Название: The Road to Middle-earth: How J. R. R. Tolkien created a new mythology
Автор: Tom Shippey
Издательство: HarperCollins
Жанр: Биографии и Мемуары
isbn: 9780007445189
isbn:
Since The Silmarillion, with its developed nomenclature, was already in existence, it would be wrong to say that Tolkien in the 1930s was not interested in names. It does look, though, as if he was not sure how to bring them into fiction, especially if they were English names. Yet the point had caught his attention. As The Hobbit neared completion he focused on the problem with sudden clarity – as one can see from Farmer Giles of Ham, not published till 1949, but composed apparently in the period 1935–8, i.e. overlapping with the final production of The Hobbit (see Bibliography, pp. 73–4). This throws many interesting sidelights on Tolkien’s fictional development. For one thing it is the only one of his stories set unmistakably in England, and while its history is that of nursery-rhyme* its geography is remarkably clear. Ham is now Thame, a town in Buckinghamshire twelve miles east of Oxford. Worminghall is four miles away and Oakley, which had its parson eaten, five. The capital of the Middle Kingdom, ‘some twenty leagues distant from Ham’, sounds like Tamworth, the historical capital of the Mercian kings, sixty-eight miles from Thame as the crow flies (a league, NB, is three miles). Farthingho in Northamptonshire, where once ‘an outpost against the Middle Kingdom was maintained’, is on a direct line between those two places about a third of the way from Thame – proof of the ‘Little Kingdom’s’ lack of territorial ambition. Wales, where the giants live, and the (Pennine) mountains where the dragons live are on this parochial scale suitably far off. And when Farmer Giles refuses to listen to tales about the folk ‘North over the hills and far away, beyond the Standing Stones and all’, he means Warwickshire, probably, whose boundary with Oxfordshire runs by the Rollright Stones.
All in all it is extremely unfair of the imagined ‘editor’ of Farmer Giles to criticise its imagined ‘author’ for feeble geography; that ‘author’, like Tolkien, ‘lived himself in the lands of the Little Kingdom’ and knew what he was writing about. But what is the point of this sudden precision? Evidently, Tolkien wanted to recreate a timeless and idealised England (or rather Britain) in which the place and the people remained the same regardless of politics. The story of Farmer Giles is therefore largely the triumph of native over foreign (for in Giles’s court ‘the vulgar tongue came into fashion, and none of his speeches were in the Book–latin’), as simultaneously of worth over fashion and of heroic song and popular lay over pompous pernickety rationalistic scholarship. In all these ways Farmer Giles
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