I Am A Cat. Natsume Soseki
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Название: I Am A Cat

Автор: Natsume Soseki

Издательство: Ingram

Жанр: Языкознание

Серия:

isbn: 9781462901753

isbn:

СКАЧАТЬ to be more than average at anything at all; but nonetheless he can’t refrain from trying his hand at everything and anything. He’s always writing haiku and submitting them to Cuckoo; he sends off new-style poetry to Morning Star; he has a shot at English prose peppered with gross mistakes; he develops a passion for archery; he takes lessons in chanting No play-texts; and sometimes he devotes himself to making hideous noises with a violin. But I am sorry to say that none of these activities has led to anything whatsoever. Yet, though he is dyspeptic, he gets terribly keen once he has embarked upon a project. He once got himself nicknamed “The Maestro of the Water-closet” through chanting in the lavatory, but he remains entirely unconcerned and can still be heard there chanting “I am Taira-no-Munemori.” We all say, “There goes Munemori,” and titter at his antics. I do not know why it happened, but one fine day (a payday roughly four weeks after I’d taken up residence) this master of mine came hurrying home with a large parcel under his arm. I wondered what he’d bought. It turned out that he’d purchased watercolor paints, brushes, and some special “Whatman” paper. It looked to me as if haiku-writing, and mediaeval chanting were going to be abandoned in favor of watercolor painting. Sure enough, from the next day on and every day for some long time, he did nothing but paint pictures in his study. He even went without his afternoon siestas. However, no one could tell what he had painted by looking at the result. Possibly he himself thought little of his work; for, one day when his friend who specializes in matters of aesthetics came to visit him, I heard the following conversation.

      “Do you know it’s quite difficult? When one sees someone else painting, it looks easy enough; but not till one takes a brush oneself, does one realize just how difficult it is.” So said my noble master, and it was true enough.

      His friend, looking at my master over his gold-rimmed spectacles, observed, “It’s only natural that one cannot paint particularly well the moment one starts. Besides, one cannot paint a picture indoors by force of the imagination only. The Italian Master, Andrea del Sarto, remarked that if you want to paint a picture, always depict nature as she is. In the sky, there are stars. On earth, there are sparkling dews. Birds are flying. Animals are running. In a pond there are goldfish. On an old tree one sees winter crows. Nature herself is one vast living picture. D’you understand? If you want to paint a picturesque picture, why not try some preliminary sketching?”

      “Oh, so Andrea del Sarto said that? I didn’t know that at all. Come to think of it, it’s quite true. Indeed, it’s very true.”The master was unduly impressed. I saw a mocking smile behind the gold-rimmed glasses.

