Every Day Life in the Massachusetts Bay Colony. Dow George Francis

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СКАЧАТЬ in an ornamental manner and the intervening space was filled with clay and chopped straw, and later with imperfect bricks. This was done for warmth, and was known as "nogging," following the English practice. When roofs were not thatched, they were covered with shingles split from the log by means of a "frow" and afterwards hand-shaved. The window openings were small and were closed by hinged casements, just as the houses in England were equipped at that time. Generally, the casement sash was wood, but sometimes iron was used, as was common in England.

      The glass was usually diamond-shaped, set in lead "cames." Emigrants to Massachusetts were instructed by the Company to bring ample supplies of glass for windows, but the supply ran short and in the poorer cottages and wigwams, oiled paper was in common use. This was an excellent substitute and supplied a surprisingly large amount of light.

      A brickyard was in operation in Salem as early as 1629, and everywhere along the coast clay was found and made up into bricks. Chimneys were built upon a huge stone foundation. The brick work began at the first floor level and the bricks were laid in puddled clay up to about the ridge line where lime was used as the chimney top became exposed to the weather.

      It has been claimed and denied that bricks used in the construction of certain old houses were brought from overseas. In general the claims may be disregarded. It is certain, however, that the Massachusetts Company at the outset sent over ten thousand bricks, stowed in the ballast with five chauldrons of sea coals for the use of the blacksmiths. At the same time came iron and steel, nails, red lead, salt and sailcloth. Even fourteen hundred weight of plaster of paris, appears in the list, priced at eighteen shillings per hundred weight.

      The home of the average New Englander in the late seventeenth century was a wooden dwelling of two stories built around a brick chimney containing large fireplaces. In Rhode Island and in parts of Connecticut, where shale abounded, the chimney was built of stone and not infrequently the house, in whole or at one end, was also so constructed. The roofs of these houses were covered with wooden shingles usually split from pine logs and shaved smooth by hand on a shingle horse. The outside walls of the well made house were covered with clapboards, also smoothed on the shingle horse. For many years these clapboards were made from oak, but as this wood has a tendency to warp and pull itself free from fastenings, by the year 1700, its use for that purpose had very generally been replaced by pine. Outbuildings and the poorer class of dwellings were not covered with clapboards or only the part next the road, for the New Englander believes in "putting his best foot forward." Such buildings were covered with "weatherboards" or plain boarding that lapped at the lower edge.

      The windows in these houses were filled by casement sash containing glass set in lead cames. The glass was usually diamond shaped, but sometimes four by six inch lights were used. This glass was imported from England and came packed in cribs, but much of it came in sheets already leaded and was cut to size by "glaziers" upon demand. Early in the eighteenth century sliding-sash windows were introduced, probably about 1710, but it was a long time before existing casements were entirely given up. One Saturday afternoon in July, 1714, lightning struck the house of Colonel Vetch in Boston. He had bought the dwelling not long before and Judge Sewall records in his diary that at the time of the storm "the Work of Transformation was not finished" to make the building fit for the occupancy of Madam Vetch. The lightning played various tricks with the house, doing considerable damage, and among other details the Judge mentions that it "lifted up the Sash Window and broke one of the squares" of glass.17 Colonel Vetch was presumably a man of substance for he afterwards became Governor of Nova Scotia, and he is likely to have "transformed" his recently purchased house into the latest fashion of lighting.

      On the other hand, Judge Sewall, the Chief Justice of the highest court in the Province, had casements in his Boston house at a time, ten years later, when his daughter Hannah died, for he records in his Diary that "Boston will not have her put into the Cellar [it was in August when she died]; so she is only remov'd into the best Room. And because the Casements were opened for Coolness, Boston would watch all night." This entry in the ancient diary not only preserves the fact that the Judge's house had casement windows, but it also makes allusion to the old-time custom of watching with the dead body and the interest that the town of Boston had in the bereavement of the Judge.

      In 1722, Benjamin Franklin in his Boston newspaper, was satirizing the extravagancies of New England housewives in "new Glazing their Houses with new fashion'd square Glass." Diamond glass had seen its day, however, and forty years later "Windows set in lead, suitable for Hot-Beds" were advertised in the newspapers, a sure sign of discarded sash. On the other hand, a hardware shop was advertising "sheet and diamond glass" as late as 1766, probably to meet the demands for repairing old casements.

      The exterior of these early houses was seldom painted, in fact it was well into the nineteenth century before the outside of houses in country towns were usually painted. A diarist who rode into Boston in 1804 comments on the dingy appearance of the houses and the general lack of paint and about the same time a Salem man met with success in business, whereupon he painted his house with the result that his associates rather sneeringly remarked: "Sam is feeling his oats; he's begun to paint his house."

      The paint first used on the exteriors of New England houses was usually of a dark red color called, both then and now, "Indian red." Red ochre was used and commonly was mixed with fish oil. The Indians had "paint mines" where they had found red earth and doubtless these "mines" were utilized, particularly in adjacent locations. One of these paint mines was located near what is now Augusta, Maine, and in that part of New England formerly existed, long before the coming of the European, an Indian race that used this red earth so freely that by ethnologists it has been termed the "red paint culture."

      So runs the present-day tradition of Indian red in New England. In point of fact, however, red earth was brought from the East Indies long before the settlement of the American Colonies, hence the name "India red," by which it was advertised in the Boston newspapers in the mid-eighteenth century. In 1766, John Gore, "at his Shop at the Sign of the Painter's Arms in Queen Street," Boston, advertised a stock of oils, paints, brushes, etc., just imported from London. He had linseed oil by the barrel or smaller quantity, boiled oil, nut oil, turpentine oil and turpentine varnish. Among his white colors, were Spanish white and French halk, – whatever that may be. Red was a color that was in demand for he carried red head, Spanish brown, India red, purple red, Venetian red, Vermillian, drop hake, carmine, umber and rose pink. Under yellows, he listed King's yellow, Princess yellow, Naples yellow, spruce yellow, stone yellow, English ochre, Orpiment-pale and deep, Dutch pink and brown pink. The blues were ultramarine, ultramarine ashes, Prussian blue of various sorts, calcined smalt, strowing ditto, verditer blue and powder blue.

      Gore also sold crayons in sets and canvas for portrait painting in half-length cloths, kit-kat and three-quarters length. He carried "Colours prepared for House and Ship Painting," best London crown glass for pictures and "Water Colours ready prepared in Shells."18

      Two years later he advertised chariot glasses, genteel looking-glasses and Wilton carpets and also announced that he did coach and carpet painting in the best and cheapest manner.

      At how early a date was paint used on the exterior of a New England house? Who can solve the problem? Undoubtedly it was on a house owned by some merchant having a direct contact with England. It is an established fact that the Andrews house, built in 1707-1710, in the country town of Topsfield, Mass., was painted Indian red at the time it was built, or soon after, but only on the trim – the window frames, corner boards, etc. The clapboards and weather-boarding at the easterly end, remained unpainted until long years after.

      The inside finish of town houses owned by well-to-do people, probably was painted at a comparatively early date, at least, one or two rooms in a house. "A large Fashionable Dwelling-House" in Boston, "about 1¼ miles from Charlestown ferry" was advertised to be sold in 1734. It had eight "fire rooms" – that is, rooms with fireplaces. The entries and two of the rooms were "beautifully Wainscotted and laid СКАЧАТЬ