The Greatest Murder Mysteries of Mary Elizabeth Braddon. Mary Elizabeth Braddon

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      The witnesses for the defence were few. A Frenchman, who represented himself as a Chevalier of the Legion of Honour, failed signally in an endeavour to prove an alibi, and considerably damaged the defence. Other witnesses appeared, who swore to having known the prisoner in Paris the year of the murder. They could not say they had seen him during the November of that year—it might have been earlier, it might have been later. On being cross-examined, they broke down ignominiously, and acknowledged that it might not have been that year at all. But they had known him in Paris about that period. They had always believed him to be a Frenchman. They had always understood that his father fell at Waterloo, in the ranks of the Old Guard. On cross-examination they all owned to having heard him at divers periods speak English. He had, in fact, spoken it fluently, yes, even like an Englishman. On further cross-examination it also appeared that he did not like being thought an Englishman; that he would insist vehemently upon his French extraction; that nobody knew who he was, or whence he came; and that all any one did know of him was what he himself had chosen to state.

      The defence was long and laboured. The prisoner’s counsel did not enter into the question of the murder having been committed by Jabez North, or not having been committed by Jabez North. What he endeavoured to show was, that the prisoner at the bar was not Jabez North; but that he was a victim to one of those cases of mistaken identity of which there are so many on record both in English and foreign criminal archives. He cited the execution of the Frenchman Joseph Lesurges, for the murder of the Courier of Lyons. He spoke of the case of Elizabeth Canning, in which a crowd of witnesses on either side persisted in supporting entirely conflicting statements, without any evident motive whatsoever. He endeavoured to dissect the evidence of Mr. William Withers; he sneered at that worthy citizen’s wholesale slaughter of the English of her most gracious Majesty and subjects. He tried to overthrow that gentleman by ten minutes on the wrong side of the Slopperton clocks; he did his best to damage him by puzzling him as to whether the truck he spoke of had two legs and one wheel, or two wheels and one leg: but he tried in vain. Mr. Withers was not to be damaged; he stood as firm as a rock, and still swore that he carried the dead body of Jim Lomax out of Blind Peter and on to the heath, and that the man who commanded him so to do was the prisoner at the bar. Neither was Mr. Augustus Darley to be damaged; nor yet the landlord of the Bargeman’s Delight, who, in spite of all cross-examination, preserved a gloomy and resolute attitude, and declared that “that young man at the bar, which his hair was then light, had a row with a young woman in the tap-room, and throwed that there gold coin to her, which she chucked it back savage.” In short, the defence, though it lasted two hours and a half, was a very lame one; and a close observer might have seen one flash from the blue eyes of the man standing at the bar, which glanced in the direction of the eloquent Mr. Prius, Q.C., as he uttered the last words of his peroration, revengeful and murderous enough, brief though it was, to give to the spectator some idea that the Count de Marolles, innocent and injured victim of circumstantial evidence as he might be, was not the safest person in the world to offend.

      The judge delivered his charge to the jury, and they retired.

      There was breathless impatience in the court for three-quarters of an hour; such impatience that the three-quarters seemed to be three entire hours, and some of the spectators would have it that the clock had stopped. Once more the jury took their places.

      “Guilty!” A recommendation to mercy? No! Mercy was not for such as he. Not man’s mercy. Oh, Heaven be praised that there is One whose mercy is as far above the mercy of the tenderest of earth’s creatures as heaven is above that earth. Who shall say where is the man so wicked he may not hope for compassion there?

      The judge put on the black cap and delivered the sentence.

      “To be hanged by the neck!”

      The Count de Marolles looked round at the crowd. It was beginning to disperse, when he lifted his slender ringed white hand. He was about to speak. The crowd, swaying hither and thither before, stopped as one man. As one man, nay, as one surging wave of the ocean, changed, in a breath, to stone. He smiled a bitter mocking defiant smile.

      “Worthy citizens of Slopperton,” he said, his clear enunciation ringing through the building distinct and musical, “I thank you for the trouble you have taken this day on my account. I have played a great game, and I have lost a great stake; but, remember, I first won that stake, and for eight years held it and enjoyed it. I have been the husband of one of the most beautiful and richest women in France. I have been a millionaire, and one of the wealthiest merchant princes of the wealthy south. I started from the workhouse of this town; I never in my life had a friend to help me or a relation to advise me. To man I owe nothing. To God I owe only this, a will as indomitable as the stars He made, which have held their course through all time. Unloved, unaided, unprayed for, unwept; motherless, fatherless, sisterless, brotherless, friendless; I have taken my own road, and have kept to it; defying the earth on which I have lived, and the unknown Powers above my head. That road has come to an end, and brought me—here! So be it! I suppose, after all, the unknown Powers are strongest! Gentlemen, I am ready.” He bowed and followed the officials who led him from the dock to a coach waiting for him at the entrance to the court. The crowd gathered round him with scared faces and eager eyes.

      The last Slopperton saw of the Count de Marolles was a pale handsome face, a sardonic smile, and the delicate white hand which rested upon the door of the hackney-coach.

      Next morning, very early, men with grave faces congregated at street-corners, and talked together earnestly. Through Slopperton like wildfire spread the rumour of something, which had only been darkly hinted at the gaol.

      The prisoner had destroyed himself!

      Later in the afternoon it was known that he had bled himself to death by means of a lancet not bigger than a pin, which he had worn for years concealed in a chased gold ring of massive form and exquisite workmanship.

      The gaoler had found him, at six o’clock on the morning after his trial, seated, with his bloodless face lying on the little table of his cell, white, tranquil, and dead.

      The agents from an exhibition of wax-works, and several phrenologists, came to look at and to take casts of his head, and masks of the handsome and aristocratic face. One of the phrenologists, who had given an opinion on his cerebral development ten years before, when Mr. Jabez North was considered a model of all Sloppertonian virtues and graces, and who had been treated with ignominy for that very opinion, was now in the highest spirits, and introduced the whole story into a series of lectures, which were afterwards very popular. The Count de Marolles, with very long eyelashes, very small feet, and patent-leather boots, a faultless Stultsian evening costume, a white waistcoat, and any number of rings, was much admired in the Chamber of Horrors at the eminent waxwork exhibition above mentioned, and was considered well worth the extra sixpence for admission. Young ladies fell in love with him, and vowed that a being—they called him a being—with such dear blue glass eyes, with beautiful curly eyelashes, and specks of lovely vermilion in each corner, could never have committed a horrid murder, but was, no doubt, the innocent victim of that cruel circumstantial evidence. Mr. Splitters put the Count into a melodrama in four periods—not acts, but periods: 1. Boyhood—the Workhouse. 2. Youth—the School. 3. Manhood—the Palace. 4. Death—the Dungeon. This piece was very popular, and as Mr. Percy Cordonner had prophesied, the Count was represented as living en permanence in Hessian boots with gold tassels; and as always appearing, with a spirited disregard for the unities of time and space, two or three hundred miles distant from the spot in which he had appeared five minutes before, and performing in scene four the very action which his foes had described as being already done in scene three. But the transpontine audiences to whom the piece was represented were not in the habit of asking questions, and as long as you gave them plenty of Hessian boots and pistol-shots for their money, you might snap your fingers at Aristotle’s ethics, and all the СКАЧАТЬ