The Conflict of Religions in the Early Roman Empire. Glover Terrot Reaveley
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СКАЧАТЬ What Shakespeare thought of him is written in three great plays.[305]

      His wife and children

      But so far nothing has been said of Plutarch's own home. The lot of the wife of a great preacher or moralist is not commonly envied; and the tracts which Plutarch wrote upon historic women and their virtues, and on the duties of married life, on diet and on the education of the young, suggest that Timoxena must have lived in an atmosphere of high moral elevation, with a wise saw and an ancient instance for every occurrence of the day. But it is clear that he loved her, and his affection for their four little boys must have been as plain to her as to his readers – and his joy when, after long waiting, at last a little girl was born. "You had longed for a daughter after four sons," he writes to her, "and I was glad when she came and I could give her your name." The little Timoxena lived for two years, and the letter of consolation which Plutarch wrote her mother tells the story of her short life. "She had by nature wonderful good temper and gentleness. So responsive to affection, so generous was she that it was a pleasure to see her tenderness. For she used to bid her nurse give the breast to other children and not to them only, but even to toys and other things in which she took delight. She was so loving that she wished everything that gave her pleasure to share in the best of what she had. I do not see, my dear wife, why things such as these, which gave us so much happiness while she lived, should give us pain and trouble now when we think of them."[306] He reminds her of the mysteries of Dionysus of which they were both initiates. In language that recalls Wordsworth's great Ode on the Intimations of Immortality, he suggests that old age dulls our impressions of the soul's former life, and that their little one is gone from them, before she had time to fall in love with life on earth. "And the truth about this is to be seen in the ancient use and wont of our fathers," who did not observe the ordinary sad rites of burial for little children, "as if they felt it not right in the case of those who have passed to a better and diviner lot and place… And since to disbelieve them is harder than to believe, let us comply with the laws in outward things, and let what is within be yet more stainless, pure and holy."[307]

      Two of the sons had previously died – the eldest Soclaros, and the fourth, "our beautiful Chæron" – the name is that of the traditional founder of Chæronea. The other two, Autobulus and Plutarch grew up. Some of these names appear in the Table Talk, while others of his works were written at the suggestion of his sons.

      His slaves

      From the family we pass to the slaves, and here, as we should expect, Plutarch is an advocate of gentleness. In the tract On Restraining Anger a high and humane character is drawn in Fundanus, who had successfully mastered a naturally passionate temper. It has been thought that Plutarch was drawing his own portrait over his friend's name. A naïve tendency to idealise his own virtues he certainly shares with other moralists. Fundanus urges that, while all the passions need care and practice if they are to be overcome, anger is the failure to which we are most liable in the case of our slaves. Our authority over them sets us in a slippery place; temper here has nothing to check it, for here we are irresponsible and that is a position of danger. A man's wife and his friends are too apt to call gentleness to the slaves mere easy-going slackness (atonían kaì rhathumían). "I used to be provoked by such criticism myself against my slaves. I was told they were going to pieces for want of correction. Later on I realized that, first of all, it is better to let them grow worse through my forbearance than by bitterness and anger to pervert oneself for the reformation of others. And, further, I saw that many of them, through not being punished, began to be ashamed of being bad, and that forgiveness was more apt than punishment to be the beginning of a change in them – and indeed that they would serve some men more readily for a silent nod than they would others for blows and brandings. So I persuaded myself that reasoning does better than temper."[308] It will be remarked that Fundanus, or his recording friend, does not here take the Stoic position that the slave is as much a son of God as the master,[309] nor does he spare the slave for the slave's sake but to overcome his own temper. So much for theory; but men's conduct does not always square with their theories, and in life we see men guilty of kind-heartedness and large-mindedness not at all to be reconciled with the theories which they profess, when they remember them.

