Rudyard Kipling : The Complete Novels and Stories. Редьярд Джозеф Киплинг
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Название: Rudyard Kipling : The Complete Novels and Stories
Автор: Редьярд Джозеф Киплинг
Издательство: Bookwire
Жанр: Языкознание
isbn: 9782378079710
isbn:
Before long he knew where Disko kept the old green-crusted quadrant that they called the ‘hog-yoke’—under the bed-bag in his bunk. When he took the sun, and with the help of ‘The Old Farmer’s’ almanac, found the latitude, Harvey would jump down into the cabin and scratch the reckoning and date with a nail on the rust of the stove-pipe. Now, the chief engineer of the liner could have done no more, and no engineer of thirty years’ service could have assumed one half of the ancient-mariner air with which Harvey, first careful to spit over the side, made public the schooner’s position for that day, and then, and not till then, relieved Disko of the quadrant. There is an etiquette in all these things.
The said ‘hog-yoke,’ an Eldridge chart, the farming almanac, Blunt’s Coast Pilot, and Bow-ditch’s Navigator, were all the weapons Disko needed to guide him, except the deep-sea lead that was his spare eye. Harvey nearly slew Penn with it when Tom Platt taught him first how to ‘fly the blue pigeon’; and, though his strength was not equal to continuous sounding in any sort of a sea, for calm weather with a seven-pound lead on shoal water Disko used him freely. As Dan said: ‘’Tain’t soundin’s dad wants. It’s samples. Grease her up good, Harve.’ Harvey would tallow the cup at the end, and carefully bring the sand, shell, sludge, or whatever it might be, to Disko, who fingered and smelt it and gave judgment. As has been said, when Disko thought of cod he thought as a cod; and by some long-tested mixture of instinct and experience, moved the We’re Here from berth to berth, always with the fish, as a blindfolded chess-player moves on the unseen board.
a whiteness moved in the whiteness of the fog…. it was his first introduction to the dread summer berg of the banks.
But Disko’s board was the Grand Bank—a triangle two hundred and fifty miles on each side—a waste of wallowing sea, cloaked with dank fog, vexed with gales, harried with drifting ice, scored by the tracks of the reckless liners, and dotted with the sails of the fishing-fleet.
For days they worked in fog—Harvey at the bell—till, grown familiar with the thick airs, he went out with Tom Platt, his heart rather in his mouth. But the fog would not lift, and the fish were biting, and no one can stay helplessly afraid for six hours at a time. Harvey devoted himself to his lines and the gaff or gob-stick as Tom Platt called for them; and they rowed back to the schooner guided by the bell and Tom’s instinct; Manuel’s conch sounding thin and faint beside them. But it was an unearthly experience, and, for the first time in a month, Harvey dreamed of the shifting, smoking floors of water round the dory, the lines that strayed away into nothing, and the air above that melted on the sea below ten feet from his straining eyes. A few days later he was out with Manuel on what should have been forty-fathom bottom, but the whole length of the roding ran out, and still the anchor found nothing, and Harvey grew mortally afraid, for that his last touch with earth was lost. ‘Whale-hole,’ said Manuel, hauling in. ‘That is good joke on Disko. Come!’ and he rowed to the schooner to find Tom Platt and the others jeering at the skipper because, for once, he had led them to the edge of the barren Whale-deep, the blank hole of the Grand Bank. They made another berth through the fog, and that time the hair of Harvey’s head stood up when he went out in Manuel’s dory. A whiteness moved in the whiteness of the fog with a breath like the breath of the grave, and there was a roaring, a plunging, and spouting. It was his first introduction to the dread summer berg of the Banks, and he cowered in the bottom of the boat while Manuel laughed. There were days, though, clear and soft and warm, when it seemed a sin to do anything but loaf over the hand-lines and spank the drifting ‘sunscalds’ with an oar; and there were days of light airs, when Harvey was taught how to steer the schooner from one berth to another.
there were days of light airs, when harvey was taught how to steer the schooner from one berth to another.
It thrilled through him when he first felt the keel answer to his hand on the spokes and slide over the long hollows as the foresail scythed back and forth against the blue sky. That was magnificent, in spite of Disko saying that it would break a snake’s back to follow his wake. But, as usual, pride ran before a fall. They were sailing on the wind with the staysail—an old one, luckily—set, and Harvey jammed her right into it to show Dan how completely he had mastered the art. The foresail went over with a bang, and the foregaff stabbed and ripped through the staysail, which was, of course, prevented from going over by the mainstay. They lowered the wreck in awful silence, and Harvey spent his leisure hours for the next few days under Tom Platt’s lee, learning to use a needle and palm. Dan hooted with joy, for, as he said, he had made the very same blunder himself in his early days.
Boylike, Harvey imitated all the men by turns, till he had combined Disko’s peculiar stoop at the wheel, Long Jack’s swinging overhand when the lines were hauled, Manuel’s round-shouldered but effective stroke in a dory, and Tom Platt’s generous Ohio stride along the deck.
‘’Tis beautiful to see how he takes to ut,’ said Long Jack, when Harvey was looking out by the windlass one thick noon. ‘I’ll lay my wage an’ share ’tis more’n half playactin’ to him, an’ he consates himself he’s a bowld mariner. Watch his little bit av a back now.’
‘That’s the way we all begin,’ said Tom Platt. ‘The boys they make believe all the time till they’ve cheated ’emselves into bein’ men, an’ so till they die—pretendin’ an’ pretendin’. I done it on the old Ohio, I know. Stood my first watch—harbour watch—feelin’ finer ’n Farragut. Dan’s full o’ the same kind o’ notions. See ’em now, actin’ to be genewine moss-backs—every hair a rope-yarn an’ blood Stockholm tar.’ He spoke down the cabin stairs. ‘Guess you’re mistook in your judgments fer once, Disko. What in Rome made ye tell us all here the kid was crazy?’
‘He wuz,’ Disko replied. ‘Crazy ez a loon when he come aboard; but I’ll say he’s sobered up consid’ble sence. I cured him.’
‘He yarns good,’ said Tom Platt. ‘T’other night he told us abaout a kid of his own size steerin’ a cunnin’ little rig an’ four ponies up an’ down Toledo, Ohio, I think ’twas, an’ givin’ suppers to a crowd o’ sim’lar kids. Cur’us kind o’ fairy tale, but blame interestin’. He knows scores of ’em.’
‘Guess he strikes ’em outen his own head,’ Disko called from the cabin, where he was busy with the log-book. ‘Stands to reason that sort is all made up. It don’t take in no one but Dan, an’ he laughs at it. I’ve heard him, behind my back.’
‘Y’ever hear what Sim’on Peter Ca’houn said when they whacked up a match ’twix’ his sister Hitty an’ Lorin’ Jerauld, an’ the boys put up that joke on him daown to Georges?’ drawled Uncle Salters, who was dripping peaceably under the lee of the starboard dory-nest.
Tom Platt puffed at his pipe in scornful silence: he was a Cape Cod man, and had not known that tale more than twenty years. Uncle Salters went on with a rasping chuckle:
‘Sim’on СКАЧАТЬ