Blackwood's Edinburgh Magazine, Volume 57, No. 353, March 1845. Various

Чтение книги онлайн.

СКАЧАТЬ than the deepest of these solitudes is that which broods over childhood, bringing before it at intervals the final solitude which watches for it, and is waiting for it within the gates of death. Reader, I tell you a truth, and hereafter I will convince you of this truth, that for a Grecian child solitude was nothing, but for a Christian child it has become the power of God and the mystery of God. Oh, mighty and essential solitude, that wast, and art, and art to be – thou, kindling under the torch of Christian revelations, art now transfigured for ever, and hast passed from a blank negation into a secret hieroglyphic from God, shadowing in the hearts of infancy the very dimmest of his truths!

       MRS POOLE'S "ENGLISHWOMAN IN EGYPT." 13

      An "Englishwoman in Egypt," thanks to the Mediterranean steamers and the overland route to India, is no longer so unusual or astounding a spectacle as it would appear to have been five-and-twenty years ago, when that dilettante traveller, Monsieur le Comte de Forbin, made a precipitate retreat from Thebes in consequence of the shock sustained by his nerves, from encountering among the ruins "une femme-de-chambre Anglaise, en petit spencer couleur de rose," in the person of the Countess of Belmore's lady's-maid; though the Quarterly Reviewers, who in those days had no mercy for a French misstatement, even in the colour of a soubrette's dress, triumphantly declared the offending garment to have been "a pale-blue pelisse;" and proceeded to demolish the hapless Count accordingly – (Quarterly Review, Vol. xxiii. p. 92.) Since the period of this rencontre, the ill-omened blue eyes,14 as well as blue pelisses, of our countrywomen, have been seen with sufficient frequency on the banks of the Nile to render the one, it is to be hoped, no longer an object of alarm to the natives, nor the latter to errant members of the Institute: but a narrative of the impressions produced on a cultivated female mind by a residence among the modern inhabitants of the land of the pyramids, was still a desideratum. The "Notes" (published in 1840 in the Asiatic Journal) of the late lamented Emma Roberts, than whom no one would have been better qualified to fill up the void, though replete with interest and information, are merely those of a traveller hastening through the country on her way to India; and, except the fugitive sketches of Mrs Dawson Damer, we cannot call to mind a single one among all the lady-tourists, with whose tours and voyages the press has lately teemed, who has touched on this hitherto unbroken ground. In such a dearth of information, we may deem ourselves doubly fortunate in finding the task undertaken by a lady possessing such peculiar advantages as must have been enjoyed by the sister of the well-known Orientalist, to whose pen we are indebted for perhaps the most comprehensive and accurate account ever published of the habits and manners of any nation, and under whose immediate superintendence, as we are informed, the work before us was prepared.

      The title of the "Englishwoman in Cairo," would perhaps have more appropriately designated the character of Mrs Poole's volumes than that which she has adopted; since her opportunities of personal observation, after her arrival in the capital from Alexandria, were bounded by the environs of the city, her excursions from which do not appear to have extended further than the pyramids. A considerable portion of the first volume is occupied by an abstract of Egyptian history from the time of the Arab conquest, an account of the foundation of Cairo, an agricultural and general calendar for each month of the year, and various matters connected with the physical features, statistics, &c., of the country. These dissertations form a sort of supplement to the work of her brother, from whose MS. notes they are avowedly taken; being introduced (as Mrs Poole, with much naïveté, confesses) "in the hope of obtaining a more favourable reception for her letters, for the sake of the more solid matter with which they are interspersed;" but though they certainly convey much valuable additional information to the readers of the "Modern Egyptians," they are scarcely "germane to the matter," as interpolations in the work of a lady. The authoress can very well afford to rest her claim to popularity on her own merits; and we prefer to follow her, in her own peculiar sphere, into those mysterious recesses of an Oriental establishment, whither no male footstep can ever penetrate. Mrs Poole is probably the first English lady who has been admitted, not merely as a passing visitor, but as a privileged friend, into the hareems of those of the highest rank in the Egyptian capital. We find her threading the narrow and crowded thoroughfares of Cairo, borne aloft on the "high ass,"15 (the usual mode of conveyance for morning calls;) and are introduced to the wives and daughters of the viceroy, and even (in the hareem of Habeeb Effendi) to ladies of the imperial house of Othman, in the ease and disinvoltura of their domestic circles, amid that atmosphere of dolce far niente and graceful etiquette, in which the hours of an Oriental princess appear to be habitually passed. With the exception of Lady Mary Wortley Montague's piquant sketches of the Turkish hareems and their inmates, and the singular narrative of her personal experience of life in an Indian zenana, by Mrs Meer Hassan Ali,16 we know no female writer who has enjoyed such opportunities for the delineation of the scenes of domestic privacy of the East, and who has so well availed herself of them, as the sister of Mansoor Effendi, in the pages before us.