      It is curious that one of the few stories of Plutarch that come from outside sources should concern this very tract and the punishment of a slave. Gellius heard it from the philosopher Taurus after one of his classes. Plutarch, Taurus said, had a worthless slave and ordered him a flogging. The man loudly protested he had done no wrong, and at last, under the stimulus of the lash, taunted his master with inconsistency – what about the fine book on controlling Anger? he was angry enough now. "Then Plutarch, slowly and gently" asked what signs of anger he showed in voice or colour or word? "My eyes, I think, are not fierce; nor my face flushed; I am not shouting aloud; there is no foam on my lip, no red in my cheek; I am saying nothing to be ashamed of; nothing to regret; I am not excited nor gesticulating. All these, perhaps you are unaware, are the signs of anger."[310] Then turning to the man who was flogging the slave, he said, "In the meantime, while I and he are debating, you go on with your business."[311] The story is generally accepted, and it is certainly characteristic. The philosopher, feeling his pulse, as it were, to make sure that he is not angry, while his slave is being lashed, is an interesting and suggestive picture, which it is well to remember.

      How long Plutarch lived we do not know. He refers to events of the year 104 or 105, and in his Solon he speaks of Athens and Plato each having an unfinished masterpiece, so that he cannot have known of the intention of the Emperor Hadrian to finish the temple of Zeus Olympics.[312] All that this need imply is that the Solon was written before 125 A.D. As to his death, it is certainly interesting when we recall how full of dreams and portents his Biographies are, to learn from Artemidorus' great work on the Interpretation of Dreams (written some forty years later) that Plutarch, when ill, dreamed that he was ascending to heaven, supported by Hermes. Next day he was told that this meant great happiness. "Shortly after he died, and this was what his dream and the interpretation meant. For ascent to heaven means destruction to a sick man, and the great happiness is a sign of death."[313] Plutarch might well have accepted this himself.

      Such was Plutarch's life – the life of a quiet and simple-minded Greek gentleman, spent amid scenes where the past predominated over the present, —nullum sine nomine saxum, where Antiquity claimed him for her own by every right that it has ever had upon man. The land of his fathers, the literature, the art, the philosophy, the faith, and the reproduction of the good old life in the pleasant household[314] – everything conspired to make him what he was. We now come to his significance in the story of the conflict of religions in the Roman Empire.

      Plutarch not a philosopher

      A good deal has been written about Plutarch's philosophy. His works are full of references to philosophy and philosophers, and he leaves us in no doubt as to his counting himself a disciple of Plato; his commentaries on Platonic doctrines give him a place in the long series of Plato's expositors. But no one would expect a writer of the first century to be a man of one allegiance, and Plutarch modifies the teaching of Plato with elements from elsewhere. It has then been debated whether he should, or should not, be called an Eclectic, but not very profitably. The essential thing to note is that he is not properly a philosopher at all, much as the statement would have astonished him.[315] His real interest is elsewhere; and while he, like the Greeks of his day, read and talked Philosophy interminably, as men in later ages have read and talked Theology, it was not with the philosophic spirit. Philosophy is not the mistress – rather, he avows, the servant of something else; and that means СКАЧАТЬ



<p>305</p>

Stapfer, Shakespeare and Classical Antiquity (tr.), p. 299. "It may be safely said he followed Plutarch far more closely than he did even the old English chroniclers."

<p>306</p>

Cons. ad Ux. 2-3, 608 C, D.

<p>307</p>

Cons. ad Ux. 11, 612 A, B. Cf. non suaviter, 26, 1104 C, on the loss of a child or a parent.

<p>308</p>

de coh. ira. 11, 459 C; cf. Progress in Virtue, 80 B, 81 C, on epieíkeia and praotês as signs of moral progress.

<p>309</p>

Cf. Sen. Ep. 47; Clem. Alex. Pæd. iii, 92.

<p>310</p>

A curious parallel to this in Tert. de Patientia, 15, where Tertullian draws the portrait of Patience – perhaps from life, as Dean Robinson suggests – after Perpetua the martyr.

<p>311</p>

Gellius, N.A. i, 26.

<p>312</p>

Solon, 32.

<p>313</p>

Artemidorus, Oneirocritica, iv, 72. On this author see chapter vii.

<p>314</p>

See non suaviter, 17, 1098 D, on the unspeakably rich joy of such a life of friendly relations with gods and men.

<p>315</p>

Progress in Virtue, 4, 77 C, Love of Philosophy compared to a lover's passion, to "hunger and thirst."