The Art of Fielding. Chad Harbach

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СКАЧАТЬ he imagined twelve hundred Mike Schwartzes, huge and mythic and grave, and twelve hundred women of the sort Mike Schwartz might date: leggy, stunning, well versed in ancient history. The whole thing, really, was too intimidating to think about. He nudged the door with his foot.

      The room contained two identical steel-frame beds and two sets of identical blond-wood desks, chairs, dressers, and bookshelves. One of the beds was neatly made, with a plush seafoam-green comforter and a wealth of fluffy pillows. The other mattress was bare but for an ugly ocher stain in roughly the size and shape of a person. Both bookshelves had already been neatly filled, the books arranged by author name from Achebe through Tocqueville, with the rest of the Ts through Z piled on the mantel. Henry plunked his bags down on the ocher stain and drew his beat-up copy of Aparicio Rodriguez’s The Art of Fielding out of his shorts’ pocket. The Art was the only book he’d brought with him, the only book Henry knew deeply: suddenly it seemed like this might be a terrible flaw. He prepared to wedge it between Rochefoucauld and Roethke, but lo and behold there was already a copy there, a handsome hardcover with a once-cracked spine. Henry slid it out, turned it in his hands. Inscribed on the flyleaf, in a lovely calligraphic hand, were the words Owen Dunne.

      Henry had been reading Aparicio on the overnight bus. Or at least he’d kept the book open on his lap as the dreary slabs of interstate rolled by. By this point in his life, reading Aparicio no longer really qualified as reading, because he had the book more or less memorized. He could flip to a chapter, any chapter, and the shapes of the short, numbered paragraphs were enough to trigger his memory. His lips murmured the words as his eyes, unfocused, scanned the page:

      26. The shortstop is a source of stillness at the center of the defense. He projects this stillness and his teammates respond.

      59. To field a ground ball must be considered a generous act and an act of comprehension. One moves not against the ball but with it. Bad fielders stab at the ball like an enemy. This is antagonism. The true fielder lets the path of the ball become his own path, thereby comprehending the ball and dissipating the self, which is the source of all suffering and poor defense.

      147. Throw with the legs.

      Aparicio played shortstop for the St. Louis Cardinals for eighteen seasons. He retired the year Henry turned ten. He was a first-ballot Hall of Famer and the greatest defensive shortstop who ever lived. As a ballplayer, Henry had modeled himself after his hero in every particular, from the gliding, two-handed way he fielded grounders, to the way he wore his cap pulled low to shield his eyes, to the three taps he gave his heart before stepping into the batter’s box. And of course the jersey number. Aparicio believed that the number 3 had deep significance.

      3. There are three stages: Thoughtless being. Thought. Return to thoughtless being.

      33. Do not confuse the first and third stages. Thoughtless being is attained by everyone, the return to thoughtless being by a very few.

      There were, admittedly, many sentences and statements in The Art that Henry did not yet understand. The opaque parts of The Art, though, had always been his favorites, even more than the detailed and extremely helpful descriptions of, say, how to keep a runner close to second base (flirtation, Aparicio called it) or what sort of cleats to wear on wet grass. The opaque parts, frustrating as they could be, gave Henry something to aspire to. Someday, he dreamed, he would be enough of a ballplayer to crack them open and suck out their hidden wisdom.

      213. Death is the sanction of all that the athlete does.

      The bleepy, bloopy music lulled. Henry became aware of a murmurous sound that seemed to be coming from behind a closed door in the corner of the room. He’d thought it was a closet, but now he pressed his ear to it and heard a rush of running water. He knocked softly.

      No response. He twisted the knob, and a sharp yelp rang out as the door struck something solid. Henry jerked the door shut. But that was a foolish thing to do — it wasn’t as if he could run away. He opened the door again, and again it cracked against something solid.

      “Ow!” came a cry from inside. “Please stop!”

      The room turned out to be a bathroom, and a person about Henry’s age was lying on the black-and-white checkerboard tile, clutching the top of his head. His ashen hair was cropped close, and between the fingers of his canary-yellow rubber gloves Henry could see a cut edged with blood. Water ran in the tub, and a toothbrush lay at his side, frothing with grainy, aqua-flecked cleanser. “Are you okay?” Henry asked.

      “This grout is filthy.” The young man sat up, rubbed his head. “You’d think they would clean the grout.” His skin was the color of weak coffee. He put on a pair of wire-rimmed glasses and surveyed Henry from head to toe. “Who are you?”

      “I’m Henry,” Henry said.

      “Really?” The young man’s lunular eyebrows lifted. “Are you sure?”

      Henry looked down at the palm of his right hand, as if that might be the place to find some irrefutable sign of Henryness. “Pretty sure.”

      The young man rose to his feet and, after peeling off one of his bright-yellow gloves, pumped Henry’s hand warmly. “I was expecting someone larger,” he explained. “Because of the baseball factor. My name’s Owen Dunne. I’ll be your gay mulatto roommate.”

      Henry nodded in a way he hoped was appropriate.

      “I was supposed to have this room to myself.” Owen swept one hand before him, as if spanning a broad vista. “It was part of my scholarship package, as the winner of the Maria Westish Award. I’ve always dreamed of living alone. Haven’t you?”

      Henry, actually, had always dreamed of living with someone who owned a copy of Aparicio’s book. “Do you play baseball?” he asked, turning Owen’s hardback Art in his hands.

      “I’ve dabbled in the game,” Owen said, and added somewhat mysteriously, “But not like you.”

      “What do you mean?”

      “Last week I received a call from President Affenlight. Are you familiar with his Sperm-Squeezers?”

      Henry was not. Owen nodded sympathetically. “Not surprising,” he said. “It doesn’t have much academic traction these days, though it was a seminal — ha! — work in its field. It was a great inspiration to me when I was fourteen, fifteen years old. Anyway, President Affenlight phoned me at my mother’s house in San Jose and said that a student of considerable talents had been added to the freshperson class, and that though this was excellent news for the college as a whole, it posed a dilemma for the Housing office. Since I was the only member of the class with a single room, he wondered if I might be willing to forgo one of my scholarship’s privileges and take on a roommate.

      “Affenlight’s a smooth talker,” Owen continued. “He spoke so highly of you, and of the more abstract virtues of roommatehood, that I almost forgot to negotiate. Frankly, I find the professionalization of collegiate sport to be a rather despicable phenomenon. But if the administration was willing to buy me that” — he pointed a yellow-gloved finger at the sleek computer that sat atop his desk — “and to throw in a handsome book allowance just to persuade me to live with you, then you must be quite a ballplayer. I’d be honored to throw the ball around sometime.”

      “They’re giving you money to be my roommate?” Henry asked, so incredulous and confused that he barely registered Owen’s offer. What could Mike Schwartz have possibly said or done to produce a situation in which the president of Westish called people on the phone СКАЧАТЬ