirit.”—“The Horse Marine and his Trumpeter in a Squall.”—Queer Fashions of the early part of the Century.—Thackeray’s Difficulty.—Caricatures on the “Dandies” of 1818.—Robert and his Fellow-Caricaturists ridicule the sham “Corinthians” and “Corinthian Kates” of their day.—Hollow Pretensions of the “Dandies.”—“The Dandy Dressing at Home” and “The Dandy Dressed.”—“A Dandyess.”—Robert’s Satires on the “Dandies” of 1819.—“The Mysterious Fair One, or the Royal Introduction to the Circassian Beauty.”—Other Caricatures of his of 1819.—His Satires on the СКАЧАТЬ