The Home; Or, Life in Sweden. Bremer Fredrika
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Название: The Home; Or, Life in Sweden

Автор: Bremer Fredrika

Издательство: Bookwire

Жанр: Языкознание

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isbn: 4057664568168

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СКАЧАТЬ at this moment I need a friend; I need you, to whom I could turn, and from whom, in these disquieting circumstances, I in my weakness could derive light and strength. I am discontented with myself; I am discontented with——Ah! he alone it is who, if he would, could make all right!

      "Oh, Cecilia, this is a mist-enveloped hour of my life!—does it announce day or night? My glance is dark; I see the path no longer! But I will resign myself into the hand of Him who said, 'let there be light.'

      "All is now better and clearer! God be praised! In a few hours this day will be over;—I long vehemently for it!

      "This evening we have a children's dance at our house. Emelie will be here also. There is not a good understanding between us two. She is cold to me, too witty, and too——, but I will do my best to be a good hostess; and when the day is ended, I will sit and look at my beautiful sleeping boy, and be happy in my children."

       Table of Contents

       Table of Contents

      Evening came, and with it lights and guests. A strong, self-sacrificing amiability governed Elise's manner this evening. She was almost cordial towards Emelie; cared for the comfort of every one, played the piano for the children's dance, and appeared to exist only in order to serve others. The beautiful Emelie, on the contrary, thought of herself; was livelier and more brilliant than ever, and, as usual, assembled all the gentlemen around her. The conversation was lively in this group; it turned from politics to literature, and then dwelt awhile on theatricals, in which Emelie, equally animated and sarcastic, characterised the Scribe and Mellesville school as a dramatic manufactory.

      "For the rest," added she, "the stage acts very prudently and sensibly in letting the curtain fall the moment the hero and heroine approach the altar; novels do the same, and that, also, with good reason, otherwise nobody would be able to read them."

      "How so?" asked the Judge, with great earnestness.

      "Because," answered Emelie, "the illusion of life is extinguished on the other side of this golden moment, and reality steps forward then in all its heaviness and nakedness. Look at a young couple in the glowing morning of their union, how warm love is then; how it penetrates and beautifies everything; how it glows and speaks in glance and word, and agreeable action; how its glory changes the whole of life into poetry! 'Thou, thou!' is the one thought of the young people then. But observe the same couple a few years later—'I, I!' and 'my pleasure,' is the phrase now. The adoring all-resigning lover is then become the exacting married man, who will be waited on and obeyed. And the loving all-sacrificing bride, she is become the unwieldy and care-burdened housewife, who talks of nothing but trouble, bad saltings, and negligent maid-servants. And what are tête-à-tête communications between these two? 'How, my dear! is the butter really used up already? Why, I gave you money only the other day for butter! You really must look better after things, and see what the cook does with the butter; I will not allow such extravagance in the house! Do you want something more?' 'Yes, indeed, my love, I and the children must have new over-dresses. Little Peter's coat is worn out, and little Paul has grown out of his; and my old cloak cannot last to eternity!' People," continued the sarcastic Emilie, "may thank their stars, too, if out of such interesting communications as these no hateful quarrels arise; and if, in the happy repose of their homes, harmless yawnings have only taken place of the kisses which have left it. Contracted circumstances, meannesses, and domestic trials, destroy the happiness of marriage, even as the worm destroys the flower, bringing bitterness and sourness into the temper; and though the married pair may continue to the very day of their death to address each other as 'My sweet friend,' yet, very often, in petto, it is 'My sour friend.' Yet, after all, this is nothing, in fact, but what is perfectly natural; and, in this respect, marriage only follows the eternal law of nature in all earthly existence. Every form of life carries in itself decay and dissolution—a poisonous snake-king[3] gnaws even at the root of the world's tree."

      Several of the listeners, and among them the Candidate, had laughed loudly at Emelie's descriptions; but the Judge had not once moved his lips, and replied, when she had done, with an earnestness that confounded even her satire.

      "If all this were true, Emelie," said he, "then were life, even in the best point of view, good for nothing; and with justice might it indeed be called an illusion. But it is not so; and you have only described marriage in its lowest, and not either in its best or its truest sense. I do not deny the difficulties which exist in this as in every other circumstance of life; but I am confident that they may and must be overcome; and this will be done if the married pair bring only right intentions into the house. Then want and care, disturbing, nay even bitter hours, may come, but they will also go; and the bonds of love and truth will be consolation, nay, even will give strength. You have spoken, Emelie, of death and separation as the end of the drama of life; you have forgotten the awaking again, and the second youth, of which the ancient northern Vala sings. Married life, like all life, has such a second youth; yes, indeed, a progressive one, because it has its foundation in the life which is eternal; and every contest won, every danger passed through, every pain endured, change themselves into blessings on home and on the married pair, who have thus obtained better knowledge, and who are thus more closely united."

      He spoke with unusual warmth, and not without emotion, and his expressive glance sought and dwelt upon his wife, who had approached unobserved, and who had listened to Emelie's bitter satire with stinging pain, because she knew that there was a degree of truth in it.

      But as her husband spoke, she felt that he perceived the full truth, and her heart beat freer and stronger, and all at once a clearness was in her soul. With her head bent forward, she gazed on him with a glance full of tenderness and confidence, forgetting herself, and listening with fervour to every word which he uttered. In this very moment their eyes met, and there was much, inexpressibly much, in their glance; a clear crimson of delight flushed her cheek, and made her beautiful. The gentle happiness which now animated her being, together with her lovely figure, her graceful movements, and the purity of her brow, made her far more fascinating than her lovely rival. Her husband followed her with his eyes, as kindly and attentively she busied herself among her guests, or with the little Gabriele in her arms mingled in the children's dance, for which Evelina's foster-daughters were playing a four-handed piece. He had suddenly cooled towards his "old flame," nor was he at all warmed again by the sharp tone with which the little caressing Petrea was reproved for being too obtrusive.

      "Our little Louise in time will dance very well," remarked the Judge to his wife, as he noticed with great pleasure the little brisées and chassées of his daughter whom the twelve-years-old Nils Gabriel Stjernhök twirled round, and with whom he conversed with great gravity, and a certain knightly politeness.

      In the mean time Mrs. Gunilla was instructing Emelie on the manners and character of the French; and Emelie, whose countenance since the discussion of the marriage question had worn a bitter expression, endeavoured with a tolerably sharp tone to make her superior information felt, and in return was mown down, as it were, at one stroke by Mrs. Gunilla, who—had never been in France.

      The Candidate followed Elise everywhere with glances of devotion, and appeared this evening perfectly enchanted by her amiability.

      "Fie, for shame!—to take all the confections to yourself!" moralised the little Queen-bee to the little S——ne—a fat, quiet boy, who took the confections and the reproof with the same stoical indifference. СКАЧАТЬ