Название: Legends of the Middle Ages - Narrated with Special Reference to Literature and Art
Автор: H. A. Guerber
Издательство: Ingram
Жанр: Сказки
isbn: 9781473370784
isbn:
From which shot a light
So that he the ground surface
Might perceive,
The wonders overscan.”
Beowulf (Metcalfe’s tr.).
[Sidenote: Death of Beowulf.] The mighty treasure was all brought forth to the light of day, and the followers, seeing that all danger was over, crowded round their dying chief. He addressed them affectionately, and, after recapitulating the main events his career, expressed a desire to be buried in a mighty mound on a projecting headland, which could be seen far out at sea, and would be called by his name.
“’And now,
Short while I tarry here—when I am gone,
Bid them upon yon headland’s summit rear
A lofty mound, by Rona’s seagirt cliff;
So shall my people hold to after times
Their chieftain’s memory, and the mariners
That drive afar to sea, oft as they pass,
Shall point to Beowulf’s tomb.’”
Beowulf(Conybeare’s tr.).
These directions were all piously carried out by a mourning people, who decked his mound with the gold he had won, and erected above it a Bauta, or memorial stone, to show how dearly they had loved their brave king Beowulf, who had died to save them from the fury of the dragon.
CHAPTER II.
GUDRUN.
Maximilian I., Emperor of Germany, rendered a great service to posterity by ordering that copies of many of the ancient national manuscripts should be made. These copies were placed in the imperial library at Vienna, where, after several centuries of almost complete neglect, they were discovered by lovers of early literature, in a very satisfactory state of preservation. These manuscripts then excited the interest of learned men, who not only found therein a record of the past, but gems of literature which are only now beginning to receive the appreciation they deserve.
[Sidenote: Origin of poem of Gudrun.] Among these manuscripts is the poem “Gudrun,” belonging to the twelfth or thirteenth century. It is evidently compiled from two or more much older lays which are now lost, which are alluded to in the Nibelungenlied. The original poem was probably Norse, and not German like the only existing manuscript, for there is an undoubted parallel to the story of the kidnaping of Hilde in the Edda. In the Edda, Hilde, the daughter of Högni, escapes from home with her lover Hedin, and is pursued by her irate father. He overtakes the fugitives on an island, where a bloody conflict takes place, in which many of the bravest warriors die. Every night, however, a sorceress recalls the dead to life to renew the strife, and to exterminate one another afresh.
The poem “Gudrun,” which is probably as old as the Nibelungenlied, and almost rivals it in interest, is one of the most valuable remains of ancient German literature. It consists of thirty-two songs, in which are related the adventures of three generations of the heroic family of the Hegelings. Hence it is often termed the “Hegeling Legend.”
[Sidenote: Kidnaping of Hagen.] The poem opens by telling us that Hagen was the son of Sigeband, King of Ireland, which was evidently a place in Holland, and not the well-known Emerald Isle. During a great feast, when countless guests were assembled around his father’s hospitable board, this prince, who was then but seven years of age, was seized by a griffin and rapidly borne away.
“Young Hagen, loudly crying, was filled with dire dismay;
The bird with mighty pinions soared high with him away.”
Gudrun (Dippold’s tr.).
The cries of the child, and the arrows of Sigeband’s men at arms, were equally ineffectual in checking the griffin, which flew over land and sea, and finally deposited its prey in its nest on the top of a great cliff on a desert island. One of the little griffins, wishing to reserve this delicate morsel for its own delectation, caught the boy up in its talons and flew away to a neighboring tree. The branch upon which it perched was too weak to support a double load, however, and as it broke the frightened griffin dropped Hagen into a thicket. Undismayed by the sharp thorns, Hagen quickly crept out of the griffin’s reach and took refuge in a cave, where he found three little girls who had escaped from the griffins in the same way.
[Sidenote: The three maidens.] One of these children was Hilde, an Indian princess; the second, Hildburg, daughter of the King of Portugal; and the third belonged to the royal family of Isenland. Hagen immediately became the protector of these little maidens, spending several years in the cave with them. He ventured out only when the griffins were away, to seek berries or shoot small game with a bow which he had made in imitation of those he had seen in his father’s hall.
Years passed by before Hagen found the corpse of an armed warrior, which had been washed ashore during a storm. To appropriate the armor and weapons for which he had so long and vainly sighed was the youth’s first impulse; his second was to go forth and slay the griffins which had terrorized him and his little companions for so many years. The griffins being disposed of, the young people roamed about the island at will, keeping a sharp lookout for any passing vessel which might convey them home. At last a sail came in sight! Hagen, the first to see it, climbed up on a rock and shouted with all his young strength to attract the crew’s attention.
“With might young Hagen shouted, and did not cease to shout,
Howe’er the roaring tempest the wild waves tossed about.”
Gudrun (Dippold’s tr.).
The sailors reluctantly drew near, gazing fearfully upon the three maidens, who, clad in furs and moss, resembled mermaids or wood nymphs. But when they heard their story they gladly took them on board. It was only when the island was out of sight, and when they were in mid-ocean, that Hagen discovered that he had fallen into the hands of Count Garadie, his father’s inveterate enemy, who now proposed to use his power to treat the young prince as a slave. But Hagen’s rude fare, and the constant exposure of the past few years, had so developed his strength and courage that he now flew into a Berserker rage,[1] flung thirty men one after another into the sea, and so terrified his would-be master that he promised to bear him and the three maidens in safety to his father’s court. [Footnote 1: See Guerber’s Myths of Northern Lands, p. 29.]
[Sidenote: Hagen made king.] As Sigeband had died without leaving any other heir, Hagen was warmly welcomed home, and ascending the vacant throne, he took to wife Hilde, the fair maiden with whom he had shared his game and berries for so many years. The royal couple were very happy, and Hagen ruled so wisely that he became a terror to his enemies and a blessing to his own subjects. Even when engaged in warfare he proved himself an upright and generous man, never attacking the poor and weak.
“On warlike enterprises into his enemies’ land
He spared the poor from ravage of fire with powerful hand;
Whenever he encountered a warrior overbearing,
He broke his burgs and slew him with dire revenge unsparing.”
Gudrun (Dippold’s tr.).
[Sidenote: Hilde’s suitors.] Hagen and Hilde eventually became the parents of an only daughter, СКАЧАТЬ