3 books to know Paris. Гастон Леру

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      “Poor Chantefleurie!” said Oudarde, with a shiver,—“drowned!”

      “Drowned!” resumed Mahiette, “who could have told good Father Guybertant, when he passed under the bridge of Tingueux with the current, singing in his barge, that one day his dear little Paquette would also pass beneath that bridge, but without song or boat.

      “And the little shoe?” asked Gervaise.

      “Disappeared with the mother,” replied Mahiette.

      “Poor little shoe!” said Oudarde.

      Oudarde, a big and tender woman, would have been well pleased to sigh in company with Mahiette. But Gervaise, more curious, had not finished her questions.

      “And the monster?” she said suddenly, to Mahiette.

      “What monster?” inquired the latter.

      “The little gypsy monster left by the sorceresses in Chantefleurie’s chamber, in exchange for her daughter. What did you do with it? I hope you drowned it also.”

      “No.” replied Mahiette.

      “What? You burned it then? In sooth, that is more just. A witch child!”

      “Neither the one nor the other, Gervaise. Monseigneur the archbishop interested himself in the child of Egypt, exorcised it, blessed it, removed the devil carefully from its body, and sent it to Paris, to be exposed on the wooden bed at Notre-Dame, as a foundling.”

      “Those bishops!” grumbled Gervaise, “because they are learned, they do nothing like anybody else. I just put it to you, Oudarde, the idea of placing the devil among the foundlings! For that little monster was assuredly the devil. Well, Mahiette, what did they do with it in Paris? I am quite sure that no charitable person wanted it.”

      “I do not know,” replied the Rémoise, “‘twas just at that time that my husband bought the office of notary, at Bern, two leagues from the town, and we were no longer occupied with that story; besides, in front of Bern, stand the two hills of Cernay, which hide the towers of the cathedral in Reims from view.”

      While chatting thus, the three worthy bourgeoises had arrived at the Place de Grève. In their absorption, they had passed the public breviary of the Tour-Roland without stopping, and took their way mechanically towards the pillory around which the throng was growing more dense with every moment. It is probable that the spectacle which at that moment attracted all looks in that direction, would have made them forget completely the Rat-Hole, and the halt which they intended to make there, if big Eustache, six years of age, whom Mahiette was dragging along by the hand, had not abruptly recalled the object to them: “Mother,” said he, as though some instinct warned him that the Rat-Hole was behind him, “can I eat the cake now?”

      If Eustache had been more adroit, that is to say, less greedy, he would have continued to wait, and would only have hazarded that simple question, “Mother, can I eat the cake, now?” on their return to the University, to Master Andry Musnier’s, Rue Madame la Valence, when he had the two arms of the Seine and the five bridges of the city between the Rat-Hole and the cake.

      This question, highly imprudent at the moment when Eustache put it, aroused Mahiette’s attention.

      “By the way,” she exclaimed, “we are forgetting the recluse! Show me the Rat-Hole, that I may carry her her cake.”

      “Immediately,” said Oudarde, “‘tis a charity.”

      But this did not suit Eustache.

      “Stop! my cake!” said he, rubbing both ears alternatively with his shoulders, which, in such cases, is the supreme sign of discontent.

      The three women retraced their steps, and, on arriving in the vicinity of the Tour-Roland, Oudarde said to the other two,—

      “We must not all three gaze into the hole at once, for fear of alarming the recluse. Do you two pretend to read the Dominus in the breviary, while I thrust my nose into the aperture; the recluse knows me a little. I will give you warning when you can approach.”

      She proceeded alone to the window. At the moment when she looked in, a profound pity was depicted on all her features, and her frank, gay visage altered its expression and color as abruptly as though it had passed from a ray of sunlight to a ray of moonlight; her eye became humid; her mouth contracted, like that of a person on the point of weeping. A moment later, she laid her finger on her lips, and made a sign to Mahiette to draw near and look.

      Mahiette, much touched, stepped up in silence, on tiptoe, as though approaching the bedside of a dying person.

      It was, in fact, a melancholy spectacle which presented itself to the eyes of the two women, as they gazed through the grating of the Rat-Hole, neither stirring nor breathing.

      The cell was small, broader than it was long, with an arched ceiling, and viewed from within, it bore a considerable resemblance to the interior of a huge bishop’s mitre. On the bare flagstones which formed the floor, in one corner, a woman was sitting, or rather, crouching. Her chin rested on her knees, which her crossed arms pressed forcibly to her breast. Thus doubled up, clad in a brown sack, which enveloped her entirely in large folds, her long, gray hair pulled over in front, falling over her face and along her legs nearly to her feet, she presented, at the first glance, only a strange form outlined against the dark background of the cell, a sort of dusky triangle, which the ray of daylight falling through the opening, cut roughly into two shades, the one sombre, the other illuminated. It was one of those spectres, half light, half shadow, such as one beholds in dreams and in the extraordinary work of Goya, pale, motionless, sinister, crouching over a tomb, or leaning against the grating of a prison cell.

      It was neither a woman, nor a man, nor a living being, nor a definite form; it was a figure, a sort of vision, in which the real and the fantastic intersected each other, like darkness and day. It was with difficulty that one distinguished, beneath her hair which spread to the ground, a gaunt and severe profile; her dress barely allowed the extremity of a bare foot to escape, which contracted on the hard, cold pavement. The little of human form of which one caught a sight beneath this envelope of mourning, caused a shudder.

      That figure, which one might have supposed to be riveted to the flagstones, appeared to possess neither movement, nor thought, nor breath. Lying, in January, in that thin, linen sack, lying on a granite floor, without fire, in the gloom of a cell whose oblique air-hole allowed only the cold breeze, but never the sun, to enter from without, she did not appear to suffer or even to think. One would have said that she had turned to stone with the cell, ice with the season. Her hands were clasped, her eyes fixed. At first sight one took her for a spectre; at the second, for a statue.

      Nevertheless, at intervals, her blue lips half opened to admit a breath, and trembled, but as dead and as mechanical as the leaves which the wind sweeps aside.

      Nevertheless, from her dull eyes there escaped a look, an ineffable look, a profound, lugubrious, imperturbable look, incessantly fixed upon a corner of the cell which could not be seen from without; a gaze which seemed to fix all the sombre thoughts of that soul in distress upon some mysterious object.

      Such was the creature who had received, from her habitation, the name of the “recluse”; and, from her garment, the name of “the sacked nun.”

      The three women, for Gervaise had rejoined Mahiette СКАЧАТЬ