Название: The Complete Short Stories: Volume 2
Автор: Adam Thirlwell
Издательство: HarperCollins
Жанр: Классическая проза
isbn: 9780007513611
isbn:
He moved towards me but before he could speak there was a roar of gunfire and the glass sheet encrusted to the doorway shattered into a shower of crystals. Marquand flinched and hid behind me, then pulled me backwards through the window. As another shot was fired down the street we stumbled past the looted counters into an office where the door of a safe stood open on to a jumble of metal cash boxes. Marquand snapped back the lids on to the empty trays, and then began to scoop together the few jewels scattered across the floor.
Stuffing them into my empty pockets, he pulled me through a window into the rear alley, and from there into the adjacent street, transformed by the overhead lattices into a tunnel of crimson and vermilion light. We stopped at the first turning, and he beckoned to the glistening forest fifty yards away.
‘Run, run! Anywhere through the forest, it’s all you can do!’
He pushed me forwards with the butt of his shot-gun, whose breach was now encrusted by a mass of silver crystals, like a medieval flintlock. I raised my arm helplessly. In the sunlight the jewelled spurs coruscated like a swarm of coloured fireflies. ‘My arm, Marquand! It’s reached my shoulder!’
‘Run! Nothing else can help you!’ His illuminated face flickered angrily. ‘Don’t waste the stones, they won’t last you for ever!’
Forcing myself to run, I set off towards the forest, where I entered the first of the caves of light. I whirled my arm like a clumsy propeller, and felt the crystals recede slightly. By luck I soon reached a tributary of the river, and hurled myself like a wild man along its petrified surface.
For many hours, or days, I raced through the forest I can no longer remember, for all sense of time deserted me. If I stopped for more than a minute the crystal bands would seize my neck and shoulder, and I ran past the trees for hour after hour, only pausing when I slumped exhausted on the glass beaches. Then I pressed the jewels to my face, warding off the glacé sheath. But their power slowly faded, and as their facets blunted they turned into nodes of unpolished silica.
Once, as I ran through the darkness, my arm whirling before me, I passed the summer house where Captain Shelley kept guard over his dying wife, and heard him fire at me from the veranda.
At last, late one afternoon, when the deepening ruby light of dusk settled through the forest, I entered a small clearing where the deep sounds of an organ reverberated among the trees. In the centre was a small church, its gilt spire fused to the surrounding trees.
Raising my jewelled arm, I drove back the oak doors and entered the nave. Above me, refracted by the stained glass windows, a brilliant glow of light poured down upon the altar. Listening to the surging music, I leaned against the altar rail and extended my arm to the gold cross set with rubies and emeralds. Immediately the sheath slipped and dissolved like a melting sleeve of ice. As the crystals deliquesced the light poured from my arm like an overflowing fountain.
Turning his head to watch me, the priest sat at the organ, his firm hands drawing from the pipes their great unbroken music, which soared away, interweaved by countless overtones, through the panels of the windows towards the dismembered sun.
Life, like a dome of many-coloured glass,
Stains the white radiance of eternity.
For the next week I stayed with him, as the last crystal spurs dissolved from the tissues of my arm. All day I knelt beside him, working the bellows of the organ with my arm as the Pelestrina and Bach echoed around us. At dusk, when the sun sank in a thousand fragments into the western night, he would break off and stand on the porch, looking out at the spectral trees.
I remembered him as Dr Thomas, the priest Captain Shelley had driven to the harbour. His slim scholar’s face and calm eyes, their serenity belied by the nervous movements of his hands, like the false calm of someone recovering from an attack of fever, would gaze at me as we ate our small supper on a foot-stool beside the altar, sheltered from the cold all-embalming wind by the jewels in the cross. At first I thought he regarded my survival as an example of the Almighty’s intervention, and I made some token expression of gratitude. At this he smiled ambiguously.
Why he had returned I did not try to guess. By now his church was surrounded on all sides by the crystal trellises, as if overtopped by the mouth of an immense glacier.
One morning he found a blind snake, its eyes transformed into enormous jewels, searching hesitantly at the door of the porch, and carried it in his hands to the altar. He watched it with a wry smile when, its sight returned, it slid away noiselessly among the pews.
On another day I woke to the early morning light and found him, alone, celebrating the Eucharist. He stopped, half-embarrassed, and over breakfast confided: ‘You probably wonder what I was doing, but it seemed an appropriate moment to test the validity of the sacrament.’ He gestured at the prismatic colours pouring through the stained glass windows, whose original scriptural scenes had been transformed into paintings of bewildering abstract beauty. ‘It may sound heretical to say so, but the body of Christ is with us everywhere here – in each prism and rainbow, in the ten thousand faces of the sun.’ He raised his thin hands, jewelled by the light. ‘So you see, I fear that the church, like its symbol –’ here he pointed to the cross ‘– may have outlived its function.’
I searched for an answer. ‘I’m sorry. Perhaps if you left here –’
‘No!’ he insisted, annoyed by my obtuseness. ‘Can’t you understand? Once I was a true apostate – I knew God existed but could not believe in him. Now,’ he laughed bitterly, ‘events have overtaken me.’
With a gesture he led me down the nave to the open porch, and pointed up to the dome-shaped lattice of crystal beams which reached from the rim of the forest like the buttresses of an immense cupola of diamond and glass. Embedded at various points were the almost motionless forms of birds with outstretched wings, golden orioles and scarlet macaws, shedding brilliant pools of light. The bands of liquid colour rippled outwards through the forest, the reflections of the melting plumage enveloping us in endless concentric patterns. The overlapping arcs hung in the air like the votive windows of a city of cathedrals. Everywhere around us I could see countless smaller birds, butterflies and insects, joining their miniature haloes to the coronation of the forest.
He took my arm. ‘Here in this forest everything is transfigured and illuminated, joined together in the last marriage of time and space.’
Towards the end, when we stood side by side with our backs to the altar, as the aisle transformed itself into an occluding tunnel of glass pillars, his conviction seemed to fail him. With an expression almost of panic he watched the keys of the organ manuals frosting like the coins of a bursting coffer, and I knew that he was searching for some means of escape.
Then at last he rallied, seized the cross from the altar and pressed it into my arms, with a sudden anger born of absolute certainty dragged me roughly to the porch and propelled me to one of the narrowing vaults.
‘Go! Get away from here! Find the river!’
When I hesitated, the heavy sceptre weighing upon my arms, he shouted fiercely: ‘Tell them I ordered you to take it!’
I last saw him standing arms outstretched to the approaching walls, in the posture of the illuminated birds, his eyes filled with wonder and relief at the first circles of light conjured from his upraised palms.
Struggling with the huge golden incubus of the cross, I made my way towards the river, my tottering СКАЧАТЬ