Название: Ghetto Comedies
Автор: Israel Zangwill
Издательство: Bookwire
Жанр: Языкознание
isbn: 4057664566034
isbn:
'Ah,' Sir Asher replied, unmoved. 'Then you had better employ my man Conn; he does a good deal of this sort of work for me. He will find Quarriar a partner and professor.'
'But Quarriar has already found a partner.' I explained the scheme.
'The partner will cheat him. Twenty pounds is ridiculous. Five pounds is quite enough. Take my advice, and let it all go through Conn. If I wanted my portrait painted, you wouldn't advise me to go to an amateur. By the way, here are the five pounds, but please don't tell Conn I gave them. I don't believe the money'll do any good, and Conn will lose his respect for me.'
My interest in piece-sorting—an occupation I had never even heard of before—had grown abnormally, and I had gone into the figures and quantities—so many hundredweights, purchased at fifteen shillings, sorted into lots, and sold at various prices—with as thorough-going an eagerness as if my own livelihood were to depend upon it.
I confess I was now rather bewildered by so serious a difference of estimate as to the cost of a partnership, but I was inclined to set down Sir Asher's scepticism to that pessimism which is the penalty of professional philanthropy.
On the other hand, I felt that whether the partnership was to cost five pounds or twenty, Quarriar's future would be safer from Kazelias under the auspices of Sir Asher and his Conn. So I handed the latter the five pounds, and bade him find Quarriar a guide, philosopher, and partner.
With the advent of Conn, all my troubles began, and the picture passed into its third and last stage.
I soon elicited that Quarriar and his friends were rather sorry Conn had been introduced into the matter. He was alleged to favour some people at the expense of others, and to be not at all popular among the people amid whom he worked. And altogether it was abundantly clear that Quarriar would rather have gone on with the scheme in his own way without official interference.
Later, Sir Asher wrote to me direct that the partner put forward by the Quarriar faction was a shady customer; Conn had selected his own man, but even so there was little hope Quarriar's future would be thus provided for.
There seemed, moreover, a note of suspicion of Quarriar sounding underneath, but I found comfort in the reflection that to Sir Asher my model was nothing more than the usual applicant for assistance, whereas to me who had lived for months in daily contact with him he was something infinitely more human.
Spring was now nearing; I finished my picture early in March—after four months' strenuous labour—shook hands with my model, and received his blessing. I was somewhat put out at learning that Conn had not yet given him the five pounds necessary to start him, as I had been hoping he might begin his new calling immediately the sittings ended. I gave him a small present to help tide over the time of waiting.
But that tragic face on my own canvas remained to haunt me, to ask the question of his future, and few days elapsed ere I found myself starting out to visit him at his home. He lived near Ratcliffe Highway, a district which I found had none of that boisterous marine romance with which I had associated it.
The house was a narrow building of at least the sixteenth century, with the number marked up in chalk on the rusty little door. I happened to have stumbled on the Jewish Passover. Quarriar was called down, evidently astonished and unprepared for my appearance at his humble abode, but he expressed pleasure, and led me up the narrow, steep stairway, whose ceiling almost touched my head as I climbed up after him. On the first floor the landlord, in festal raiment, intercepted us, introduced himself in English (which he spoke with pretentious inaccuracy), and, barring my further ascent, took possession of me, and led the way to his best parlour, as if it were entirely unbecoming for his tenant to receive a gentleman in his attic.
He was a strapping young fellow, full of acuteness and vigour—a marked contrast to Quarriar's drooping, dignified figure standing silently near by, and radiating poverty and suffering all the more in the little old panelled room, elegant with a big carved walnut cabinet, and gay with chromos and stuffed birds. Effusively the master-tailor painted himself as the champion of the poor fellow, and protested against this outside partnership that was being imposed on him by the notorious Conn. He himself, though he could scarcely afford it, was keeping his cuttings for him, in spite of tempting offers from other quarters, even of a shilling a sack. But of course he didn't see why an outsider foisted upon him by a philanthropic factotum should benefit by this goodness of his. He discoursed to me in moved terms of the sorrows and privations of his tenants in their two tiny rooms upstairs. And all the while Quarriar preserved his attitude of drooping dignity, saying no syllable except under special appeal.
The landlord produced a goblet of rum and shrub for the benefit of the high-born visitor, and we all clinked glasses, the young master-tailor beaming at me unctuously as he set down his glass.
'I love company,' he cried, with no apparent consciousness of impudent familiarity.
I returned, however, to my central interest in life—the piece-sorting. It occurred to me afterwards that possibly I ought not to have insisted on such a secular subject on a Jewish holiday, but, after all, the landlord had broached it, and both men now entered most cordially into the discussion. The landlord started repeating his lament—what a pity it would be if Quarriar were really forced to accept Conn's partner—when Quarriar timidly blurted out that he had already signed the deed of partnership, though he had not yet received the promised capital from Conn, nor spoken over matters with the partner provided. The landlord seemed astonished and angry at learning this, pricking up his ears curiously at the word 'signed,' and giving Quarriar a look of horror.
'Signed!' he cried in Yiddish. 'What hast thou signed?'
At this point the landlord's wife joined us in the parlour, with a pretty child in her arms and another shy one clinging to her skirts, completing the picture of felicity and prosperity, and throwing into greater shadow the attic to which I shortly afterwards climbed my way up the steep, airless stairs. I was hardly prepared for the depressing spectacle that awaited me at their summit. It was not so much the shabby, fusty rooms, devoid of everything save a couple of mattresses, a rickety wooden table, a chair or two, and a heap of Passover cakes, as the unloveliness of the three women who stood there, awkward and flushing before their important visitor. The wife-and-mother was dwarfed and black-wigged, the daughters were squat, with tallow-coloured round faces, vaguely suggestive of Caucasian peasants, while the sightless eye of the elder lent a final touch of ugliness.
How little my academic friends know me who imagine I am allured by the ugly! It is only that sometimes I see through it a beauty that they are blind to. But here I confess I saw nothing but the ghastly misery and squalor, and I was oppressed almost to sickness as much by the scene as by the atmosphere.
'May I open a window?' I could not help inquiring.
The genial landlord, who had followed in my footsteps, rushed to anticipate me, and when I could breathe more freely, I found something of the tragedy that had been swallowed in the sordidness. My eye fell again on the figure of my host standing in his drooping majesty, the droop being now necessary to avoid striking the ceiling with his kingly head.
Surely a pretty wife and graceful daughters would have detracted from the splendour of the tragedy. Israel stood there, surrounded by all that was mean, yet losing nothing of his regal dignity—indeed the Man of Sorrows.
Ere I left I suddenly remembered to ask after the three younger children. They were still with their kind benefactor, the father told me.
'I suppose you will resume possession СКАЧАТЬ