The Ice Twins. S. Tremayne K.

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СКАЧАТЬ Angus used to be the tactile parent, the hugger and kisser, whereas I was the organizer, the practical mother: loving them by feeding them, and clothing them. But now I kiss my surviving daughter as if it is some fervent, superstitious charm: a way of averting further harm.

      The freckles on Kirstie’s pale skin are like a dusting of cinnamon on milk. As I kiss her, I breathe her in: she smells of toothpaste, and maybe the sweetcorn she had for supper. She smells of Kirstie. But that means she smells of Lydia. They always smelled the same. No matter what they did, they always smelled the same.

      A third kiss ensures she is safe. I whisper a quiet goodnight. Carefully I make my exit from her bedroom, with its twinkling nightlight; but as I quietly close the door, yet another thought is troubling me: the dog.

      Beany.

      What is it? Something about the dog concerns me; it agitates. But I’m not sure what. Or why.

      Alone on the landing, I think it over. Concentrating.

      We bought Beany three years ago: an excitable springer spaniel. That’s when we could afford a pedigree puppy.

      It was Angus’s idea: a dog to go with our first proper garden; a dog that matched our proximity to Regent’s Park. We called him Sawney Bean, after the Scottish cannibal, because he ate everything, especially chairs. Angus loved Beany, the twins loved Beany – and I loved the way they all interacted. I also adored, in a rather shallow way, the way they looked, two identically pretty little blonde girls, romping around Queen Mary’s Rose Garden – with a happy, cantering, mahogany-brown spaniel.

      Tourists would actually point and take photos. I was virtually a stage mother. Oh, she has those lovely twins. With the beautiful dog. You know.

      Leaning against a wall, I close my eyes, to think more clearly. I can hear distant noises from the kitchen downstairs: cutlery rattling on a table, or maybe a bottle-opener being returned to a drawer.

      What is it about Beany that feels wrong? There is definitely some troubled thought that descends from the concept dog – yet I cannot trace it, cannot follow it through the brambles of memory and grief.

      Downstairs, the front door slams shut. The noise breaks the spell.

      ‘Sarah Moorcroft,’ I say, opening my eyes, ‘Get a grip.’

      I need to go down and talk to Immy and have a glass of wine and then go to bed, and tomorrow Kirstie – Kirstie – will go to school with her red book bag, wearing her black woollen jumper. The one with Kirstie Moorcroft written on the label inside.

      In the kitchen, I find Imogen sitting at the counter. She smiles, tipsily, the faint tannin staining of red wine on her neat white teeth.

      ‘Afraid Gus has nipped out.’

      ‘Yes?’

      ‘Yeah. He had a minor panic attack about the booze supply. You’ve only got’ – she turns and looks at the wine rack by the fridge – ‘six bottles left. So he’s gone to Sainsbury’s to stock up. Took Beany with him.’

      I laugh, politely, and pull up a stool.

      ‘Yes. Sounds like Angus.’

      I pour myself half a glass of red from the open bottle on the counter, glancing at the label. Cheap Chilean Merlot. It used to be fancy Barossa Shiraz. I don’t care.

      Imogen watches me, and she says: ‘He’s still drinking a bit, ah, you know – excessively?’

      ‘That’s a nice way of putting it, Immy: “a bit excessively”. He lost his job because he got so drunk he punched his boss. And knocked him out.’

      Imogen nods. ‘Sorry. Yes. Can’t help talking in euphemisms. Comes with the day job.’ She tilts her head and smiles. ‘But the boss was a jerk, right?’

      ‘Yes. His boss was totally obnoxious, but it’s still not great, is it? Breaking the nose of London’s richest architect.’

      ‘Uh-huh. Sure …’ Imogen smiles slyly. ‘Though, y’know, it’s not all bad. I mean, at least he can throw a punch – like a man. Remember that Irish guy I dated, last year – he used to wear yoga pants.’

      She smirks my way; I force half a smile.

      Imogen is a journalist like me, though a vastly more successful one. She is a deputy editor on a women’s gossip magazine that, miraculously, has a growing circulation; I scrape an unreliable living as a freelancer. This might have made me jealous of her, but our friendship is, or was, evened out by the fact I got married and had kids. She is single and childless. We used to compare notes – what my life could have been.

      Now I lean back, holding my wine glass airily: trying to be relaxed. ‘Actually he’s not drinking as much as he used to.’

      ‘Good.

      ‘But it’s still too late. For his career at Kimberley.’

      Imogen nods sympathetically – and drinks. I sip at my wine, and sigh in a what-can-you-do way, and gaze around our big bright Camden kitchen, at all the granite worktops and shining steel, the black espresso machine with its set of golden capsules: all of it screaming: this is the kitchen of a well-to-do middle-class couple!

      And all of it a lie.

      We were a well-to-do middle-class couple, for a while, after Angus got promoted three times in three years. For a long time everything was pristinely optimistic: Angus was heading for a partnership and a handsome salary, and I was more than happy for him to be the main earner, the provider, because this allowed me to combine my part-time journalism with proper mothering. It allowed me to do the school run, to make cooked but healthy breakfasts, to stand in the kitchen turning basil into organic pesto when the twins were playing on one of our iPads. For half a decade we were, most of the time, the perfect Camden family.

      Then Lydia died, falling from the balcony at my parents’ house in Devon, and it was as if someone had dropped Angus from a height. A hundred thousand pieces of Angus were scattered around the place. His grief was psychotic. A raging fire of anguish that could not be quenched, even with a bottle of whisky a night, much as he tried. Every night.

      The firm gave him latitude, and weeks off, but it wasn’t enough. He was uncontrollable; he went back to work too soon and got into arguments, then fights. He resigned an hour before he was sacked; ten hours after he punched the boss. And he hasn’t worked since, apart from a few freelance design jobs pushed his way by sympathetic friends.

      ‘Sod it, Imogen,’ I say. ‘At least we’re moving. At last.’

      ‘Yes!’ she says brightly. ‘Into a cave, right, in Shetland?’

      She’s teasing. I don’t mind. We used to tease each other all the time, before the accident.

      Now our relationship is more stilted; but we make an effort. Other friendships ended entirely, after Lydia’s death: too many people didn’t know what to say, so they said nothing. By contrast, Imogen keeps trying: nurturing the low flame of our friendship.

      I look at her, and say,

      ‘Torran Island, you remember? I’ve shown you photos, every time you’ve come СКАЧАТЬ