The Story of My Life. Georg Ebers

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      CHAPTER VI.

       MY INTRODUCTION TO ART, AND ACQUAINTANCES GREAT AND SMALL IN THE LENNESTRASSE.

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      The Drakes mentioned in my sister’s journal are the family of the sculptor, to whom Berlin and many another German city owe such splendid works of art.

      He was also one of our neighbours, and a warm friendship bound him and his young wife to my mother. He was kind to us children, too, and had us in his studio, which was connected with the house like the other and larger one in the Thiergarten. He even gave us a bit of clay to shape. I have often watched him at work for hours, chattering to him, but happier still to listen while he told us of his childhood when he was a poor boy. He exhorted us to be thankful that we were better off, but generally added that he would not exchange for anything in the world those days when he went barefoot. His bright, clear artist’s eyes sparkled as he spoke, and it must indeed have been a glorious satisfaction to have conquered the greatest hindrances by his own might, and to have raised himself to the highest pinnacle of life—that of art. I had a dim impression of this when he talked to us, and now I consider every one enviable who has only himself to thank for all he is, like Drake, his friend in art Ritschl, and my dear friend Josef Popf, in Rome, all three laurel-crowned masters in the art of sculpture.

      In Drake’s studio I saw statues, busts, and reliefs grow out of the rude mass of clay; I saw the plaster cast turned into marble, and the master, with his sure hand, evoking splendid forms from the primary limestone. What I could not understand, the calm, kindly man explained with unfailing patience, and so I got an early insight into the sculptor’s creative art.

      It was these recollections of my childhood that suggested to me the character of little Pennu in Uarda, of Polykarp in Homo Sum, of Pollux in The Emperor, and the cheery Alexander in Per Aspera.

      I often visited also, during my last years in Berlin, the studio of another sculptor. His name was Streichenberg, and his workshop was in our garden in the Linkstrasse.

      If a thoughtful earnestness was the rule in Drake’s studio, in that of Prof. Streichenberg artistic gaiety reigned. He often whistled or sang at his work, and his young Italian assistant played the guitar. But while I still know exactly what Drake executed in our presence, so that I could draw the separate groups of the charming relief, the Genii of the Thiergarten, I do not remember a single stroke of Streichenberg’s work, though I can recall all the better the gay manner of the artist whom we again met in 1848 as a demagogue.

      At the Schmidt school Franz and Paul Meyerheim were among our comrades, and how full of admiration I was when one of them—Franz, I think, who was then ten or eleven years old—showed us a hussar he had painted himself in oil on a piece of canvas! The brothers took us to their home, and there I saw at his work their kindly father, the creator of so many charming pictures of country and child life.

      There was also a member of the artist family of the Begas, Adalbert, who was one of our contemporaries and playmates, some of whose beautiful portraits I saw afterward, but whom, to my regret, I never met again.

      Most memorable of all were our meetings with Peter Cornelius, who also lived in the Lennestrasse. When I think of him it always seems as if he were looking me in the face. Whoever once gazed into his eyes could never forget them. He was a little man, with waxen-pale, and almost harsh, though well-formed features, and smooth, long, coal-black hair. He might scarcely have been noticed save for his eyes, which overpowered all else, as the sunlight puts out starlight. Those eyes would have drawn attention to him anywhere. His peculiar seriousness and his aristocratic reserve of manner were calculated to keep children at a distance, even to repel them, and we avoided the stern little man whom we had heard belonged to the greatest of the great. When he and his amiable wife became acquainted with our mother, however, and he called us to him, it is indescribable how his harsh features softened in the intercourse with us little ones, till they assumed an expression of the utmost benevolence, and with what penetrating, I might say fatherly kindness, he talked and even jested with us in his impressive way. I had the best of it, for my blond curly head struck him as usable in some work of his, and my mother readily consented to my being his model. So I had to keep still several hours day after day, though I confess, to my shame, that I remember nothing about the sittings except having eaten some particularly good candied fruit.

      Even now I smile at the recollection of his making an angel or a spirit of peace out of the wild boy who perhaps just before had been scuffling with the enemy from the flower-cellar.

      There was another celebrated inhabitant of the Lennestrasse СКАЧАТЬ