Light. Henri Barbusse

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      There was a large gathering at the wedding. The Marquis and Marchioness of Monthyon appeared at the sacristy. Brisbille, by good luck, stayed away. Good sectarian that he was, he only acknowledged civil marriages. I was a little shamefaced to see march past, taking their share of the fine and tranquil smile distributed by Marie, some women who had formerly been my mistresses—Madame Lacaille, nervous, subtle, mystical; big Victorine and her good-natured rotundity, who had welcomed me any time and anywhere; and Madeleine Chaine; and slender Antonia above all, with the Italian woman's ardent and theatrical face, ebony-framed, and wearing a hat of Parisian splendor. For Antonia is very elegant since she married Véron. I could not help wincing when I saw that lanky woman, who had clung to me in venturesome rooms, now assiduous around us in her ceremonious attire. But how far off and obliterated all that was!

      CHAPTER V

      DAY BY DAY

      We rearranged the house. We did not alter the general arrangement, nor the places of the heavy furniture—that would have been too great a change. But we cast out all the dusty old stuff, the fossilized and worthless knick-knacks that Mame had accumulated. The photographs on the walls, which were dying of jaundice and debility, and which no longer stood for anybody, because of the greatness of time, we cleared out of their imitation tortoiseshell and buried in the depths of drawers.

      I bought some furniture, and as we sniffed the odor of varnish which hung about for a long time in the lower room, we said, "This is the real thing." And, indeed, our home was pretty much like the middle-class establishments of our quarter and everywhere. Is it not the only really proud moment here on earth, when we can say, "I, too!"

      Years went by. There was nothing remarkable in our life. When I came home in the evening, Marie, who often had not been out and had kept on her dressing-gown and plaits, used to say, "There's been nothing to speak of to-day."

      The aeroplanes were appearing at that time. We talked about them, and saw photographs of them in the papers. One Sunday we saw one from our window. We had heard the chopped-up noise of its engine expanding over the sky; and down below, the townsfolk on their doorsteps, raised their heads towards the ceiling of their streets. Rattling space was marked with a dot. We kept our eyes on it and saw the great flat and noisy insect grow bigger and bigger, silhouetting the black of its angles and partitioned lines against the airy wadding of the clouds. When its headlong flight had passed, when it had dwindled in our eyes and ears amid the new world of sounds, which it drew in its train, Marie sighed dreamily.

      "I would like," she said, "to go up in an aeroplane, into the wind—into the sky!"

      One spring we talked a lot about a trip we would take some day. Some railway posters had been stuck on the walls of the old tin works, that the Pocard scheme was going to transfigure. We looked at them the day they were freshly brilliant in their wet varnish and their smell of paste. We preferred the bill about Corsica, which showed seaside landscapes, harbors with picturesque people in the foreground and a purple mountain behind, all among garlands. And later, even when stiffened and torn and cracking in the wind, that poster attracted us.

      One evening, in the kitchen, when we had just come in—there are memories which mysteriously outlive the rest—and Marie was lighting the fire, with her hat on and her hands wiped out in the twilight by the grime of the coal, she said, "We'll make that trip later!"

      Sometimes it happened that we went out, she and I, during the week. I looked about me and shared my thoughts with her. Never very talkative, she would listen to me. Coming out of the Place de l'Eglise, which used to affect us so much not long ago, we often used to meet Jean and Genevieve Trompson, near the sunken post where an old jam pot lies on the ground. Everybody used to say of these two, "They'll separate, you'll see; that's what comes of loving each other too much; it was madness, I always said so." And hearing these things, unfortunately true, Marie would murmur, with a sort of obstinate gentleness, "Love is sacred."

      Returning, not far from the anachronistic and clandestine Eudo's lair, we used to hear the coughing parrot. That old bird, worn threadbare, and of a faded green hue, never ceased to imitate the fits of coughing which two years before had torn Adolphe Piot's lungs, who died in the midst of his family under such sad circumstances. Those days we would return with our ears full of the obstinate clamor of that recording bird, which had set itself fiercely to immortalize the noise that passed for a moment through the world, and toss the echoes of an ancient calamity, of which everybody had ceased to think.

      Almost the only people about us are Marthe, my little sister-in-law, who is six years old, and resembles her sister like a surprising miniature; my father-in-law, who is gradually annihilating himself; and Crillon. This last lives always contented in the same shop while time goes by, like his father and his grandfather, and the cobbler of the fable, his eternal ancestor. Under his square cap, on the edge of his glazed niche, he soliloquizes, while he smokes the short and juicy pipe which joins him in talking and spitting—indeed, he seems to be answering it. A lonely toiler, his lot is increasingly hard, and almost worthless. He often comes in to us to do little jobs—mend a table leg, re-seat a chair, replace a tile. Then he says, "There's summat I must tell you–"

      So he retails the gossip of the district, for it is against his conscience, as he frankly avows, to conceal what he knows. And Heaven knows, there is gossip enough in our quarter!—a complete network, above and below, of quarrels, intrigues and deceptions, woven around man, woman and the public in general. One says, "It can't be true!" and then thinks about something else.

      And Crillon, in face of all this perversity, all this wrong-doing, smiles! I like to see that happy smile of innocence on the lowly worker's face. He is better than I, and he even understands life better, with his unfailing good sense.

      I say to him, "But are there not any bad customs and vices? Alcoholism, for instance?"

      "Yes," says Crillon, "as long as you don't exarrergate it. I don't like exarrergations, and I find as much of it among the pestimists as among the opticions. Drink, you say! It's chiefly that folks haven't enough charitableness, mind you. They blame all these poor devils that drink and they think themselves clever! And they're envious, too; if they wasn't that, tell me, would they stand there in stony peterified silence before the underhand goings-on of bigger folks? That's what it is, at bottom of us. Let me tell you now. I'll say nothing against Termite, though he's a poacher, and for the castle folks that's worse than all, but if yon bandit of a Brisbille weren't the anarchist he is and frightening everybody, I'd excuse him his dirty nose and even not taking it out of a pint pot all the week through. It isn't a crime, isn't only being a good boozer. We've got to look ahead and have a broad spirit, as Monsieur Joseph says. Tolerantness! We all want it, eh?"

      "You're a good sort," I say.

      "I'm a man, like everybody," proudly replies Crillon. "It's not that I hold by accustomary ideas; I'm not an antiquitary, but I don't like to single-arise myself. If I'm a botcher in life, it's cos I'm the same as others—no less," he says, straightening up. And standing still more erect, he adds, "Nor no more, neither!"

      When we are not chatting we read aloud. There is a very fine library at the factory, selected by Madame Valentine Gozlan from works of an educational or moral kind, for the use of the staff. Marie, whose imagination goes further afield than mine, and who has not my anxieties, directs the reading. She opens a book and reads aloud while I take my ease, looking at the pastel portrait which hangs just opposite the window. On the glass which entombs the picture I see the gently moving and puffing reflection of the fidgety window curtains, and the face of that glazed portrait becomes blurred with broken streaks and all kinds of wave marks.

      "Ah, these adventures!" Marie sometimes sighs, at the end of a chapter; "these things that never happen!"

      "Thank СКАЧАТЬ