ARTHUR MACHEN Ultimate Collection: The Greatest Occult & Supernatural Classics in One Volume (Including Translations, Essays & Autobiography). Arthur Machen

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      Of course his story had to be about the war; there are no other stories nowadays. And so he wrote of English soldiers who, in the dusk on a field of France, faced the sullen mass of the oncoming Huns. They were few against fearful odds, but, as they sent the breech-bolt home and aimed and fired, they became aware that others fought beside them. Down the air came cries to St. George and twanging of the bow-string; the old bowmen of England had risen at England's need from their graves in that French earth and were fighting for England.

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      He said that he made up that story by himself, that he sat down and wrote it out of his head. But others knew better. It must really have happened. There was, I remember, a clergyman of good credit who told him that he was clean mistaken; the archers had really and truly risen up to fight for England: the tale was all up and down the front.

      For my part I had thought that he wrote out of his head; I had seen him at the detestable job of doing it. I myself have hated this business of writing ever since I found out that it was not so easy as it looks, and I can always spare a little sympathy for a man who is driving a pen to the task of putting words in their right places. Yet the clergyman persuaded me at last. Who am I that I should doubt the faith of a clerk in holy orders? It must have happened. Those archers fought for us, and the grey-goose feather has flown once again in English battle.

      * *

      Since that day I look eagerly for the ghosts who must be taking their share in this world-war. Never since the world began was such a war as this: surely Marlborough and the Duke, Talbot and Harry of Monmouth, and many another shadowy captain must be riding among our horsemen. The old gods of war are wakened by this loud clamour of the guns.

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      All the lands are astir. It is not enough that Asia should be humming like an angry hive and the far islands in arms, Australia sending her young men and Canada making herself a camp. When we talk over the war news, we call up ancient names: we debate how Rome stands and what is the matter with Greece.

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      As for Greece, I have ceased to talk of her. If I wanted to say anything about Greece I should get down the Poetry Book and quote Lord Byron's fine old ranting verse. "The mountains look on Marathon—and Marathon looks on the sea." But "standing on the Persians' grave" Greece seems in the same humour that made Lord Byron give her up as a hopelessly flabby country.

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      "'Tis Greece, but living Greece no more" is as true as ever it was. That last telegram of the Kaiser must have done its soothing work. You remember how it ran: the Kaiser was too busy to make up new phrases. He telegraphed to his sister the familiar Potsdam sentence: "Woe to those who dare to draw the sword against me." I am sure that I have heard that before. And he added—delightful and significant postscript!—"My compliments to Tino."

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      And Tino—King Constantine of the Hellenes—understood. He is in bed now with a very bad cold, and like to stay in bed until the weather be more settled. But before going to bed he was able to tell a journalist that Greece was going quietly on with her proper business; it was her mission to carry civilisation to the world. Truly that was the mission of ancient Greece. What we get from Tino's modern Greece is not civilisation but the little black currants for plum-cake.

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      But Rome. Greece may be dead or in the currant trade. Rome is alive and immortal. Do not talk to me about Signor Giolitti, who is quite sure that the only things that matter in this new Italy, which is old Rome, are her commercial relations with Germany. Rome of the legions, our ancient mistress and conqueror, is alive to-day, and she cannot be for an ignoble peace. Here in my newspaper is the speech of a poet spoken in Rome to a shouting crowd: I will cut out the column and put it in the Poetry Book.

      * *

      He calls to the living and to the dead: "I saw the fire of Vesta, O Romans, lit yesterday in the great steel works of Liguria, The fountain of Juturna, O Romans, I saw its water run to temper armour, to chill the drills that hollow out the bore of guns." This is poetry of the old Roman sort. I imagine that scene in Rome: the latest poet of Rome calling upon the Romans in the name of Vesta's holy fire, in the name of the springs at which the Great Twin Brethren washed their horses. I still believe in the power and the ancient charm of noble words. I do not think that Giolitti and the stockbrokers will keep old Rome off the old roads where the legions went.

      Postscript

      While this volume was passing through the press, Mr. Ralph Shirley, the Editor of "The Occult Review" called my attention to an article that is appearing in the August issue of his magazine, and was kind enough to let me see the advance proof sheets.

      The article is called "The Angelic Leaders" It is written by Miss Phyllis Campbell. I have read it with great care.

      Miss Campbell says that she was in France when the war broke out. She became a nurse, and while she was nursing the wounded she was informed that an English soldier wanted a "holy picture." She went to the man and found him to be a Lancashire Fusilier. He said that he was a Wesleyan Methodist, and asked "for a picture or medal (he didn't care which) of St. George… because he had seen him on a white horse, leading the British at Vitry-le-François, when the Allies turned"

      This statement was corroborated by a wounded R.F.A. man who was present. He saw a tall man with yellow hair, in golden armour, on a white horse, holding his sword up, and his mouth open as if he was saying, "Come on, boys! I'll put the kybosh on the devils" This figure was bareheaded—as appeared later from the testimony of other soldiers—and the R.F.A. man and the Fusilier knew that he was St. George, because he was exactly like the figure of St. George on the sovereigns. "Hadn't they seen him with his sword on every 'quid' they'd ever had?"

      From further evidence it seemed that while the English had seen the apparition of St. George coming out of a "yellow mist" or "cloud of light," to the French had been vouchsafed visions of St. Michael the Archangel and Joan of Arc. Miss Campbell says:—

      "Everybody has seen them who has fought through from Mons to Ypres; they all agree on them individually, and have no doubt at all as to the final issue of their interference"

      Such are the main points of the article as it concerns the great legend of "The Angels of Mons." I cannot say that the author has shaken my incredulity—firstly, because the evidence is second-hand. Miss Campbell is perhaps acquainted with "Pickwick" and I would remind her of that famous (and golden) ruling of Stareleigh, J.: to the effect that you mustn't tell us what the soldier said; it's not evidence. Miss Campbell has offended against this rule, and she has not only told us what the soldier said, but she has omitted to give us the soldier's name and address.

      If Miss Campbell proffered herself as a witness at the Old Bailey and said, "John Doe is undoubtedly guilty. A soldier I met told me that he had seen the prisoner put his hand into an old gentleman's pocket and take out a purse"—well, she would find that the stout spirit of Mr. Justice Stareleigh still survives in our judges.

      The soldier must be produced. Before that is done we are not technically aware that he exists at all.

      Then there are one or two points in the article itself which puzzle me. The Fusilier and the R.F.A. man had seen "St, George leading the British at Vitry-le-François, when the Allies turned." Thus the time of the apparition and the place of the apparition were firmly fixed in the two soldiers' minds.

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