Название: The Complete Short Stories: Volume 2
Автор: Adam Thirlwell
Издательство: HarperCollins
Жанр: Классическая проза
isbn: 9780007513611
isbn:
I was still sheltering behind it when I reached Captain Shelley’s summer house. The door was open, and I looked down at the bed in the centre of a huge fractured jewel, in whose frosted depths, like swimmers asleep on the bottom of an enchanted pool, Emerelda and her husband lay together. The Captain’s eyes were closed, and the delicate petals of a blood-red rose blossomed from the hole in his breast like an exquisite marine plant. Beside him Emerelda slept serenely, the unseen motion of her heart sheathing her body in a faint amber glow, the palest residue of life.
Something glittered in the dusk behind me. I turned to see a brilliant chimera, a man with incandescent arms and chest, race past among the trees, a cascade of particles diffusing in the air behind him. I flinched back behind the cross, but he vanished as suddenly as he had appeared, whirling himself away among the crystal vaults. As his luminous wake faded I heard his voice echoing across the frosted air, the plaintive words jewelled and ornamented like everything else in that transmogrified world.
‘Emerelda …! Emerelda …!’
Here on this calm island of Puerto Rico, in the garden of the British Embassy these few months later, the strange events of that phantasmagoric forest seem a dozen worlds away. Yet in fact I am no more than 1,000 miles from Florida as the crow (or should I say, the gryphon) flies, and already there have been numerous other outbreaks at many times this distance from the three focal areas. Somewhere I have seen a report that at the present rate of progress at least a third of the earth’s surface will be affected by the end of the next decade, and a score of the world’s capital cities petrified beneath layers of prismatic crystal, as Miami has already been – some reporters have described the abandoned resort as a city of a thousand cathedral spires, like a vision of St John the Divine.
To tell the truth, however, the prospect causes me little worry. It is obvious to me now that the origins of the Hubble Effect are more than physical. When I stumbled out of the forest into an army cordon ten miles from Maynard two days after seeing the helpless phantom that had once been Charles Marquand, the gold cross clutched in my arms, I was determined never to visit the Everglades again. By one of those ludicrous inversions of logic, I found myself, far from acclaimed as a hero, standing summary trial before a military court and charged with looting. The gold cross had apparently been stripped of its jewels, and in vain did I protest that these vanished stones had been the price of my survival. At last I was rescued by the embassy in Washington under the plea of diplomatic immunity, but my suggestion that a patrol equipped with jewelled crosses should enter the forest and attempt to save the priest and Charles Marquand met with little success. Despite my protests I was sent to San Juan to recuperate.
The intention of my superiors was that I should be cut off from all memory of my experience – perhaps they sensed some small but significant change in me. Each night, however, the fractured disc of the Echo satellite passes overhead, illuminating the midnight sky like a silver chandelier. And I am convinced that the sun itself has begun to effloresce. At sunset, when its disc is veiled by the crimson dust, it seems to be crossed by a distinctive latticework, a vast portcullis which will one day spread outwards to the planets and the stars, halting them in their courses.
I know now that I shall return to the Everglades. As the example of that brave apostate priest who gave the cross to me illustrates, there is an immense reward to be found in that frozen forest. There in the Everglades the transfiguration of all living and inanimate forms occurs before our eyes, the gift of immortality a direct consequence of the surrender by each of us of our own physical and temporal identity. However apostate we may be in this world, there perforce we become apostles of the prismatic sun.
So, when my convalescence is complete and I return to Washington, I shall seize an opportunity to visit the Florida peninsula again with one of the many scientific expeditions. It should not be too difficult to arrange my escape and then I shall return to the solitary church in that enchanted world, where by day fantastic birds fly through the petrified forest and jewelled alligators glitter like heraldic salamanders on the banks of the crystalline rivers, and where by night the illuminated man races among the trees, his arms like golden cartwheels and his head like a spectral crown.
1964
Each evening, when the dense powdery dusk lay over the creeks and drained mud-basins of the delta, the snakes would come out on to the beaches. Half-asleep on the wicker stretcher-chair below the awning of his tent, Charles Gifford watched their sinuous forms coiling and uncoiling as they wound their way up the slopes. In the opaque blue light the dusk swept like a fading searchlight over the damp beaches, and the interlocked bodies shone with an almost phosphorescent brilliance.
The nearest creeks were three hundred yards from the camp, but for some reason the appearance of the snakes always coincided with Gifford’s recovery from his evening fever. As this receded, carrying with it the familiar diorama of reptilian phantoms, he would sit up in the stretcher-chair and find the snakes crawling across the beaches, almost as if they had materialized from his dreams. Involuntarily he would search the sand around the tent for any signs of their damp skins.
‘The strange thing is they always come out at the same time,’ Gifford said to the Indian head-boy who had emerged from the mess tent and was now covering him with a blanket. ‘One minute there’s nothing there, and the next thousands of them are swarming all over the mud.’
‘You not cold, sir?’ the Indian asked.
‘Look at them now, before the light goes. It’s really fantastic. There must be a sharply defined threshold –’ He tried to lift his pale, bearded face above the hillock formed by the surgical cradle over his foot, and snapped: ‘All right, all right!’
‘Doctor?’ The head-boy, a thirty-year-old Indian named Mechippe, continued to straighten the cradle, his limpid eyes, set in a face of veined and weathered teak, watching Gifford.
‘I said get out of the damned way!’ Leaning weakly on one elbow, Gifford watched the last light fade across the winding causeways of the delta, taking with it a final image of the snakes. Each evening, as the heat mounted with the advancing summer, they came out in greater numbers, as if aware of the lengthening periods of his fever.
‘Sir, I get more blanket for you?’
‘No, for God’s sake.’ Gifford’s thin shoulders shivered in the dusk air, but he ignored the discomfort. He looked down at his inert, corpse-like body below the blanket, examining it with far more detachment than he had felt for the unknown Indians dying in the makeshift WHO field hospital at Taxcol. At least there was a passive repose about the Indians, a sense of the still intact integrity of flesh and spirit, if anything reinforced by the failure of one of the partners. It was this paradigm of fatalism which Gifford would have liked to achieve – even the most wretched native, identifying himself with the irrevocable flux of nature, had bridged a greater span of years than the longest-lived European or American with his obsessive time-consciousness, cramming so-called significant experiences into his life like a glutton. By contrast, Gifford realized, he himself had merely thrown aside his own body, divorcing it like some no longer useful partner in a functional business marriage. So marked a lack of loyalty depressed him.
He tapped his bony loins. ‘It’s not this, Mechippe, that ties us to mortality, but our confounded egos.’ He smiled slyly at the head-boy. ‘Louise would appreciate that, don’t you think?’
The head-boy was watching a refuse fire being raised behind the mess tent. He looked down sharply at the supine figure on the stretcher-chair, his half-savage eyes glinting like arrow heads in the oily СКАЧАТЬ