Название: My Dear I Wanted to Tell You
Автор: Louisa Young
Издательство: HarperCollins
Жанр: Историческая литература
isbn: 9780007361458
isbn:
Purefoy was trying to remember things: arriving in Belgium, long, looping rivers, peasants, farms, steeples, markets, the bus driver when they arrived at Poperinghe saying: ‘All right, boys, this is Pop.’ Flanders meant Drowned Lands in Flemish. Like flounder, he thought. Amsterdam was not so far. Just over there. The other side.
I killed a man.
He had thought killing a man you could look in the face would seem more honourable, but no. He would be happy not to get that red feeling again, those concentric waves from his heart. He hadn’t seen his face anyway.
I knew a German once. Knife-grinder, used to come to the house. And the anarchist. What was his name? Franz.
He stared and started, and sat up again. Just had to get the Hun to go home, then they could go home, let the politicians sort it out. They couldn’t really mean us to be doing this.
In the corner, someone was weeping and shaking, like a Spartan after battle. There was a word for it, he’d read it – what was it? The Shedding. Shedding the fear and the horror of what you have just seen and done. They had it all organised. Captain Harper was patting his shoulder and looking a bit lost.
Some others were playing cards. A Second Lieutenant was writing a letter. He lay down again. Sat up again. What the fuck? What the fucking fuck? What was he doing?
He couldn’t stand the quiet so he went outside: the moon was looking at him and the stars were rolling around. So he went back into the barn. There was snow on his hat.
Burgess was telling Ferdinand he’d met a bloke who’d seen Sir Lancelot on his white horse with his golden hair and armour, leading ghostly troops against the Hun, and the Hun had turned and fled in fear and terror. For a moment Purefoy saw the whole scene, clear in his mind, a huge canvas by Sir Alfred.
Ainsworth said, ‘I heard it was St George.’
‘It was Father Christmas,’ said Burgess.
Ferdinand lay, white, eyes staring. Purefoy gave him a cigarette and he took it wordlessly. Purefoy pressed his mind and thought about Sir Lancelot, Sir Gawaine, and Sir Alfred Pleasant, RA, FSA, of Orme Square, Bayswater Road. He thought of Sir Henry Irving who his dad had seen as Shylock at the Lyceum. He thought of Sir James Barrie, and the knights of olden times, and the knights of peaceful times, painters and writers and reciters of Shakespeare, nibs and brushes, greasepaint and burnt sienna, stage-fighting and struggling with a metaphor, have-at-thee and stains of carmine on a smock and The Childhood of the Arthurian Knights. He thought of Sir James and Sir Alfred strolling in Kensington Gardens, discussing the latest exhibition at the Grafton Gallery. He thought of the Hun in Kensington Gardens. Keep that image, he thought. The Hun bashing into London, bashing his mum, bashing Nadine’s door in. We’ve stopped them for the time being; that’s good. That’s what I’m here for. I’m here for a reason. There is a reason for all of this. That is the reason.
After a while Ainsworth came and sat by him.
His mind would not be quiet. He thought: How come men such as us, kind, humorous Ainsworth, young Ferdinand, who really cares only for food, young Bowells, who only wants to fit in – well, that’s part of it, isn’t it? – how have we slipped so easily, apparently so easily, into this bayoneting, murderous, foul-blooded maelstrom? Burgess was different: Burgess had been born fighting. Purefoy knew many Burgesses on the streets of Paddington: the violent, scurvy blood royal of the British criminal class. Understood them, avoided them, loved them, was them, dreamt of living a life where people didn’t have to be like that. That was, after all, his life’s ambition. Or had been. Not to have to be like that.
But the rest of us?
Just keep a hold. You’ve signed on for the duration. Be as good a soldier as you can and it’ll be over soon.
He lit a cigarette, and sat on his bale with his big hands dangling between his knees. He fell asleep where he sat, and his cigarette rolled away on the damp straw, and set nothing alight.
*
And then it was winter, and Christmas, and it did not seem to be over.
Purefoy sent a card to Nadine. He couldn’t help himself. He knew he had abandoned her, but from the letters she sent she didn’t feel abandoned. He had not known how to reply.
Their normal routine was four days in the front line and four in the reserve, which was quieter in the way of not being shot at or shelled, but no less busy. He had sat, in one or two rare moments of quiet, at a wonky wooden table in the local estaminet, drinking odd Belgian coffee and staring at a small oblong of blank army-issue writing paper, trying to remember what he thought about during the long nights on the fire-step, when he had imaginary conversations with her. But there was no time for mental clarity, to allow him to connect the blank piece of paper with the imaginary conversations and work out a relationship between them, and her, back in London. He could not tell the truth, because it was disgusting. He could not lie, because that was fatal. So he sent her a delicate envelope of silk, with green and pink embroidery, wishing her a peaceful day of joy, 1914, and a quick-scrawled letter: ‘. . . I am beginning to find the star shells beautiful, so long as they don’t land on me. Do you remember the painting Starry Starry Night? In a peculiar way they remind me of that. It seems a long way from home, but we all know we are doing what has to be done and we are glad to be able to do it. The boys are a great lot, cheerful and . . .’
One little Christmas card couldn’t hurt. It would be rude not to.
She sent a card back. ‘So glad you’re having such fun.’
Is she joking?
Is that all she has to say?
All around him sprang the black protective gaiety of the Tommy. He didn’t realise that he, too, was becoming wrapped in it, because knowing it would have stopped it working, and it did work, for a while. Two Austrian aristos get shot, and to sort that out millions of us have to get shot – Fate is playing a brilliant trick on us, and getting away with it: what else do you do but howl with laughter? He sang along, loud and jolly: ‘Tipperary’, Marie Lloyd songs, ‘Hanging On The Old Barbed Wire’. He caroused cheerfully in the communal baths on their days behind the lines. He nicknamed their trench Platform One, and noted how similar a trench was to a grave: you could just pour more mud in and none of us would need a funeral, he’d cracked, or a shell might do it for you. He manned the fire-step gamely; he stood to and stood down and complained about the food; he drank like a fish when it was required; he stared out over no man’s land, listening to the blackbirds in the middle of the night, or the Hun singing ‘Stille Nacht’, which they did beautifully, requiring a harsh chorus of ‘We’re here because we’re here because we’re here because we’re here’ to the tune of ‘Auld Lang Syne’, to drown them out, lest sentiment rise. He did not let sentiment rise. He was, it turned out, a good soldier: strong, loyal, friendly, brutal.
He laughed with everyone at how Ferdinand’s main aim in trench life turned out to be being present whenever anyone got a tuck parcel from home, just in case, you know, and he noticed how Ainsworth always gave СКАЧАТЬ