Название: Consuming Passions: Leisure and Pleasure in Victorian Britain
Автор: Judith Flanders
Издательство: HarperCollins
Жанр: Историческая литература
isbn: 9780007347629
isbn:
And the fears of the upper classes remained only that—fears. The crowds were in fact orderly, respectful, well-behaved—all that could have been hoped for, but was not remotely expected. The Times was forced to eat its words, and after three days acknowledged that, instead of being ‘King Mob’, the shilling admissions were well dressed and orderly members of society, and a credit to the burgeoning nation of commerce.78 The volatile mob had become the sedate consumer. The age of the machine had brought with it the triumph of the masses—and the mass market.
*Richard Steele had started the Tatler in 1709, and it came out three times a week until the beginning of 1711. A single sheet, at first it contained news items, but gradually each number comprised a single long essay, which might be a gentle satire of the social world, or a reflection on the values of the day, mildly attacking the venery and hypocrisy of politics and society. Addison contributed his first essay on 20 May 1709, and in all wrote almost fifty papers, plus another twenty together with Steele.
*A very partial round-up of coffee houses that served as meeting points for clubs in London would include Jonathan’s Coffee House, Exchange Alley, which formed the basis of the stock market, and Lloyd’s Coffee House, Lombard Street, where shipping and insurance brokers met, produced news sheets, then a shipping list (the first in 1734), then a register (in 1760), and finally turned into the insurer Lloyd’s. Politics was discussed by Tories at the Cocoa Tree, by Whigs at Arthur’s. Booksellers met at the Chapter Coffee House, Paternoster Row; actors at Will’s, Wright’s or the Bedford, all in Covent Garden, while the Orange, in the Haymarket, was more specialized, and for dancing masters and opera singers. Old Slaughter’s, in St Martin’s Lane, was the haunt of painters, while the Rainbow, in the same street, and Garraway’s in Exchange Alley, not only had artists’ clubs, but also mounted exhibitions of prints.5
†An eighteenth-century idiom for ‘in order’.
*And the members soon struck lucky: among their earliest prizewinners was the adolescent Richard Cosway, who later became one of London’s most fashionable miniaturists.
*Thomas Cubitt (1788—1855) was the son of a carpenter. From small projects, his work expanded to encompass building housing on the Duke of Bedford’s land in Bloomsbury, moving on to develop over 8 hectares for Earl Grosvenor in what ultimately became Belgravia, the most fashionable district of London; he also developed much of Pimlico, and more than 100 hectares south of the river, in Clapham. He came to the attention of Prince Albert when Osborne House, the royal family’s home on the Isle of Wight, was to be rebuilt, although neither man can have imagined the family connection being sustained nearly two centuries later, when Albert’s great-great-great-great-grandson, Prince Charles, the Prince of Wales, married Cubitt’s descendant Camilla Parker Bowles.
*Lyon Playfair is almost as exhausting to contemplate as Cole: a chemist—the discoverer of nitro-prussides, a new class of salts—he was later Professor of Chemistry at Edinburgh University, Postmaster General, an MP, and Deputy Speaker of the House of Commons, interspersed with membership of the Royal Commission on Sanitation, advising on the ventilation of Buckingham Palace (his report was thought too alarming to be shown to Parliament), investigating the Famine in Ireland, producing research for the Geological Survey, advising on the promotion of technical education, sitting on the Royal Commission on cattle plague, and heading the commission inquiring into the civil service that finally replaced patronage with competitive examinations.
*Hats throughout the century attracted a range of gimmicks, mostly attempts to keep the head cool while still wearing the de-rigueur heavy felt-fur or silk and plush hats. Among many ideas patented were the ‘Bonafide Ventilating Hat’ (1849), a hat with an air-flow ventilator, or one with movable shutters (1880s), and the ‘Neoteric Ventilating Hat’ (1851), which had a woven frame of manila grass or willow. Another group of patents involved pads to keep the hat away from the head, improving ventilation while also preventing the fabric from becoming soiled by contact with the wearer’s hair oil: the ‘Gutta Percha Hat’ (1848) with rubber lining, which protected against both rain and perspiration; the ‘Aeolian Hat’ (1853), with an air pocket (‘In this way a completely encircling air chamber is formed to embrace the head, and making an easy pleasant fit and also preventing the natural grease from the hair penetrating to the exterior of the hat’); and the ‘Corrugated Ventilating Hat Antimacassar Pad’ (1863).26
*Mahogany had first been imported from Central America in the 1720s, and Sir Robert Walpole immediately had seats for his commodes made from this new luxury material.35
*It has been suggested that this lack of pricing was one of the reasons so many exhibits focused on technical ingenuity. If the main selling point of an object was that it was half the price that was usually charged, there was no point in showing it, without a price, at the Crystal Palace.
*For more on Layard, see p. 199.
†Navvies (from ‘navigators’) were originally the labourers who built the canals. By the 1850s, ‘navvy’ was shorthand for a labourer on the railways in particular. Navvies had a well-earned reputation for ferocious violence and drunkenness.
*The Early English Text Society’s founder, Frederick Furnivall (1825—1910), would have been thrilled. He was closely involved with adult education, teaching evening classes at the Working Men’s College when it opened in London in 1854.
*During the twenty-four weeks of the Exhibition, 1,092,337 bottles of soda water, lemonade and ginger beer were sold.
*Cassell went on to become the publisher of Cassell’s Magazine and Cassell’s Illustrated Family Paper, plus many other journals (see p. 157), as well as the first British edition of Uncle Tom’s Cabin. However he lacked business instincts, and his company was soon taken over by others, although his skills as a publishing entrepreneur were highly regarded, and the house of Cassell’s in various guises has survived into the twenty-first century.
*It was clear from the price that he was aiming at a working-class mass market: the Illustrated London News, which featured the Exhibition heavily in its СКАЧАТЬ