Prophecy. S. J. Parris

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СКАЧАТЬ from Seneca in the evenings. Cecily had the best Latin of any of the girls.’

      ‘Seneca?’

      ‘Oh, yes, Master Bruno – no need to look so astonished. Our sovereign is highly educated and she expects the same standards of her attendants. She will not have girls who can’t read to her and understand what they read.’

      I glance down at the red-haired girl, who blinks up at me again, biting her lip. She is the one I need to speak to, if I can only find a way to get her alone. I wonder if she reads Seneca. She looks barely old enough to have learned her letters.

      ‘Why was she dressed in men’s clothes?’

      ‘I cannot account for that, Master Bruno. The girls are high-spirited, they do sometimes get up to games and pranks. Dressing up, and so on . . .’ The words die on her lips. It is clear that she will swear black is white if she must, rather than willingly offer anything that might reflect badly on her own vigilance over the dead girl.

      ‘Thank you for your help, my lady.’ I bow and make as if to leave, then turn back, as if struck by an afterthought. ‘There is no reason to suppose that Cecily had any loyalty to the Roman faith?’

      Lady Seaton is so outraged by this that she rises to her feet, though the vast bulk of her farthingales means she almost becomes stuck in the chair, so the gesture loses some of its impact. She shakes off the girls’ hands on her arm.

      ‘How dare you, sir! Her family’s loyalty to the queen is impeccable, and if you think I would not have been able to sniff out a papist right under my own nose –’

      ‘Forgive me. I was only thinking aloud. She was found with a rosary in her hand.’

      ‘Planted on her by the papist conspirators who carried out this heinous deed!’ She points a finger into my face. ‘I think you should leave, sir. You come here charged with finding poor Cecily’s killer and instead accuse her of whoring and popery!’

      I murmur an apology for any offence caused and retire, backing through the doors in a low bow. As I leave, I catch the red-haired girl’s eye and try to convey by a look that I would welcome any confidence she may choose to share. It is not clear if she has understood.

      The many fine tapestries hanging on the walls keep the corridor free of draughts, but I hear an insistent wind worrying at the window frames as I settle myself almost out of sight in a bay opposite the stairs, where I can watch the door to the chamber I have just left. Walsingham will be some time with the queen, I suppose, and there is nothing for me to do but wait and hope that the young maid of honour with the red hair will show herself at some point, without the company of Lady Seaton.

      Minutes pass, and more minutes. Distant creaks and footfalls tell of activity elsewhere in this warren of passages, but my corridor remains empty. Cupping my hands around my face to the window pane I can make out, under the moonlight, the expanse of the palace compound ahead of me, the great hall on the west side and the chapel on the east, connected to the complex of privy apartments by a narrow covered bridge that spans the moat dividing us from the Great Court. The palace is well protected, bordered on one side by the deer park and another by the river, and all its gates and entrances heavily guarded against intruders. But the truth is that any would-be assassin has ample opportunity to run at Queen Elizabeth during her open procession from the Chapel Royal to her chambers of state every Sunday, or her summer progressions around the country, or any of her many other public appearances. Walsingham frets endlessly over her faith in the love of her subjects – naïve, in his opinion – and her desire to show herself unafraid amongst them; but she insists that she will not be cowed by whispered threats. She likes to meet her people face to face, to give them her hand to kiss. Perhaps this is because Master Secretary Walsingham does not tell her everything he hears regarding plots hatched in the seminaries in France, now filled with angry young Englishmen in exile, who believe that the Papal Bull of 1570 declaring Elizabeth a heretic also gave them, in not so many words, a mandate to kill her on behalf of the Catholic Church.

      But tonight’s murder is not the reckless act of a hot-blooded youth willing to martyr himself for his faith; there is a chilling touch of theatre about it, a degree of planning designed to inspire real fear. Fear of what, though? The Catholics? The planets? There is a message, too; Burghley reads it straightforwardly, but I am not so sure. The sign of Jupiter troubles me, perhaps only because it comes so near to me and Doctor Dee and our secret work. I stretch my legs out in front of me and sigh. After my experience in Oxford, I had hoped for some respite from the under-currents of violence that attend the court of Elizabeth. I am a philosopher, after all; what I really wish for is time to work on my book in peace, for as long as King Henri III of France sees fit to go on paying for me to live here with his ambassador. When I agreed to work for Walsingham shortly after my arrival in England, I had thought it would be merely a question of keeping my eyes open at the embassy, watching who among the English nobles came to dinner there, who stayed for Mass, who grew close to the ambassador and who was corresponding with whom among the Catholics in exile. Now, for the second time, I find myself caught up in a matter of violent death and I am not sure what is expected of me.

      My thoughts are disturbed by the soft click of a door opening at the end of the passageway; I shrink back into the window seat and lean my head around cautiously, but in the dim light I can only make out the figure of a woman, too slender to be Lady Seaton. She carries a candle in a holder and walks briskly towards me; as she passes under a sconce of candles on the wall, I catch a flash of red-gold under her white linen cap and whistle softly through my teeth. She gives a little cry and immediately stifles it with her hand; I press my finger to my lips, uncross my legs from the seat and we both freeze, still as marble, waiting to see if any guard comes running. A moment passes before we are satisfied that no one has heard.

      ‘I waited for you. Can we speak privately?’ I ask her, my voice barely escaping my lips.

      She hesitates for a moment, then glances over her shoulder before nodding. Holding her finger to her lips, she gestures for me to follow her, and leads me down the staircase, along another passage and into an empty gallery, unlit except for the moonlight that spills through the diamond panes, casting pale shapes on the wooden boards, faintly coloured where the windows bear heraldic emblems of stained glass. Almost as soon as the doors swing shut behind us, she appears to regret her decision; her eyes open wide in fear and she looks frantically about her.

      ‘If they should find me here –’

      I make soft reassuring noises, such as you might make to a skittish horse, while guiding her away from the door towards one of the large windows.

      ‘You were friends with Cecily?’

      She nods, with emphasis, then smothers a sob behind her handkerchief.

      ‘What is your name?’

      ‘Abigail Morley.’

      ‘You know more than Lady Seaton, I think, Abigail,’ I prompt gently.

      She nods again, disconsolate; she will not meet my eye and I guess that she fears disloyalty to her dead friend.

      ‘Did Cecily have a lover? Did she tell you she was going to meet someone? If you know anything, it may help to catch him.’

      Finally the girl raises her head.

      ‘Lady Seaton says it was black magic.’

      ‘People talk of magic to cover their ignorance. But you know better, I think.’

      Her eyes widen in amazement at this and СКАЧАТЬ