Название: Through the Land of the Serb
Автор: Durham Mary Edith
Издательство: Public Domain
Жанр: Зарубежная классика
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He taught, but first he followed it himself."
A rough jolt over the wide bare plain; a heavy rainstorm blurring the bleak mountains of the Turkish frontier; no living being in sight save an Albanian woman with her few sheep cowering under the lee of a bush; cut off from the rest of the world by the enshrouding mist, we drove over one of the desolate places of the earth in quest of the little church among the rocks. Of a sudden the sun burst through, hot and brilliant; the plain quivered, golden and glittering, through the rising steam; the clouds parted and rolled back, and revealed the mountains all around us, fiercely, vividly blue, and as lonely as the day they were created.
Two small rocky hills rose up out of the plain, and our driver pulled up suddenly. "You must go on foot," he said; "it is not far," and he pointed to a stony track round the hillside. Doubtfully we started among the rocks and wild pomegranates, till turning a corner we struck a well-marked footpath, and saw the tall black-robed figure of our friend awaiting us at the top of the ascent. "I saw a carriage across the plain," he said, as he came forward, "and I knew it must be you." He welcomed us cordially, and turned towards his little domain. A bare stone wall built up against the hillside with a big wooden cross at the top, and a tiny cottage with a patch of cultivated ground close by, were all that could be seen of it. All around were wild and untouched rock and bush. "My little church," he said, as he led the way to the entrance, "was not built by hands. It was made by God. His church among the rocks." He crossed himself, and we entered.
He lit a taper and held it aloft. We were in a long narrow cavern, water-worn, with traces of stalactite deposit on the rough walls. At the farther end the altar candles burned brightly, lighting up the picture of Our Lady over it, and making the rest of the cave darker by contrast. "See," he said, "it is veritably a church! Is it not in the form of a cross?" and he showed us how a smaller cave opened into it on either side, making a rude nave and transept. The walls at the chancel end were painted with saints and angels, quaint and stiff, their archaic Byzantine forms in perfect keeping with the rough surroundings, and therefore true decoration. "When I have celebrated the Messe here," he continued, "when I have prayed all alone in the silence, then holy things come to me, pictures, vous savez, and I paint them here upon the wall." He held up his taper and threw light upon a great head of Christ. "This is the last I have made. There is no paint left," he added simply. "Nor do I know really which is the proper way to use it. I cannot, I think, take long to learn. My poor attempts, they give pleasure to my people, and they understand."
He led the way into the tiny transept on the left. "Here, you see, I have made for them the Holy Sepulchre"; and we saw by the light of the little taper a bier covered with a black and gold cloth, and a painting of the dead Christ. "They come to me, the poor wayfarers, for consolation, so weary, so suffering. I tell them of Him. I bring them in here and I show them the wounds on His feet. Then they understand. So I can teach them. To help the afflicted, that is religion. Some days I write, songs of religion, of the visions that I see; for the light that is given to us we must employ to show the path toothers." He looked inspired as he stood there, a majestic black-robed figure, the taper, like a guiding star, in his hands, the light of the altar candles falling on his finely cut spiritual features, the solitary sentinel of this Christian outpost. "The church of God, built by His hands in the wilderness; to care for it is all my life," he said humbly. He extinguished the lights, and we stepped out into the sunshine. By the side of the church he pointed out a second cavern in which rises a clear spring of water, the same, maybe, which carved the nave and transepts. It makes the hermitage possible in this otherwise waterless spot, and flows off underground to hew its way silently through the rock.
We turned to say good-bye to him. "But no!" he cried, "you have come so far to see me, I beg you will rest for a while in my house. When shall I again see visitors from England?" He led the way into his cottage; visitors, not only from England but from the outside world at all, are scarce with him. I think we called to his mind a whole host of recollections; for he started at once, and the time flew as he unfolded the story of his life in little sentences, earnestly and quickly, from time to time drawing his black gown across his breast with a swift dramatic action that gave point to his speech. He had been educated in a Russian university, and thence had gone to Paris. He regretted not having visited London. "It seemed so far," he said; "now it seems that I was so near!" But all the time the mountains called to him. "I cannot live away from the mountains and my poor Montenegrins. In the great towns, it was here that I wished to be. I intended to come here and to make a large monastery. But my family did not wish me to lead the religious life. My grandfather was a rich man – not what in England you would call rich, but rich in Montenegro. When I became religious, he gave me none of the money, not any. I have not been able to carry out my plan. It was God's will. My work is here. It is to help my poor Montenegrins to keep their faith. Without faith what is a nation? Ah! I have travelled and I have seen sad things. But in your country, mademoiselle, they have faith. The Church of England and our Church, they have differences, that is true, but they are slight. We are all Christians; there are so many points upon which we can agree. We must not let those others separate us. Your Church has shown great friendship to ours. Your Archbishop has sent us a letter not long ago. It has given great pleasure. Your Church is a Church; you have deacons, bishops; but in Switzerland – the Protestants – that I cannot understand. It is sad.
"Savez-vous," he went on, "I know what a war is. I was a soldier in our last war. We are all soldiers here, you see." "Where were you?" I asked. "It was in the valley of the Zeta – the Turks came down." He stared wide-eyed at a vision of horror and broke off. "It is too horrible to speak of – these scenes; it is all horrible in war. I have seen it. Pray God that we shall have peace. But a day of trial is coming to my poor Montenegrins. Ah, mademoiselle, you understand them. They are so uncivilised and so rough, but they are so good, so simple. You, who travel among them, know how good they are. You will tell them in England – will you not? – of my poor people. Civilisation brings knowledge and many, many wonders, but it does not bring happiness. These poor good people, they have no idea what life is out in the great world, and it is coming to them. And I know what it means, this civilisation. I have lived in Paris – in Paris, savez-vous," he said vehemently. "All I can do is to help them to keep their faith. Till now they have lived with God and the mountains. Here they come to me, the poor, the afflicted, they come to me for help. Some nights I give shelter to as many as fifteen wayfarers. Then they tell me their troubles, and I pray with them. Some of them," he admitted regretfully, "have not lived quite rightly. In the morning I celebrate the Messe in my little chapel, and then they go on their way comforted. On Sundays many people come, and I speak to them, here before the chapel, the words that are given to me. It is very little that one needs in this life. We have so short a time here."
A boy, his pupil and his only companion in his hermitage, came in with coffee, and the giving and the accepting of this simple refreshment seemed to give our host great pleasure. He questioned us about our relatives, and told us of his own. "Once," he remarked quite casually, "I was married," but he did not pursue the subject. He told us of the days when there were only twenty houses in Cetinje – when the chiefs of the land used to meet in council with the Prince, all sitting on the ground in a bare shed where a sheep was roasting for their dinner; how the Prince used to sit under a tree and try prisoners; how there were no roads, no towns, only a few collections of thatched huts. All this only twenty years ago! The poetic, imaginative nature of the Montenegrin. "He lives with the things he imagines. Even now, you see how he carries his gun, his revolver, his knife! He likes to think that he is guarding his house and his land. The weapons are a symbol to him. No Montenegrin likes to go unarmed. In the evening, when he returns to his little cottage, his wife meets him. She takes his gun and puts it in the corner. His weapons are laid aside. It is all peace; he is returned to his wife and children. That is old life. Now it is even said that a railway will be made. But who knows? Where can there be money for such an undertaking?" Truly railway companies and all such things seemed impossibly remote as we sat in this lonely hermitage listening to the hopes and fears of the ascetic visionary. When we arose to say good-bye, he stood over us in the doorway and gave us his blessing.
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