Rienzi, the Last of the Roman Tribunes. Эдвард Бульвер-Литтон

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СКАЧАТЬ alone, sunk with a deep and heavy sigh upon the ground, covered his face with his hands, and burst into an agony of grief; his chest heaved, his whole frame trembled, and he wept and sobbed aloud, with all the fearful vehemence of a man whose passions are strong and fierce, but to whom the violence of grief alone is novel and unfamiliar.

      He remained thus, prostrate and unmanned, for a considerable time, growing slowly and gradually more calm as tears relieved his emotion; and, at length, rather indulging a gloomy reverie than a passionate grief. The moon was high and the hour late when he arose, and then few traces of the past excitement remained upon his countenance; for Walter de Montreal was not of that mould in which woe can force a settlement, or to which any affliction can bring the continued and habitual melancholy that darkens those who feel more enduringly, though with emotions less stormy. His were the elements of the true Franc character, though carried to excess: his sternest and his deepest qualities were mingled with fickleness and caprice; his profound sagacity often frustrated by a whim; his towering ambition deserted for some frivolous temptation; and his elastic, sanguine, and high-spirited nature, faithful only to the desire of military glory, to the poetry of a daring and stormy life, and to the susceptibilities of that tender passion without whose colourings no portrait of chivalry is complete, and in which he was capable of a sentiment, a tenderness, and a loyal devotion, which could hardly have been supposed compatible with his reckless levity and his undisciplined career.

      “Well,” said he, as he rose slowly, folded his mantle round him, and resumed his way, “it was not for myself I grieved thus. But the pang is past, and the worst is known. Now, then, back to those things that never die—restless projects and daring schemes. That hag’s curse keeps my blood cold still, and this solitude has something in it weird and awful. Ha!—what sudden light is that?”

      The light which caught Montreal’s eye broke forth almost like a star, scarcely larger, indeed, but more red and intense in its ray. Of itself it was nothing uncommon, and might have shone either from convent or cottage. But it streamed from a part of the Aventine which contained no habitations of the living, but only the empty ruins and shattered porticoes, of which even the names and memories of the ancient inhabitants were dead. Aware of this, Montreal felt a slight awe (as the beam threw its steady light over the dreary landscape); for he was not without the knightly superstitions of the age, and it was now the witching hour consecrated to ghost and spirit. But fear, whether of this world or the next, could not long daunt the mind of the hardy freebooter; and, after a short hesitation, he resolved to make a digression from his way, and ascertain the cause of the phenomenon. Unconsciously, the martial tread of the barbarian passed over the site of the famed, or infamous, Temple of Isis, which had once witnessed those wildest orgies commemorated by Juvenal; and came at last to a thick and dark copse, from an opening in the centre of which gleamed the mysterious light. Penetrating the gloomy foliage, the Knight now found himself before a large ruin, grey and roofless, from within which came, indistinct and muffled, the sound of voices. Through a rent in the wall, forming a kind of casement, and about ten feet from the ground, the light now broke over the matted and rank soil, embedded, as it were, in vast masses of shade, and streaming through a mouldering portico hard at hand. The Provencal stood, though he knew it not, on the very place once consecrated by the Temple: the Portico and the Library of Liberty (the first public library instituted in Rome). The wall of the ruin was covered with innumerable creepers and wild brushwood, and it required but little agility on the part of Montreal, by the help of these, to raise himself to the height of the aperture, and, concealed by the luxuriant foliage, to gaze within. He saw a table, lighted with tapers, in the centre of which was a crucifix; a dagger, unsheathed; an open scroll, which the event proved to be of sacred character; and a brazen bowl. About a hundred men, in cloaks, and with black vizards, stood motionless around; and one, taller than the rest, without disguise or mask—whose pale brow and stern features seemed by that light yet paler and yet more stern—appeared to be concluding some address to his companions.

      “Yes,” said he, “in the church of the Lateran I will make the last appeal to the people. Supported by the Vicar of the Pope, myself an officer of the Pontiff, it will be seen that Religion and Liberty—the heroes and the martyrs—are united in one cause. After that time, words are idle; action must begin. By this crucifix I pledge my faith, on this blade I devote my life, to the regeneration of Rome! And you (then no need for mask or mantle!), when the solitary trump is heard, when the solitary horseman is seen,—you, swear to rally round the standard of the Republic, and resist—with heart and hand, with life and soul, in defiance of death, and in hope of redemption—the arms of the oppressor!”

      “We swear—we swear!” exclaimed every voice: and, crowding toward cross and weapon, the tapers were obscured by the intervening throng, and Montreal could not perceive the ceremony, nor hear the muttered formula of the oath: but he could guess that the rite then common to conspiracies—and which required each conspirator to shed some drops of his own blood, in token that life itself was devoted to the enterprise—had not been omitted, when, the group again receding, the same figure as before had addressed the meeting, holding on high the bowl with both hands,—while from the left arm, which was bared, the blood weltered slowly, and trickled, drop by drop, upon the ground,—said, in a solemn voice and upturned eyes:

      “Amidst the ruins of thy temple, O Liberty! we, Romans, dedicate to thee this libation! We, befriended and inspired by no unreal and fabled idols, but by the Lord of Hosts, and Him who, descending to earth, appealed not to emperors and to princes, but to the fisherman and the peasant,—giving to the lowly and the poor the mission of Revelation.” Then, turning suddenly to his companions, as his features, singularly varying in their character and expression, brightened, from solemn awe, into a martial and kindling enthusiasm, he cried aloud, “Death to the Tyranny! Life to the Republic!” The effect of the transition was startling. Each man, as by an involuntary and irresistible impulse, laid his hand upon his sword, as he echoed the sentiment; some, indeed, drew forth their blades, as if for instant action.

      “I have seen enow: they will break up anon,” said Montreal to himself: “and I would rather face an army of thousands, than even half-a-dozen enthusiasts, so inflamed,—and I thus detected.” And, with this thought, he dropped on the ground, and glided away, as, once again, through the still midnight air, broke upon his ear the muffled shout—“DEATH TO THE TYRANNY!—LIFE TO THE REPUBLIC!”

      BOOK II. THE REVOLUTION

      “Ogni Lascivia, ogni male, nulla giustizia, nullo freno.

      Non c’era piu remedia, ogni persona periva.  Allora Cola di Rienzi.” &c.—“Vita di Cola di Rienzi”, lib. i. chap. 2.

      “Every kind of lewdness, every form of evil; no justice, no restraint. Remedy there was none; perdition fell on all.     Then Cola di Rienzi,” &c.—“Life of Cola di Rienzi”.

      Chapter 2.I. The Knight of Provence, and his Proposal

      It was nearly noon as Adrian entered the gates of the palace of Stephen Colonna. The palaces of the nobles were not then as we see them now, receptacles for the immortal canvas of Italian, and the imperishable sculpture of Grecian Art; but still to this day are retained the massive walls, and barred windows, and spacious courts, which at that time protected their rude retainers. High above the gates rose a lofty and solid tower, whose height commanded a wide view of the mutilated remains of Rome: the gate itself was adorned and strengthened on either side by columns of granite, whose Doric capitals betrayed the sacrilege that had torn them from one of the many temples that had formerly crowded the sacred Forum. From the same spoils came, too, the vast fragments of travertine which made the walls of the outer court. So common at that day were these barbarous appropriations of the most precious monuments of art, that the columns and domes of earlier Rome were regarded by all classes but as quarries, from which every man was free to gather the materials, whether for his castle or his cottage,—a wantonness of outrage far greater than the Goths’, to whom a later age would fain have attributed all the disgrace, and which, more perhaps than even heavier СКАЧАТЬ