Netherland. Joseph O’Neill

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       Chapter 4

      On my own, it was as if I were hospitalised at the Chelsea Hotel. I stayed in bed for almost a week, my existence sustained by a succession of men who arrived at my door with beer and pizzas and sparkling water. When I did begin to leave my room – as I had to, in order to work – I used the service elevator, a metal-clad box in which I was unlikely to meet anyone other than a muttering Panamanian maid or, as happened once, a very famous actress sneaking away from an encounter with a rumoured drug dealer on the tenth floor. After a week or two, my routine changed. Most evenings, once I’d showered and put on some casual clothes, I went down to the lobby and fell listlessly into a chair by the non-operational fireplace. I carried a book but did not read it. Often I was joined by a very kind widow in a baseball cap who conducted an endless and apparently fruitless search of her handbag and murmured to herself, for some reason, about Luxembourg. There was something anaesthetising about the traffic of people in the lobby, and I also took comfort from the men at the front desk, who out of pity invited me behind the counter to watch sports on their television and asked if I wanted to join their football pool. I did join, though I knew nothing about American football. ‘You did real good yesterday,’ Jesus, the bellman, would announce. ‘I did?’ ‘Sure,’ Jesus said, bringing out his chart. ‘The Broncos won, right? And the Giants. That’s two winners you got right there. OK,’ he said, frowning as he concentrated, ‘now you lost with the Packers. And the Bills. And I guess the 49ers.’ He tapped a pencil against the chart as he considered the problem of my picks. ‘So I’m still not ahead?’ ‘Right now, no,’ Jesus admitted. ‘But the season’s not over yet. You could still turn it around, easy. You hang in there, you get hot next week? Shit, anything could happen.’

      Not counting the lobby, the Chelsea Hotel had ten floors. Each was served by a dim hallway that ran from an airshaft on one side to, on my floor, a door with a yellowing pane of frosted glass that suggested the ulterior presence of a private detective rather than, as was actually the case, a fire escape. The floors were linked by a baronial staircase, which by virtue of the deep rectangular void at its centre had the effect of installing a precipice at the heart of the building. On all the walls was displayed the vaguely alarming artwork of tenants past and present. The finest and most valuable examples were reserved for the lobby: I shall never forget the pink, plump girl on a swing who hovered above the reception area gladly awaiting a push towards West 23rd Street. Occasionally one overheard by-the-night visitors – transients, as the management called them – commenting on how spooky they found it all, and there was a story that the hotel dead were secretly removed from their rooms in the middle of the night. But for me, returning from the office or from quick trips to Omaha, Oklahoma City, Cincinnati – Timbuktus, from my New Yorker’s vantage point – there was nothing eerie about the building or the community that was established in it. Over half the rooms were occupied by long-term residents who by their furtiveness and ornamental diversity reminded me of the population of the aquarium I’d kept as a child, a murky tank in which cheap fish hesitated in weeds and an artificial starfish made a firmament of the gravel. That said, there was a correspondence between the looming and shadowy hotel folk and the phantasmagoric and newly indistinct world beyond the Chelsea’s heavy glass doors, as if the one promised to explain the other. On my floor there lived an octogenarian person of indeterminate gender – it took a month of surreptitious scrutiny before I’d satisfied myself she was a woman – who told me, by way of warning and reassurance, that she carried a gun and would kick the ass of anybody who made trouble on our floor. There was also an old and very sick black gentleman (now dead), apparently a legendary maker of prints and lithographs. There was a family with three young boys who ran wild in the hallways with tricycles and balls and trains. There was an unexplained Finn. There was a pit bull that never went out without a panting, menacing furniture dealer in tow. There was a Croatian woman, said to be a famous nightlife personality, and there was a revered playwright and librettist, whom it almost interested that I knew a little Greek and who introduced me to Arthur Miller in the elevator. There was a girl with gothic make-up who babysat and walked dogs. All of them were friendly to me, the crank in the suit and tie; but during the whole time I lived at the hotel, I had only one neighbourly visitor.

      One February night, somebody knocked on my door. When I opened it, I found myself looking at a man dressed as an angel. A pair of tattered white wings, maybe two feet long and attached to some kind of girdle, rose behind his head. He wore an ankle-length wedding dress with a pearl-adorned bodice, and white slippers with dirty bows. Mottled foundation powder, applied over his whole face, failed to obscure the stubble around his mouth. His hair fell in straggles to his shoulders. A tiara was out of kilter on his head and he seemed distraught.

      ‘Excuse me,’ he said. ‘I am looking for my cat.’

      I said, ‘What kind of cat?’

      ‘A birman,’ the angel said, and the noun flushed out a foreigner’s accent. ‘A black face, and white, quite long fur. His name is Salvator – Salvy.’

      I shook my head. ‘Sorry,’ I said. ‘I’ll look out for him.’ I started to shut the door, but his despairing expression made me hesitate.

      ‘He’s been gone for two days and two nights,’ the angel said. ‘I’m worried he’s been kidnapped. These cats are very beautiful. They are worth a lot of money. All kinds of people come through this hotel.’

      I said, ‘Have you put up a notice? In the elevator?’

      ‘I СКАЧАТЬ