      The narrative opens with the landing of the authoress and her companions at Alexandria in July 1842; but that city, with its double harbour, its quays crowded with a motley assemblage of every nation and language in Europe and the Levant, and the monuments of antiquity in its environs, has been too often described to present too much opportunity for novelty of remark. Passing over, therefore, the details given of these well-known objects, we find the party, after a rapid passage along the Mahmoodiyeh canal in an iron track-boat, drawn by four horses, and a vexatious delay of two days at the junction of the canal and the river, (during which the want of musquitto-curtains gave them an ample foretaste of the quantity and quality of the insect plagues of Egypt,) fairly embarked on the broad stream of the Nile. The voyage to Cairo was performed in a kanjeh, or passage-boat of the kind usual on the river – a long, narrow craft, with two masts, bearing large triangular sails; and Mrs Poole, in common with most travellers arriving for the first time in the East, was greatly impressed by the simple devotion with which the Reyyis (or Arab captain) and his crew commended themselves, on setting sail, to the protection of Providence, by reciting altogether, in a low voice, the short prayer of the Fathah, or opening chapter of the Koran. "The sight of the Muslim engaged in his devotions is, I think, most interesting; the attitudes are particularly striking and impressive; and the solemn demeanour of the worshipper, who, even in the busy market-place, appears wholly abstracted from the world, is very remarkable. The practice of praying in a public place is so general in the East, and attracts so little notice from Muslims, that we must not regard it as the result of hypocrisy or ostentation."

      As the kanjeh lay to at night to avoid danger from sand-banks, the travellers were three days in reaching Cairo; and found little to interest them in the contemplation of the banks of the Nile, which at this season are destitute of the brilliant verdure which clothes them for some time after the inundation. On arriving at Boulak, the authoress for the first time shrouded herself in the cumbrous folds of a Turkish riding-dress, "an overwhelming covering of black silk, extending, in my idea, in every direction;" and mounted on a donkey, she followed her janissary guide through the dilapidated suburb, "and at length we fairly entered Cairo… The first impression on entering this celebrated city is, that it has the appearance of having been deserted for perhaps a century, and suddenly re-peopled by persons, unable, from poverty or some other cause, to repair it, and clear away its antiquated cobwebs… I wrote to you that the streets of Alexandria were narrow; they are wide compared to those of Cairo. The meshreebeyehs, or projecting windows, facing each other above the ground floor, literally touch in some instances, and in many, the opposite windows are within reach… After passing through several of the streets, into which it appeared as though the dwellings had turned out nearly all their inhabitants, we arrived at an agreeable house in the midst of gardens, in which we are to take up our temporary residence."

      The plan of these gardens, however, intersected by parallel walks, with gutters on each side to convey water into the intermediate squares, was so much at variance with Mrs Poole's English notions of horticulture, that she was almost tempted to conclude, "that a garden in СКАЧАТЬ