Название: The Memoirs of Count Carlo Gozzi; Volume the Second
Автор: Gozzi Carlo
Издательство: Public Domain
Жанр: Зарубежная классика
isbn:
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This was sooner said than done. I first applied to the Avvogadori, who washed their hands of the affair. Then I begged the priest to lay an information before the Esecutori contro la Bestemmia.[12] He positively refused, telling me that loose women were only too powerfully protected at Venice, and that he had already burned his fingers on a previous occasion by proceeding against a notorious evil-liver. It was no business of his, and I must get out of the scrape as well as I could.
To cut the story short, I was eventually relieved by my friend Paolo Balbi, who applied the following summary but efficacious remedy. "I informed Messer Grande of your affair,"[13] said Balbi, while explaining his proceedings: "he, as you are well aware, commands the whole tribe of constables and tipstaves; and I begged him to find some way of ousting the canaille from your house. Messer Grande dispatched one of his myrmidons, one who knows these hussies, to tell them, under the pretext of a charitable warning, that the chief of the police had orders to take them all up and send them handcuffed to prison. In their fright, the nest of rogues dispersed and left the quarter." After laughing heartily over the affair, and thanking my good friend, I walked home, reflecting deeply on red tape in public offices, perversions of legal justice, and the high-handed proceedings of that generous and expeditious judge, Messer Grande. [14]
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1
Despériers lived in France between 1480 and 1544. He was servant to Marguerite de Navarre, and a writer of Rabelaisian humour. His two principal works are called Cymbalum Mundi and Nouvelles, Récréations et Joyeux Dévis.
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1
Despériers lived in France between 1480 and 1544. He was servant to Marguerite de Navarre, and a writer of Rabelaisian humour. His two principal works are called
2
The Orco was a huge sea-monster, shaped like a gigantic crab. It first appeared in Boiardo's
3
This was one of Gozzi's own comedies.
4
These words have so much local colouring that they must be left in the text and explained in a note. A
5
See above, vol. i. p. 299.
6
The narrow foot-paths between lines of houses at Venice are so called. They frequently have scarcely space enough for two men to walk abreast.
7
One of Pietro Longhi's pictures in the Museo Civico at Venice represents exactly such a scene as this in the workroom of a tailoress. The beau is there, and the woman prepared for flirtation.
8
Gozzi had a distinct object in writing these chapters on his love-affairs. Gratarol's accusation of his having been a hypocrite and covert libertine lay before him. He wished to make a clean breast of his frailties. To suppress this portion of his
9
There is a good deal said about this man in Casanova's Memoirs.
10
The translator of this narrative has taken the trouble to make this tedious detour on foot. The quarter in which Gozzi lived, remains exactly in the same condition as when he described it. His old palace has not altered; and the whole of the above scene can be vividly presented to the fancy by an inspection of the localities.
11
The following paragraphs, to the end of the chapter, are extracted and condensed from vol. iii. chap. v. of the
12
A magistracy composed of four patricians, who controlled the manners of the town in matters of lawless and indecent living.
13
Messer Grande corresponded to the Bargello at Rome, and was the chief of catchpoles and constables.
14
This chapter on Gozzi's contrarieties, which I have supplemented with a few passages from the incoherent notes at the end of the
12
A magistracy composed of four patricians, who controlled the manners of the town in matters of lawless and indecent living.
13
Messer Grande corresponded to the Bargello at Rome, and was the chief of catchpoles and constables.
14
This chapter on Gozzi's contrarieties, which I have supplemented with a few passages from the incoherent notes at the end of the