Название: Blue Notebook / Голубая тетрадь. Книга для чтения на английском языке
Автор: Даниил Хармс
Издательство: КАРО
Жанр: Советская литература
Серия: Современная русская проза (Каро)
isbn: 978-5-9925-1420-9
isbn:
Ivan Yakovlevich tried turning the trousers inside out, but that way round both legs had a propensity to assume a yellow hue embroidered with green peas and were so garish that, well, just to step out on stage in such trousers after a cinematic show would be quite sufficient: the audience would guffaw for half an hour. For two days Ivan Yakovlevich couldn't bring himself to put on his new trousers, but when his old ones got so torn that even from a distance it could be seen that Ivan Yakovlevich's underpants were in dire need of mending, there was nothing for it but to sport the new trousers. In his new trousers for the first time, Ivan Yakovlevich went out extremely cautiously. Leaving the doorway, he glanced both ways first and, having convinced himself that there was no one nearby, stepped out on to the street and swiftly strode off in the direction of his office. The first person he met was an apple seller with a big basket on his head. He said nothing on catching sight of Ivan Yakovlevich and only when Ivan Yakovlevich had walked past did he stop and, since his basket would not allow him to turn his head, the apple seller turned his whole person and followed Ivan Yakovlevich with his eyes – and perhaps would have shaken his head if, once again, it had not been for that same basket. Ivan Yakovlevich stepped it out jauntily, considering his encounter with the fruit seller to have been a good omen. He had not seen the tradesman's manoeuvre and he reassured himself that his trousers were not as startling as all that. There now walked towards Ivan Yakovlevich an office worker of just the same type as he himself, with a briefcase under his arm. The office worker was walking briskly, not bothering to look around him, but rather keeping a close watch underfoot. Drawing level with Ivan Yakovlevich, the office worker stole a glance at Ivan Yakovlevich's trousers and stopped in his tracks. Ivan Yakovlevich stopped as well. The office worker looked at Ivan Yakovlevich, as did Ivan Yakovlevich at the office worker.
– Excuse me – said the office worker – you couldn't tell me how to get to the… national… exchange?
– To get there you'll have to go along this footpath… along this footbridge… no, I mean, you'll have to go this way and then that way – said Ivan Yakovlevich.
The office worker said thank you and quickly walked away, and Ivan Yakovlevich took a few steps forward but, seeing that now towards him came not a male office worker but a female one, he lowered his head and ran across to the other side of the street. Ivan Yakovlevich arrived at the office with some delay and very bad tempered. Ivan Yakovlevich's colleagues naturally focused their attention on the green trousers with legs of varying hue but, evidently guessing that this was the cause of his ball temper, they did not trouble him with questions. Ivan Yakovlevich underwent torture for two weeks wearing his green trousers, until one of his colleagues, one Apollon Maksimovich Shilov, suggested to Ivan Yakovlevich that he should buy a pair of striped trousers from Apollon Maksimovich himself which were ostensibly surplus to Apollon Maksimovich's requirements.
A Knight
Aleksey Alekseyevich Alekseyev was a real knight. So, for example, on one occasion, catching sight from a tram of a lady stumbling against a kerbstone and dropping from her bag a glass lampshade for a table – lamp, which promptly smashed, Aleksey Alekseyevich, desiring to help the lady, decided to sacrifice himself and, leaping from the tram at full speed, fell and split open the whole of his phizog on a stone. Another time, seeing a lady who was climbing over a fence catch her skirt on a nail and get stuck there, so that she could move neither backward nor forward, Aleksey Alekseyevich began to get so agitated that, in his agitation, he broke two front teeth with his tongue. In a word, Aleksey Alekseyevich was really the most chivalrous knight, and not only in relation to ladies. With unprecedented ease, Aleksey Alekseyevich could sacrifice his life for his Faith, Tsar and Motherland, as he proved in the year ''14, at the start of the German war, by throwing himself, with the cry «For the Motherland!», on to the street from a second – floor window. By some miracle, Aleksey Alekseyevich remained alive, getting off with only light injuries, and was quickly, as such an uncommonly zealous patriot, dispatched to the front.
At the front, Aleksey Alekseyevich distinguished himself with his unprecedentedly elevated feelings and every time he pronounced the words «banner», «fanfare», or even just «epaulettes», down his face there would trickle a tear of emotion.
In the year ''16, Aleksey Alekseyevich was wounded in the loins and withdrew from the front.
As a first – category invalid, Aleksey Alekseyevich had no longer to serve and, profiting from the time on his hands, committed his patriotic feelings to paper.
Once, chatting with Konstantin Lebedev, Aleksey Alekseyevich came out with his favourite utterance – I have suffered for the motherland and wrecked my loins, but I exist by the strength of conviction in my posterior subconscious.
– And you're a fool! – said Konstantin Lebedev. – The highest service to the motherland is rendered only by a Liberal.
For some reason, these words became deeply imprinted on the mind of Aleksey Alekseyevich and so, in the year ''17, he was already calling himself a liberal whose loins had suffered for his native land.
Aleksey Alekseyevich greeted the Revolution with delight, notwithstanding even the fact that he was deprived of his pension. For a certain time Konstantin Lebedev supplied him with cane – sugar, chocolate, preserved suet and millet groats.
But when Konstantin Lebedev suddenly went missing no one knew where, Aleksey Alekseyevich had to take to the streets and ask for charity. At first, Aleksey Alekseyevich would extend his hand and say: – Give charity, for Christ's sake, to him whose loins have suffered for the motherland. – But this brought no success. Then Aleksey Alekseyevich changed the word «motherland» to the word «revolution». But this too brought no success. Then Aleksey Alekseyevich composed a revolutionary song, and, if he saw on the street a person capable, in Aleksey Alekseyevich's opinion, of giving alms, he would take a step forward and proudly, with dignity, threw back his head and start singing:
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