The Religion of Babylonia and Assyria. Morris Jastrow
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Название: The Religion of Babylonia and Assyria

Автор: Morris Jastrow

Издательство: Bookwire

Жанр: Документальная литература

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isbn: 4057664627629

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СКАЧАТЬ from the south that formed a worthy complement to the Khorsabad antiquities.

      From this survey of the work done in the last decades in exploring the long lost and almost forgotten cities of the Tigris and of the Euphrates Valley, it will be apparent that a large amount of material has been made accessible for tracing the course of civilization in this region. Restricting ourselves to that portion of it that bears on the religion of ancient Mesopotamia, it may be grouped under two heads, (1) literary, and (2) archaeological. The religious texts of Ashurbanabal's library occupy the first place in the literary group. The incantations, the prayers and hymns, lists of temples, of gods and their attributes, traditions of the creation of the world, legends of the deities and of their relations to men, are sources of the most direct character; and it is fortunate that among the recovered portions of the library, such texts are largely represented. Equally direct are the dedicatory inscriptions set up by the kings in the temples erected to the honor of some god, and of great importance are the references to the various gods, their attributes, their powers, and their deeds, which are found at every turn in the historical records which the kings left behind them. Many of these records open or close with a long prayer to some deity; in others, prayers are found interspersed, according to the occasion on which they were offered up. Attributing the success of their undertakings—whether it be a military campaign, or the construction of some edifice, or a successful hunt—to the protection offered by the gods, the kings do not tire of singing the praises of the deity or deities as whose favorites they regarded themselves. The gods are constantly at the monarch's side. Now we are told of a dream sent to encourage the army on the approach of a battle, and again of some portent which bade the king be of good cheer. To the gods, the appeal is constantly made, and to them all good things are ascribed. From the legal documents, likewise, much may be gathered bearing on the religion. The protection of the gods is invoked or their curses called down; the oath is taken in their name; while the manner in which the temples are involved in the commercial life of ancient Babylonia renders these tablets, which are chiefly valuable as affording us a remarkable insight into the people's daily life, of importance also in illustrating certain phases of the religious organization of the country. Most significant for the position occupied by the priests, is the fact that the latter are invariably the scribes who draw up the documents.

      

      Large as the material is, it is far from being exhausted, and, indeed, far from sufficient for illustrating all the details of the religious life. This will not appear surprising, if it be remembered that of the more than one hundred mounds that have been identified in the region of the Tigris and Euphrates as containing remains of buried cities, only a small proportion have been explored, and of these scarcely more than a half dozen with an approach to completeness. The soil of Mesopotamia unquestionably holds still greater treasures than those which it has already yielded. The links uniting the most ancient period—at present, c. 4000 B.C.—to the final destruction of the Babylonian empire by Cyrus, in the middle of the sixth century B.C., are far from being complete. For entire centuries we are wholly in the dark, and for others only a few skeleton facts are known; and until these gaps shall have been filled, our knowledge of the religion of the Babylonians and Assyrians must necessarily remain incomplete. Not as incomplete, indeed, as their history, for religious rites are not subject to many changes, and the progress of religious ideas does not keep pace with the constant changes in the political kaleidoscope of a country; but, it is evident that no exhaustive treatment of the religion can be given until the material shall have become adequate to the subject.

       Table of Contents

      Before proceeding to the division of the subject in hand, some explanation is called for of the method by which the literary material found beneath the soil has been made intelligible.

      The characters on the clay tablets and cylinders, on the limestone slabs, on statues, on altars, on stone monuments, are generally known as cuneiform, because of their wedge-shaped appearance, though it may be noted at once that in their oldest form the characters are linear rather than wedge-shaped, presenting the more or less clearly defined outlines of objects from which they appear to be derived. At the time when these cuneiform inscriptions began to be found in Mesopotamia, the language which these characters expressed was still totally unknown. Long previous to the beginning of Botta's labors, inscriptions also showing the cuneiform characters had been found at Persepolis on various monuments of the ruins and tombs still existing at that place. The first notice of these inscriptions was brought to Europe by a famous Italian traveler, Pietro della Valle, in the beginning of the seventeenth century. For a long time it was doubted whether the characters represented anything more than mere ornamentation, and it was not until the close of the 18th century, after more accurate copies of the Persepolitan characters had been furnished through Carsten Niebuhr, that scholars began to apply themselves to their decipherment. Through the efforts chiefly of Gerhard Tychsen, professor at Rostock, Frederick Münter, a Danish scholar, and the distinguished Silvestre de Sacy of Paris, the beginnings were made which finally led to the discovery of the key to the mysterious writings, in 1802, by Georg Friedrich Grotefend, a teacher at a public school in Göttingen. The observation was made previous to the days of Grotefend that the inscriptions at Persepolis invariably showed three styles of writing. While in all three the characters were СКАЧАТЬ