The Conflict of Religions in the Early Roman Empire. Glover Terrot Reaveley

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      But, as he says, he was a citizen of a small town, and he did not wish to make it smaller,[293] and he went back to Chæronea and obscurity. A city he held to be an organism like a living being,[294] and he never cared for a man on whom the claims of his city sat loosely – as they did on the Stoics.[295] The world was full of Greek philosophers and rhetoricians, lecturing and declaiming, to their great profit and glory, but Plutarch was content to stay at home, to be magistrate and priest. If men laughed to see him inspecting the measurement of tiles and the carrying of cement and stones – "it is not for myself, I say, that I am doing this but for my native-place."[296] This was when he was Telearch – an office once held by Epameinondas, as he liked to remember. Pliny's letters show that this official inspection of municipal building operations by honest and capable men was terribly needed. But Plutarch rose to higher dignities, and as Archon Eponymos he had to preside over feasts and sacrifices.[297] He was also a Boeotarch. The Roman Empire did not leave much political activity even to the free cities, but Plutarch loyally accepted the new era as from God, and found in it many blessings of peace and quiet, and some opportunities still of serving his city. He held a priesthood at Delphi, with some charge over the oracle and a stewardship at the Pythian games. He loved Delphi, and its shrine and antiquities,[298] and made the temple the scene of some of his best dialogues. "The kind Apollo (ho phílos)," he says, "seems to heal the questions of life, and to resolve them, by the rules he gives to those who ask; but the questions of thought he himself suggests to the philosophic temperament, waking in the soul an appetite that will lead it to truth."[299]

      He does not seem to have gained much public renown, but he did not seek it. The fame in his day was for the men of rhetoric, and he was a man of letters. If he gave his time to municipal duties, he must have spent the greater part of his days in reading and writing. He says that a biographer needs a great many books and that as a rule many of them will not be readily accessible – to have the abundance he requires, he ought really to be in some "famous city where learning is loved and men are many"; though, he is careful to say, a man may be happy and upright in a town that is "inglorious and humble."[300] He must have read very widely, and he probably made good use of his stay in Rome. In philosophy and literature it is quite probable that he used hand-books of extracts, though this must not imply that he did not go to the original works of the greater writers. But his main interest lay in memoirs and travels. He had an instinct for all that was characteristic, or curious, or out-of-the-way; and all sorts of casual references show how such things attached themselves to his memory. Discursive in his reading, as most men of letters seem to be, with a quick eye for the animated scene, the striking figure, the strange occurrence, he read, one feels, for enjoyment – he would add, no doubt, for his own moral profit; indeed he says that he began his Biographies for the advantage of others and found them to be much to his own.[301] He was of course an inveterate moralist; but unlike others of the class, he never forgets the things that have given him pleasure. They crowd his pages in genial reminiscence and apt allusion. There is always the quiet and leisurely air of one who has seen and has enjoyed, and sees and enjoys again as he writes. It is this that has made his Biographies live. They may at times exasperate the modern historian, for he is not very systematic – delightful writers rarely are. He rambles as he likes and avowedly passes the great things by and treasures the little and characteristic. "I am not writing histories but lives," he says, "and it is not necessarily in the famous action that a man's excellence or failure is revealed. But some little thing – a word or a jest – may often show character better than a battle with its ten thousand slain."[302]

      But, after all, it is the characteristic rather than the character that interests him. He is not among the greatest who have drawn men, for he lacks the mind and patience to go far below the surface to find the key to the whole nature. When he has shown us one side of the hero, he will present another and a very different one, and leave us to reconcile them if we can. The contradictions remain contradictions, and he wanders pleasantly on. The Lives of Pericles and Themistocles, for instance, are little more than mere collectanea from sources widely discrepant, and often quite worthless. Of the mind of Pericles he had little conception; he gathered up and pleasantly told what he had read in books. He had too little of the critical instinct and took things too easily to weigh what he quoted.

      Above all, despite his "political" energy and enthusiasm, it was impossible, for a Greek of his day to have the political insight that only comes from life in a living state. How could the Telearch of Chæronea under the Roman Empire understand Pericles? Archbishop Trench contrasts his enthusiasm about the gift of liberty to Greece by Flamininus with the reflection of Wordsworth that it is a thing

                      which is not to be given

      By all the blended powers of Earth and Heaven.

      Plutarch really did not know what liberty is; Wordsworth on the other hand had taken part in the French Revolution, and watched with keen and sympathetic eyes the march of events throughout a most living epoch. It is worth noting that indirectly Plutarch contributed to the disasters of that epoch, for his Lycurgus had enormous influence with Rousseau and his followers who took it for history. Here was a man who made laws and constitutions in his own head and imposed them upon his fellow-countrymen. So Plutarch wrote and believed, and so read and believed thinking Frenchmen of the eighteenth century, like himself subjects of a despotism and without political experience.

      Besides Biographies he wrote moral treatises – some based on lectures, others on conversation, others again little better than note-books – pleasant and readable books, if the reader will forgive a certain want of humour, and a tendency to ramble, and will surrender his mind to the long and leisurely sentences, for Plutarch is not to be hurried. Everything he wrote had some moral or religious aim. He was a believer, in days of doubt and perplexity. The Epicurean was heard at Delphi. Even in the second century, when the great, religious revival was in full swing, Lucian wrote and found readers. Men brought their difficulties to Plutarch and he went to meet them – ever glad to do something for the ancestral faith. Nor was he less ready to discuss – or record discussions of – questions much less serious. Was the hen or the egg first? Does a varied diet or a single dish help the digestion more? Why is fresh water better than salt for washing clothes? Which of Aphrodite's hands did Diomed wound?

      It is always the same man, genial, garrulous, moral and sensible. There are no theatricalities in his style – he is not a rhetorician even on paper.[303] He discards the tricks of the school, adoxography, epigram and, as a rule, paradox. His simplicity is his charm. He is really interested in his subject whatever it is; and he believes in its power of interesting other men, too much to think it worth while to trick it out with extraneous prettinesses. Yet after he has discussed his theme, with excursions into its literary antecedents and its moral suggestions, we are not perhaps much nearer an explanation of the fact in question,[304] nor always quite sure that it is a fact. Everything interests him, but he is in no hurry to get at the bottom of anything; just as in the Lives he is occupied with everything except the depths of his hero's personality. It remains that in his various works he has given us an unexampled pageant of antiquity over a wide reach of time and many lands, and always bright with the colour of life – the work of a lover of men. "I can hardly do without Plutarch," wrote Montaigne; "he is so universal and so full, that upon all occasions, and what extravagant subject soever you take in hand, he will still intrude himself into your business, and holds out to you a liberal and not to be exhausted СКАЧАТЬ