His body was faint with the burning heat and the foulness of all about him, and his soul was sick with loneliness and friendlessness and unutterable longing. He had already mastered his Bradshaw and had found out the bridge over the railway; and day after day he leaned over the parapet and watched the burning metals vanishing into the west, into the hot, thick haze that hung over all the land. And the trains sped away towards the haven of his desire, and he wondered if he should ever see again the dearly loved country or hear the song of the nightingale in the still white morning, in the circle of the green hills. The thought of his father, of the old days of happiness, of the grey home in the still valley, swelled in his heart and he wept bitterly, so utterly forsaken and wretched seemed his life.
It happened towards the end of that dreadful August that one night he had tossed all through the hours listening to the chiming bells, only falling into a fevered doze a little while before they called him. He woke from ugly and oppressive dreams to utter wretchedness; he crawled downstairs like an old man and left his breakfast untouched, for he could eat nothing. The flame of the sun seemed to burn in his brain; the hot smoke of the air choked him. All his limbs ached. From head to foot he was a body of suffering. He struggled out and tottered along the road to the bridge and gazed with dim, hopeless eyes along the path of desire, into the heavy, burning mist in the far distance. And then his heart beat quick, and he cried aloud in his amazed delight; for, in the shimmering glamour of the haze, he saw as in a mirror the vast green wall of the Great Mountain rise before him—not far, but as if close at hand. Nay, he stood upon its slope; his feet were in the sweet-smelling bracken; the hazel thicket was rustling beneath him in the brave wind, and the shining water poured cold from the stony rock. He heard the silver note of the lark, shrilling high and glad in the sunlight. He saw the yellow blossoms tossed by the breeze about the porch of the white house. He seemed to turn in this vision and before him the dear, long-remembered land appeared in its great peace and beauty: meadows and cornfield, hill and valley and deep wood between the mountains and the far sea. He drew a long breath of that quickening and glorious air, and knew that life had returned to him. And then he was gazing once more down the glittering railway into the mist; but strength and hope had replaced that deadly sickness of a moment before, and light and joy came back to his eyes.
The vision had doubtless been given to him in his sore and pressing need. It returned no more; not again did he see the fair height of Mynydd Mawr rise out of the mist. But from that day the station on the bridge was daily consecrated. It was his place of refreshment and hope in many seasons of evil and weariness. From this place he could look forward to the hour of release and return that must come at last. Here he could remind himself that the bonds of the flesh had been broken in a wonderful manner; that he had been set free from the jaws of hell and death.
Fortunately, few people came that way. It was but a by-road serving a few farms in the neighbourhood, and on the Sunday afternoon, in November, the Head's sermon over and dinner eaten, he betook himself to his tower, free to be alone for a couple of hours, at least.
He stood there, leaning on the wall, his face turned, as ever, to the west, and, as it were, a great flood of rapture overwhelmed him. He sank down, deeper, still deeper, into the hidden and marvellous places of delight. In his country there were stories of the magic people who rose all gleaming from the pools in lonely woods; who gave more than mortal bliss to those who loved them; who could tell the secrets of that land where flame was the most material substance; whose inhabitants dwelt in palpitating and quivering colours or in the notes of a wonderful melody. And in the dark of the night all legends had been fulfilled.
It was a strange thing, but Ambrose Meyrick, though he was a public schoolboy of fifteen, had lived all his days in a rapt innocence. It is possible that in school, as elsewhere, enlightenment, pleasant or unpleasant, only comes to those who seek for it—or one may say certainly that there are those who dwell under the protection of enchantments, who may go down into the black depths and yet appear resurgent and shining, without any stain or defilement of the pitch on their white robes. For these have ears so intent on certain immortal songs that they cannot hear discordant voices; their eyes are veiled with a light that shuts out the vision of evil. There are flames about these feet that extinguish the gross fires of the pit.
It is probable that all through those early years Ambrose's father had been charming his son's heart, drawing him forth from the gehenna-valley of this life into which he had fallen, as one draws forth a beast that has fallen into some deep and dreadful place. Various are the methods recommended. There is the way of what is called moral teaching, the way of physiology and the way of a masterly silence; but Mr. Meyrick's was the strange way of incantation. He had, in a certain manner, drawn the boy aside from that evil traffic of the valley, from the stench of the turmoil, from the blows and the black lechery, from the ugly fight in the poisonous smoke, from all the amazing and hideous folly that practical men call life, and had set him in that endless procession that for ever and for ever sings its litanies in the mountains, going from height to height on its great quest. Ambrose's soul had been caught in the sweet thickets of the woods; it had been bathed in the pure water of blessed fountains; it had knelt before the altars of the old saints, till all the earth was become a sanctuary, all life was a rite and ceremony, the end of which was the attainment of the mystic sanctity—the achieving of the Graal. For this—for what else?—were all things made. It was this that the little bird sang of in the bush, piping a few feeble, plaintive notes of dusky evenings, as if his tiny heart were sad that it could utter nothing better than such sorry praises. This also celebrated the awe of the white morning on the hills, the breath of the woods at dawn. This was figured in the red ceremony of sunset, when flames shone over the dome of the great mountain, and roses blossomed in the far plains of the sky. This was the secret of the dark places in the heart of the woods. This the mystery of the sunlight on the height; and every little flower, every delicate fern, and every reed and rush was entrusted with the hidden declaration of this sacrament. For this end, final and perfect rites had been given to men to execute; and these were all the arts, all the far-lifted splendour of the great cathedral; all rich carven work and all glowing colours; all magical utterance of word and tones: all these things were the witnesses that consented in the One Offering, in the high service of the Graal.
To this service also, together with songs and burning torches and dyed garments and the smoke of the bruised incense, were brought the incense of the bruised heart, the magic torches of virtue hidden from the world, the red dalmatics of those whose souls had been martyred, the songs of triumph and exultation chanted by them that the profane had crushed into the dust; holy wells and water-stoups were fountains of tears. So must the Mass be duly celebrated in Cor-arbennic when Cadwaladr returned, when Teilo Agyos lifted up again the Shining Cup.
Perhaps it was not strange that a boy who had listened to such spells as these should heed nothing of the foolish evils about him, the nastiness of silly children who, for want of wits, were "crushing the lilies into the dunghill." He listened to nothing of their ugly folly; he heard it not, understood it not, thought as little of it as of their everlasting chatter about "brooks" and "quarries" and "leg-hits" and "beaks from the off." And when an unseemly phrase did chance to fall on his ear it was of no more import or meaning than any or all of the stupid jargon that went on day after day, mixing itself with the other jargon about the optative and the past participle, the oratio obliqua and the verbs in [Greek: mi]. To him СКАЧАТЬ