ARTHUR MACHEN Ultimate Collection: The Greatest Occult & Supernatural Classics in One Volume (Including Translations, Essays & Autobiography). Arthur Machen

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СКАЧАТЬ the boys Ambrose was becoming a general favourite. He learned not only to play rocker, he showed Pelly how he thought that blow under the ear should be dealt with. They all said he was a good fellow; but they could not make out why, without apparent reason, he would sometimes burst out into loud laughter. But he said it was something wrong with his inside—the doctors couldn't make it out—and this seemed rather interesting.

      In after life he often looked back upon this period when, to all appearance, Lupton was "making a man" of him, and wondered at its strangeness. To boys and masters alike he was an absolutely normal schoolboy, busy with the same interests as the rest of them. There was certainly something rather queer in his appearance; but, as they said, generously enough, a fellow couldn't help his looks; and, that curious glint in the eyes apart, he seemed as good a Luptonian as any in the whole six hundred. Everybody thought that he had absolutely fallen into line; that he was absorbing the ethos of the place in the most admirable fashion, subduing his own individuality, his opinions, his habits, to the general tone of the community around him—putting off, as it were, the profane dust of his own spirit and putting on the mental frock of the brotherhood. This, of course, is one of the aims—rather, the great aim—of the system: this fashioning of very diverse characters into one common form, so that each great Public School has its type, which is easily recognisable in the grown-up man years after his school days are over. Thus, in far lands, in India and Egypt, in Canada and New Zealand, one recognises the brisk alertness of the Etonian, the exquisite politeness of Harrow, the profound seriousness of Rugby; while the note of Lupton may, perhaps, be called finality. The Old Luptonian no more thinks of arguing a question than does the Holy Father, and his conversation is a series of irreformable dogmas, and the captious person who questions any one article is made to feel himself a cad and an outsider.

      Thus it has been related that two men who had met for the first time at a certain country house-party were getting on together capitally in the evening over their whisky and soda and cigars. Each held identical views of equal violence on some important topic—Home Rule or the Transvaal or Free Trade—and, as the more masterful of the two asserted that hanging was too good for Blank (naming a well-known statesman), the other would reply: "I quite agree with you: hanging is too good for Blank."

      "He ought to be burned alive," said the one.

      "That's about it: he ought to be burned at the stake," answered the other.

      "Look at the way he treated Dash! He's a coward and a damned scoundrel!"

      "Perfectly right. He's a damned cursed scoundrel!"

      This was splendid, and each thought the other a charming companion. Unfortunately, however, the conversation, by some caprice, veered from the iniquities of Blank and glanced aside to cookery—possibly by the track of Irish stew, used metaphorically to express the disastrous and iniquitous policy of the great statesman with regard to Ireland. But, as it happened, there was not the same coincidence on the question of cookery as there had been on the question of Blank. The masterful man said:

      "No cookery like English. No other race in the world can cook as we do. Look at French cookery—a lot of filthy, greasy messes."

      Now, instead of assenting briskly and firmly as before the other man said: "Been much in France? Lived there?"

      "Never set foot in the beastly country! Don't like their ways, and don't care to dine off snails and frogs swimming in oil."

      The other man began then to talk of the simple but excellent meals he had relished in France—the savoury croûte-au-pot, the bouilli—good eating when flavoured by a gherkin or two; velvety épinards au jus, a roast partridge, a salad, a bit of Roquefort and a bunch of grapes. But he had barely mentioned the soup when the masterful one wheeled round his chair and offered a fine view of his strong, well-knit figure—as seen from the back. He did not say anything—he simply took up the paper and went on smoking. The other men stared in amazement: the amateur of French cookery looked annoyed. But the host—a keen-eyed old fellow with a white moustache, turned to the enemy of frogs and snails and grease and said quite simply: "I say, Mulock, I never knew you'd been at Lupton."

      Mulock gazed. The other men held their breath for a moment as the full force of the situation dawned on them, and then a wild scream of laughter shrilled from their throats. Yells and roars of mirth resounded in the room. Their delight was insatiable. It died for a moment for lack of breath, and then burst out anew in still louder, more uproarious clamour, till old Sir Henry Rawnsley, who was fat and short, could do nothing but choke and gasp and crow out a sound something between a wheeze and a chuckle. Mulock left the room immediately, and the house the next morning. He made some excuse to his host, but he told enquiring friends that, personally, he disliked bounders.

      The story, true or false, illustrates the common view of the Lupton stamp.

      "We try to teach the boys to know their own minds," said the Headmaster, and the endeavour seems to have succeeded in most cases. And, as Horbury noted in an article he once wrote on the Public School system, every boy was expected to submit himself to the process, to form and reform himself in accordance with the tone of the school.

      "I sometimes compare our work with that of the metal founder," he says in the article in question. "Just as the metal comes to the foundry rudis indigestaque moles, a rough and formless mass, without the slightest suggestion of the shape which it must finally assume, so a boy comes to a great Public School with little or nothing about him to suggest the young man who, in eight or nine years' time, will say good-bye to the dear old school, setting his teeth tight, restraining himself from giving up to the anguish of this last farewell. Nay, I think that ours is the harder task, for the metal that is sent to the foundry has, I presume, been freed of its impurities; we have to deal rather with the ore—a mass which is not only shapeless, but contains much that is not metal at all, which must be burnt out and cast aside as useless rubbish. So the boy comes from his home, which may or may not have possessed valuable formative influences; which we often find has tended to create a spirit of individualism and assertiveness; which, in numerous cases, has left the boy under the delusion that he has come into the world to live his own life and think his own thoughts. This is the ore that we cast into our furnace. We burn out the dross and rubbish; we liquefy the stubborn and resisting metal till it can be run into the mould—the mould being the whole tone and feeling of a great community. We discourage all excessive individuality; we make it quite plain to the boy that he has come to Lupton, not to live his life, not to think his thoughts, but to live our life, to think our thoughts. Very often, as I think I need scarcely say, the process is a somewhat unpleasant one, but, sooner or later, the stubbornest metal yields to the cleansing, renewing, restoring fires of discipline and public opinion, and the shapeless mass takes on the shape of the Great School. Only the other day an old pupil came to see me and confessed that, for the whole of his first year at Lupton, he had been profoundly wretched. 'I was a dreamy young fool,' he said. 'My head was stuffed with all sorts of queer fancies, and I expect that if I hadn't come to Lupton I should have turned out an absolute loafer. But I hated it badly that first year. I loathed rocker—I did, really—and I thought the fellows were a lot of savages. And then I seemed to go into a kind of cloud. You see, Sir, I was losing my old self and hadn't got the new self in its place, and I couldn't make out what was happening. And then, quite suddenly, it all came out light and clear. I saw the purpose behind it all—how we were all working together, masters and boys, for the dear old school; how we were all "members one of another," as the Doctor said in Chapel; and that I had a part in this great work, too, though I was only a kid in the Third. It was like a flash of light: one minute I was only a poor little chap that nobody cared for and who didn't matter to anybody, and the next I saw that, in a way, I was as important as the Doctor himself—I was a part of the failure or success of it all. Do you know what I did, Sir? I had a book I thought a lot of—Poems and Tales of Edgar Allan Poe. It was my poor sister's book; she had died a year before СКАЧАТЬ