The Essential Works of George Rawlinson: Egypt, The Kings of Israel and Judah, Phoenicia, Parthia, Chaldea, Assyria, Media, Babylon, Persia, Sasanian Empire & Herodotus' Histories. George Rawlinson

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      In conclusion, it must be observed that only the lower story of the Mugheir temple exhibits the workmanship of the old or Chaldaean period. Clay cylinders found in the upper story inform us that in its present condition this story is the work of Nabonidus, the last of the Babylonian kings; and most of its bricks bear his stamp. Some, however, have the stamp of the same monarch who built the lower story and this is sufficient to show that the two stories are a part of the original design, and therefore that the idea of building in stages belongs to the first kingdom and to primitive times. There is no evidence to prove whether the original edifice had, or had not, a third story; since the chamber seen by the Arabs was no doubt a late Babylonian work. The third story of the accompanying sketch must therefore be regarded as conjectural.

      It is not necessary for our present purpose to detain the reader with a minute description of the ancient temple at Abu-Shahrein. The general character of this building seems to have very closely resembled that of the Mugheir temple. Its angles fronted the cardinal points: it had two stories, and an ornamented chamber at the top; it was faced with burnt brick, and strengthened by buttresses; and in most other respects followed the type of the Mugheir edifice. Its only very notable peculiarities are the partial use of stone in the construction, and the occurrence of a species of pillar, very curiously composed. The artificial platform on which the temple stands is made of beaten clay, cased with a massive wall of sandstone and limestone, in some places twenty feet thick. There is also a stone or rather marble, staircase which leads up from the platform to the summit of the first story, composed of small polished blocks, twenty-two inches long, thirteen broad, and four and a half thick. The bed of the staircase is made of sun dried brick, and the marble was fastened to this substratum by copper bolts, some portion of which was found by Mr. Taylor still adhering to the blocks. At the foot of the staircase there appear to have stood two columns, one on either side of it. The construction of these columns is very singular. A circular nucleus composed of sandstone slabs and small cylindrical pieces of marble disposed in alternate layers, was coated externally with coarse lime, mixed with small stones and pebbles, until by means of many successive layers the pillar had attained the desired bulk and thickness. Thus the stone and marble were entirely concealed under a thick coating of plaster; and a smoothness was given to the outer surface which it would have otherwise been difficult to obtain. The date of the Abu-Shahrein temple is thought to be considerably later than that of the other buildings above described; and the pillars would seem to be a refinement on the simplicity of the earlier times. The use of stone is to be accounted for, not so much by the advance of architectural science, as by the near vicinity of the Arabian hills, from which that material could be readily derived.

      It is evident, that if the Chaldaean temples were of the character and construction which we have gathered from their remains, they could have possessed no great architectural beauty, though they may not have lacked a certain grandeur. In the dead level of Babylonia, an elevation even of 100 or 150 feet must have been impressive; and the plain massiveness of the structures no doubt added to their grand effect on the beholder. But there was singularly little in the buildings, architecturally viewed, to please the eye or gratify the sense of beauty. No edifices in the world —not even the Pyramids—are more deficient in external ornament. The buttresses and the air-holes, which alone break the flat uniformity of the walls, are intended simply for utility, and can scarcely be said to be much embellishment. If any efforts were made to delight by the ordinary resources of ornamental art, it seems clear that such efforts did not extend to the whole edifice, but were confined to the shrine itself—the actual abode of the god—the chamber which crowned the whole, and was alone, strictly speaking, “the temple.” Even here there is no reason to believe that the building had externally much beauty. No fragments of architraves or capitals, no sculptured ornaments of any kind, have been found among the heaps of rubbish in which Chaldaean monuments are three-parts buried.

      The ornaments which have been actually discovered, are such as suggest the idea of internal rather than external decoration; and they render it probable that such decoration was, at least in some cases, extremely rich. The copper nails and blue enamelled tiles found high up in the Mugheir mound, have been already noticed. At Abu-Shahrein the ground about the basement of the second story was covered with small pieces of agate, alabaster, and marble, finely cut and polished, from half an inch to two inches long, and half an inch (or somewhat less) in breadth, each with a hole drilled through its back, containing often a fragment of a copper bolt.

      It was strewn less thickly with small plates of pure gold, and with a number of gold-headed or gilt, headed nails, used apparently to attach the gold plates to the internal plaster or wood-work. These fragments seem to attest the high ornamentation of the shrine in this instance, which we have no reason to regard is singular or in any way exceptional.

      The Chaldaean remains which throw light upon the domestic architecture of the people are few and scanty. A small house was disinterred by Mr. Taylor at Mugheir, and the plan of some chambers was made out at Abu-Shahrein; but these are hitherto the only specimens which can be confidently assigned to the Chaldaean period. The house stood on a platform of sundried bricks, paved on the top with burnt bricks. It was built in the form of a cross, but with a good deal of irregularity, every wall being somewhat longer or shorter than the others. The material used in its construction was burnt brick, the outer layer imbedded in bitumen, and the remainder in a cement of mud. Externally the house was ornamented with perpendicular stepped recesses, while internally the bricks had often a thin coating of gypsum or enamel, upon which characters were inscribed. The floors of the chambers were paved with burnt brick, laid in bitumen. Two of the doorways were arched, the arch extending through the whole thickness of the walls; it was semicircular, and was constructed with bricks made wedge-shaped for the purpose. A good deal of charred date-wood was found in the house, probably the remains of rafters which had supported the roof.

      The chambers at Abu-Shahrein were of sun-dried brick, with an internal covering of fine plaster, ornamented with paint. In one the ornamentation consisted of a series of red, black, and white bands, three inches in breadth; in another was represented, but very rudely, the figure of a man holding a bird on his wrist, with a smaller figure near him, in red paint. The favorite external ornamentation for houses seems to have been by means of colored cones in terra cotta, which were imbedded in moist mud or plaster, and arranged into a variety of patterns.

      But little can be said as to the plan on which houses were built. thickness, the chambers СКАЧАТЬ