      The next day when, as always, I was having a pleasant nap on the veranda, the master emerged from his study (an act unusual in itself) and began behind my back to busy himself with something. At this point I happened to wake up and, wondering what he was up to, opened my eyes just one slit the tenth of an inch. And there he was, fairly killing himself at being Andrea del Sarto. I could not help but laugh. He’s starting to sketch me just because he’s had his leg pulled by a friend. I have already slept enough, and I’m itching to yawn. But seeing my master sketching away so earnestly, I hadn’t the heart to move: so I bore it all with resignation. Having drawn my outline, he’s started painting the face. I confess that, considering cats as works of art, I’m far from being a collector’s piece. I certainly do not think that my figure, my fur, or my features are superior to those of other cats. But however ugly I may be, there’s no conceivable resemblance between myself and that queer thing which my master is creating. First of all, the coloring is wrong. My fur, like that of a Persian, bears tortoiseshell markings on a ground of a yellowish pale grey. It is a fact beyond all argument. Yet the color which my master has employed is neither yellow nor black; neither grey nor brown; nor is it any mixture of those four distinctive colors. All one can say is that the color used is a sort of color. Furthermore, and very oddly, my face lacks eyes. The lack might be excused on the grounds that the sketch is a sketch of a sleeping cat; but, all the same, since one cannot find even a hint of an eye’s location, it is not all clear whether the sketch is of a sleeping cat or of a blind cat. Secretly I thought to myself that this would never do, even for Andrea del Sarto. However, I could not help being struck with admiration for my master’s grim determination. Had it been solely up to me, I would gladly have maintained my pose for him, but Nature has now been calling for some time. The muscles in my body are getting pins and needles. When the tingling reached a point where I couldn’t stand it another minute, I was obliged to claim my liberty. I stretched my front paws far out in front of me, pushed my neck out low and yawned cavernously. Having done all that, there’s no further point in trying to stay still. My master’s sketch is spoilt anyway, so I might as well pad round to the backyard and do my business. Moved by these thoughts, I start to crawl sluggishly away. Immediately, “You fool” came shouted in my master’s voice, a mixture of wrath and disappointment, out of the inner room. He has a fixed habit of saying, “You fool” whenever he curses anyone. He cannot help it since he knows no other swear words. But I thought it rather impertinent of him thus unjustifiably to call me “a fool.” After all, I had been very patient up to this point. Of course, had it been his custom to show even the smallest pleasure whenever I jump on his back, I would have tamely endured his imprecations: but it is a bit thick to be called “a fool” by someone who has never once with good grace done me a kindness just because I get up to go and urinate. The prime fact is that all humans are puffed up by their extreme self-satisfaction with their own brute power. Unless some creatures more powerful than humans arrive on earth to bully them, there’s just no knowing to what dire lengths their fool presumptuousness will eventually carry them.

      One could put up with this degree of selfishness, but I once heard a report concerning the unworthiness of humans, which is several times more ugly and deplorable.

      At the back of my house there is a small tea-plantation, perhaps some six yards square. Though certainly not large, it is a neat and pleasantly sunny spot. It is my custom to go there whenever my morale needs strengthening; when, for instance, the children are making so much noise that I cannot doze in peace, or when boredom has disrupted my digestion. One day, a day of Indian summer, at about two o’clock in the afternoon, I woke from a pleasant after-luncheon nap and strolled out to this tea-plantation by way of taking exercise. Sniffing, one after another, at the roots of the tea plants, I came to the cypress fence at the western end; and there I saw an enormous cat fast asleep on a bed of withered chrysanthemums, which his weight had flattened down. He did not seem to notice my approach. Perhaps he noticed but did not care. Anyway, there he was, stretched out at full length and snoring loudly. I was amazed at the daring courage that permitted him, a trespasser, to sleep so unconcernedly in someone else’s garden. He was a pure black cat. The sun of earliest afternoon was pouring its most brilliant rays upon him, and it seemed as if invisible flames were blazing out from his glossy fur. He had a magnificent physique; the physique, one might say, of the Emperor of Catdom. He was easily twice my size. Filled with admiration and curiosity, I quite forgot myself. I stood stock-still, entranced, all eyes in front of him. The quiet zephyrs of that Indian summer set gently nodding a branch of Sultan’s Parasol, which showed above the cypress fence, and a few leaves pattered down upon the couch of crushed chrysanthemums. The Emperor suddenly opened his huge round eyes. I remember that moment to this day. His eyes gleamed far more beautifully than that dull amber stuff which humans so inordinately value. He lay dead still. Focussing the piercing light that shone from his eyes’ interior upon my dwarfish forehead, he remarked, “And who the hell are you?”

      I thought his turn of phrase a shade inelegant for an Emperor, but because the voice was deep and filled with a power that could suppress a bulldog. I remained dumb-struck with pure awe. Reflecting, however, that I might get into trouble if I failed to exchange civilities, I answered frigidly, with a false sang froid as cold as I could make it, “I, sir, am a cat. I have as yet no name.” My heart at that moment was beating a great deal faster than usual.

      In a tone of enormous scorn, the Emperor observed, “You. . . a cat? Well, I’m damned. Anyway, where the devil do you hang out?” I thought this cat excessively blunt-spoken.

      “I live here, in the teacher’s house.”

      “Huh, СКАЧАТЬ