The Bloodless Revolution: Radical Vegetarians and the Discovery of India. Tristram Stuart
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СКАЧАТЬ From Knorr von Rosenroth et al., eds, ‘Kabbalæ Denudatæ’, Volume II. ( J.D. Zunneri: Frankfurt, 1684). The British Library, London

       Illustration of a Slaughterhouse and Butchering Tools from Denis Diderot et al., ‘Encyclopedia’ 1751. Archivo Iconografico, S.A./Corbis

       Isaac Newton, ‘Irenicum’. King’s College Library, Cambridge (ref: Keynes 3, f.5)

       Illustration from the eight volumes of ‘Letters Writ by a Turkish Spy’ (London, 1692– 4). The British Library, London (ref: 1482.bb.25)

       Edward Tyson’s chimpanzee before and after dissection, from Edward Tyson, ‘Orang-Outang, sive Homo Sylvestris’ (Thomas Bennet et al.: London, 1699). The British Library, London

       Portrait of George Cheyne. Edinburgh University Library, Sir William Thomason-Walker Collection (Licensor www.scran.ac.uk)

       William Hogarth’s Stage One from the ‘Four Stages of Cruelty’. William Hogarth/V&A Images/Victoria and Albert Museum, London (ref: JX1832)

       ‘Equality’ engraved by L. Gautier, c.1793/4 after Antoine Boizot. Musee de la Revolution Francaise, Visille, France/The Bridgeman Art Library, London (ref: REV 131559)

       ‘The Interior of a Native Hut’ from A. Colin, ‘Twenty four Plates illustrating Hindoo & European Manners in Bengal … after sketches by Mrs c. Belnos’ (Smith & Elder: London, 1832), plate 14. V&A Images/ Victoria and Albert Museum, London (ref: CT69834)

       Roberto de Nobili dressed as Indian ‘sanyassin’. The British Library, London (ref: 4869.dd.15.T17343)

       James Gillray, frontispiece of John Oswald, ‘The Cry of Nature’ ( J. Johnson: London, 1791). The British Library, London (ref: 1388b.26)

       James Sayers, ‘John Bull’s sacrifice to Janus’ (Hannah Humphrey: London,1794). The National Portrait Gallery, London (ref: NPG D12257)

       Woodcut by Bewick, from George Nicholson, ‘On the Conduct of Man to Inferior Animals’ (G. Nicholson: Manchester; Whitrow: London, 1797). Bodleian Library, University of Oxford, England (ref: Johnson f. 235)

       Richard Newton, ‘A Blow Up at Breakfast!’ (W. Holland: London, 1792). The Trustees of the British Museum, London (ref: PD 8092)

       ‘John Stewart’ by Henry Hoppner Meyer, after J.E.H. Robinson. The National Portrait Gallery, London (ref: NPG D4935)

       James Sayers, ‘Caricature of Joseph Ritson’, 1803. The National Portrait Gallery, London (ref: NPG D9623)

       Title illustration from ‘Frankenstein’ by Mary Shelley (1797– 1851). Engraved by Theodor M. von Holst. Bridgeman Art Library (ref: XJF 105430)

       Mahatma Gandhi at the Vegetarian Society, 1931, seated next to the socialist reformer, Henry Salt. Courtesy of Jon Wynne Tyson/West Sussex Wildlife Protection

       ‘Waldesfrieden’ from Richard Ungewitter, ‘Nacktheit und Kultur’, 1913. The British Library, London

       ‘Heil Goring!’ from Kladderadatsch, 1933. From ‘The Nazi War on Cancer’ by Robert N. Proctor. (Princeton University Press, New Jersey, 1999)

       Der Führer als Tierfreund. Nazi propaganda material, c.1936. AKG Images, London

       INTRODUCTION

      In the era preceding the Industrial Revolution the question of meat-eating was one of the fiercest battle-fronts in the struggle to define humanity’s proper relationship with nature. The vital question: ‘should humans be eating animals?’ was a serious challenge to Western society’s belief that the world and everything in it had been made exclusively for mankind. Vegetarians called for a wholesale reappraisal of the human relationship with nature. Man was lord of the creation: but what kind of a lord, vegetarians asked, ate his own subjects?

      It started with the Bible – with the very first chapter of Genesis. The first words God said to Adam and Eve after creating the world were: ‘Be fruitful, and multiply, and replenish the earth, and subdue it: and have dominion over the fish of the sea, and over the fowl of the air, and over every living thing that moveth upon the earth’ (Genesis 1:28). In the remote world of fourth-century BC Athens, this view was echoed with remarkable consonance by Aristotle, probably the most revered authority in Western culture after the Scriptures: ‘plants are created for the sake of animals, and the animals for the sake of men’.2 СКАЧАТЬ